Quotes about chord (143 quotes, page 2)

“At this point, I wouldn't want to jinx it by meeting him. His arrangements are incredible. I just send him a tape, we talk on the phone, and he sends me the finished orchestra tracks. Hear that? I'm gonna get that chord on the radio!”

Prince (1958–2016) American pop, songwriter, musician and actor

Discussing his then nearly decade-and-a-half-long working relationship with arranger Clare Fischer (whom he'd never met, nor ever would meet, face to face), as quoted in the January 2000 issue of Keyboard Magazine, reprinted in Keyboard Presents Synth Gods https://books.google.com/books?id=BMucfBTXvMgC&pg=PA97&dq=%22I+wouldn't+want+to+jinx+it%22+%22that+chord+on+the+radio%22&hl=en&sa=X&ei=w2acVdevKIKYyASn3oCoBg&ved=0CBQQ6AEwAA#v=onepage&q&f=false (2011), edited by Ernie Rideout, p. 97

“Rest springs from strife and dissonant chords beget
Divinest harmonies.”

Lewis Morris (poet) (1833–1907) Welsh poet in the English language

Love's Suicide, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Spring

“She spoke, they were but a few hurried words —
Of the sweet flowers around, the heat, the night —
Yet were they such as the blest heart records
For many an after-moment's long delight;
They touch'd upon his spirit's inmost chords;
Though broken was the sense, the accents light,
Yet sweeter was to him that tremulous tone
Than all that eloquence were proud to own.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

26th August 1826) Metrical Fragments No. II. Tasso’s last interview with the Princess Leonora. (under the pen name Iole
The London Literary Gazette, 1826

Flowers , Sense , Light , Heart

“Roger: It depends.. A song is melody and lyrics and the music, you know? For our band, Vinnie the drummer writes like 95% of the lyrics so he's the main songwriter if you want to look at it that way. But he doesn't write any chords or melodies or any of that kind of stuff. So, it's kind of hard to split up or dissect a song that way, you know? On this record.. it's pretty fair, you know, pretty even between myself and Chris.. Actually JR and I. JR's the first song writer outside of Chris, Vinnie or I to like actually sit down and reword a song for the record. So he's becoming like a bigger part of that sort of thing. I don't know. It just depends. I definitely write a bunch of them!”

Roger Manganelli (1973) American musician

laughs

Music , Way , Parting , Dependency

“John Tate and I were asked by Nature magazine to write an obituary for Alexander Grothendieck. Now he is a hero of mine, the person that I met most deserving of the adjective "genius". I got to know him when he visited Harvard and John, Shurik (as he was known) and I ran a seminar on "s". His devotion to math, his disdain for formality and convention, his openness and what John and others call his naiveté struck a chord with me.”

David Mumford (1937) American mathematician

David Mumford. " Can one explain schemes to biologists http://www.dam.brown.edu/people/mumford/blog/2014/Grothendieck.html," at dam.brown.edu/people/mumford/blog, December 14, 2014.

Nature , Personality

“A widow, the mother of a family, and from her heart she produces chords to which my whole being responds.”

Fyodor Dostoyevsky book The Idiot

The Idiot (1868–9)

Family , Heart

“So, if you played a C major chord to pretty much any person on the planet, they'd say that it sounds "harmonious" (or pleasing, or happy, etc, etc). But now when you want to put chords and melodies in an ordering and make a larger piece called a "song", then that is a much more difficult process, and gets very subjective. At that point, it's not just the chords, it's the lyrics, rhythms, instrumentation, tempo, intensity, any number of other things that goes into a song… so many variables that it's almost impossible to predict how a song will affect a given person.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Personality , Happiness

“It's a way of life for me. To me, Scientology is the very thing that artists need, in the sense that it's not a religion that you have to change the way that you pray or think about the Creator. What's incredible about Scientology is that this is the first time there's been a real technology on human relationships. To me, that's what's missing in the world. Like most of us, I grew up in a mechanical world. And when I got into music, it was mechanical in the sense of choosing notes and chords. Missing were the humanities. What ever happened to how you really live? How you feel? How you relate to people? How you reach out and help someone? I think that's one of the most basic, natural tendencies all people have—to help. Scientology gives you the necessary tools to be successful at helping someone.”

Chick Corea (1941) American jazz and fusion pianist, keyboardist, and composer

Response when asked "How has Scientology influenced your artistry?". BET Jazz (December 2004)

Life , People , World , Religion

“The concept of 'tonality' signifies the unified relationship of chords to a central tonic and hence comprises two different assumptions: first, the existence of unifying factors, and second, the existence of, or at least the hypothetical ability to reconstruct, a tonal center.”

Ernst Kurth

Romantische Harmonik und ihre Krise in Wagners Tristan (1920), p. 273.

“Producers of opera nowadays usually make the mistake of translating each particular orchestral phrase into terms of a movement on the stage. In this matter one should proceed with a maximum of caution and good taste. There is no objection to bringing life to into the production by changes of position and new nuances of acting during repetitive passages of music, especially in arias. Preludes of one or two bars frequently, and especially in Mozart, clearly express some gesture on stage. But each trill on the flute does not represent a wink on the prima donna, nor every delayed chord on the strings a step or gesture. Whole passages, especially in the finales, are pure concert music and are best left undisturbed by “play acting.””

Richard Strauss (1864–1949) German composer and orchestra director

Recollections and Reflections

Life , Music , Change

“I consider the Fourth a patriotic holday more than a nationalist one. We are celebrating the signing of a text, the establishment of a set of laws and principles on the Fourth of July. The Fourth is about political liberty and national independence. It is, for all its pomp and circumstance, a fairly secular and rational holiday. Meanwhile, Thanksgiving plays upon the mystic chords of memory and is prior to and independent of many of things we celebrate on the Fourth. Anyway, I agree its a fair criticism and probably just highlights different perspectives. And, yes, the food on the Fourth of July is really, really good. I am all about hotdogs, beer and barbecue.”

Jonah Goldberg (1969) American political writer and pundit

November 2004 http://web.archive.org/web/20040421/www.nationalreview.com/thecorner/04_11_24_corner-archive.asp
2000s, 2004

Law , Food , Beer , Memory

“I've been fascinated with arcane chord progressions since I was young. The trick is to keep them interesting, while still in the realm of 'normality' (otherwise the listener has no context to appreciate the progressions in).”

Andrew Sega (1975) musician from America

Static Line interview, 1998

“Chords that vibrate sweetest pleasure
Thrill the deepest notes of woe.”

Robert Burns (1759–1796) Scottish poet and lyricist

Sensibility How Charming, st. 4
Johnson's The Scots Musical Museum (1787-1796)

Pleasure

“Even an ordinary broken chord is made to disclose rare beauties; we are reminded of the fairies' hazelnuts in which diamonds were concealed but you could break the shell only if your hands were blessed.”

Neville Cardus (1888–1975) English writer

Of Rachmaninoff's playing; Manchester Guardian (1939)

Beauty

“Everything depends, of course, on the shape of the hand, and it must be stressed that there is no type of hand which is more suited to the piano than another. One of the greatest pianists that I ever heard—certainly the most remarkable in his control of the widest possible range and variety of tone color—was Josef Hoffman, who had a hand so small that he could reach no more than an octave; Steinway built him a special piano in which the ivories were slightly narrower so that he could reach a ninth. His friend Sergei Rachmaninov had a very large hand, as did Rudolf Serkin, and Sviatoslav Richter could not only reach a twelfth but could play the last chord of the Schumann Toccata without arpeggiation—an effect which would certainly have astonished the composer. My teacher, Moriz Rosenthal, famous for his technique, had a small hand with stubby fingers; Vladimir Horowitz's fingers were exceptionally long, while Robert Casadesus had fingers so thick that he had trouble fitting them in between the black keys. There is no such thing as an ideal pianist's hand.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 1 Body and Mind

Color , Teachers , Dependency

“Our intention in this Disme is to worke all by whole numbers: for seing that in any affayres, men reckon not of the thousandth part of a mite, grayne, &c. as the like is also used of the principall Geometricians, and Astronomers, in computacions of great consequence, as Ptolome & Johannes Monta-regio have not described their Tables of Arches, Chords, or Sines, in extreme perfection (as possibly they might have done by Multinomiall numbers,) because that imperfection (considering the scope and end of those Tables) is more convenient then such perfection.”

Simon Stevin (1548–1620) Flemish scientist, mathematician and military engineer

Disme: the Art of Tenths, Or, Decimall Arithmetike (1608)

Men , Parting , Perfection

“Seated one day at the organ,
I was weary and ill at ease,
And my fingers wandered idly
Over the noisy keys. I do not know what I was playing,
Or what I was dreaming then;
But I struck one chord of music,
Like the sound of a great Amen.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

"A Lost Chord".
Legends and Lyrics: Second Series (1861)

Dreams , Music

“.. colors are my notes for fashioning sounds and chords with and against one another.”

Emil Nolde (1867–1956) German artist

as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35
3 short quotes in which Nolde expresses the evocative power of color, which became with his garden and flower paintings from 1906-07 the chief medium of his art.
undated quotes

Color , Fashion

“Chopin's exquisite ear saved him from the ugly repetition of thick chords in the bass that frequently disfigure the work of Mendelssohn, Weber, and Hummel—and even of Field.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

“It is traditional conservatism…It is radical, because at the time when I took over we needed to be radical. I would not call it populist. I may say many of the things that I have said strike a chord in the hearts of ordinary people. Why? Because they are British. Because their character is independent. They do not like to be shoved around. Because they are prepared to take responsibility. Because they do expect to be loyal to their friends and loyal allies. You call it populist. I say it strikes a chord in the hearts of people. I know, because it struck a chord in my heart many many years ago.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Radio Interview for BBC Radio 3 (17 December 1985) http://www.margaretthatcher.org/document/105934
Second term as Prime Minister

People , Time , Heart

“Jesus! How does the very word overflow with sweetness, and light, and love, and life; filling the air with odors, like precious ointment poured forth; irradiating the mind with a glory of truths on which no fear can live, soothing the wounds of the heart with a balm that turns the sharpest anguish into delicious peace, shedding through the soul a cordial of immortal strength. Jesus! the answer to all our. doubts, the spring of all our courage, the earnest of all our hopes, the charm omnipotent against all our foes, the remedy for all weakness, the supply of all our wants, the fullness of all our desires. Jesus! at the mention of whose name every knee shall bow and every tongue confess. Jesus! our power; Jesus! our righteousness, our sanctification, our redemption — Jesus! our elder brother, our blessed Lord and Redeemer. Thy name is the most transporting theme of the church, as they sing going up from the valley of tears, to their home on the mount of God; Thy name shall ever be the richest chord in the harmony of heaven, while the angels and the redeemed unite their exulting, adoring songs around the throne of God.”

George Washington Bethune (1805–1862) American hymnwriter

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 54.

Love , Life , God , Truth

“The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them…I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.”

Miles Davis (1926–1991) American jazz musician

About the new modal style. Interviewed by The Jazz Review, 1958; Quotes in Paul Maher, ‎Michael K. Dorr (2009) Miles on Miles: Interviews and Encounters with Miles Davis, p. 18.
1950s

Music , Guy , Thinking

“I practice all the scales. Everyone should know lots of scales. Actually, I feel there are only scales. What is a chord, if not the notes of a scale hooked together? There are several reasons for learning scales: one, the knowledge will unlock the neck for you -- you'll learn the instrument; second, if I say I want you to improvise ofer Gmaj7+5, then go to Eaug9-5, then to bmaj7-5 --well, if you don't know, what those chords are in scale terms, you're lost. It's not all that difficult, but you have to be ready to apply yourself…”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

[Denyer, Ralph, The Guitar Handbook, 2002, 114, 0-679-74275-1]

Feeling , Knowledge , Learning

“I had a concussion nine years ago, and that changed things. I had always been sensitive musically, but now, since the concussion, I ﬁnd the emotion is there immediately. There is no build. I hear several chord changes — it could be three or four chord changes from a string orchestra — and, man, I’m just gushing tears. I don’t take it as a weakness. Sometimes it might get slightly embarrassing to observers. On the other hand, I’m not putting it on. I’m in no way trying to exaggerate feeling. My feelings are exactly the opposite. Sometimes I wish I wouldn’t be quite as sensitive because then I wouldn’t have to go through this thing when I write.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

Music , Way , Feeling , Tear

“I could issue manifestos summoning seraphim to revolt against the Haavenly State we're in, or trumpets to summon American mankind to rebellion against the Authority which has frozen all skulls in the cold war, That is, I could, make sense, invoke politics and try organize a union of opinion about what to do to Cuba, China, Russia, Bolivia, New Jersey, etc. However since in America the folks are convinced their heaven is all right, those manifestos make no dent except in giving authority & courage to the small band of hipsters who are disaffected like gentle socialists. Meanwhile the masses the proletariat the people are smug and the source of the great Wrong. So the means then is to communicate to the grand majority- and say I or anybody did write a balanced documented account not only of the lives of America but the basic theoretical split from the human body as Reich has done- But the people are so entrenched in their present livelihood that all the facts in the world-such as that China will be 1/4 of world pop makes no impression at all as a national political fact that intelligent people can take counsel on and deal with humorously & with magnificence. So that my task as a politician is to dynamite the emotional rockbed of inertia and spiritual deadness that hangs over the cities and makes everybody unconsciously afraid of the cops- To enter the Soul on a personal level and shake the emotion with the Image of some giant reality-of any kind however irrelevant to transient political issue- to touch & wake the soul again- That soul which is asleep or hidden in armor or unable to manifest itself as free life of God on earth- To remind by chord of deep groan of the Unknown to most Soul- then further politics will take place when people seize power over their universe and end the long dependence on an external authority or rhetorical set sociable emotions-so fixed they don't admit basic personal life changes-like not being afraid of jails and penury, while wandering thru gardens in high civilization.”

Allen Ginsberg (1926–1997) American poet

Gordon Ball (1977), Journals: Early Fifties Early Sixties, Grove Press NY
Journals: Early Fifties Early Sixties

Life , God , War , People

“Statues but known from shapes of the earth,
By being too lovely for mortal birth;
Paintings whose colours of life were caught
From the fairy tints in the rainbow wrought;
Music whose sighs had a spell like those
That float on the sea at the evening’s close
Language so silvery, that every word
Was like the lute’s awakening chord;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Title Poem
The Improvisatrice (1824)

Love , Life , Music , Birth

“Punk's an attitude. Punk's not three-chord rock. If you want to listen to three chord rock, there's southern rock.”

Jack Terricloth (1970)

http://www.youtube.com/watch?v=q-kyp0PQPZY
Interviews

“New voices come to me where'er I roam,
My heart too widens with its widening home:
But song grows weaker, and the heart must break
For lack of voice, or fingers that can wake
The lyre's full answer; nay, its chords were all
Too few to meet the growing spirit's call.”

George Eliot (1819–1880) English novelist, journalist and translator

The Legend of Jubal (1869)
Context: New voices come to me where'er I roam,
My heart too widens with its widening home:
But song grows weaker, and the heart must break
For lack of voice, or fingers that can wake
The lyre's full answer; nay, its chords were all
Too few to meet the growing spirit's call.
The former songs seem little, yet no more
Can soul, hand, voice, with interchanging lore
Tell what the earth is saying unto me:
The secret is too great, I hear confusedly.

Home , Heart

“Instead of thinking in terms of chords, I think of voice-leading”

Paul Simon (1941) American musician, songwriter and producer

As quoted in "Paul Simon's Workshop at the Guitar Study Center" by Richard Albero and Fred Styles in Guitar Player (April 1975), p. 20
Context: Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear... Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.

Thinking

“You knew exactly who the good guys were and who were the bad guys just by the chord: the good guys got a perfect fifth - strong, compassionate - the bad guys got an augmented fourth… Just a semitone, but sometimes in life when you make the wrong choices, it's just a semitone out.”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Remarkable Guide to the Orchestra (2008)

Life , Guy , Strong , Perfection

“Things proceed as they were ordered, in their nice, and well-adjusted, and perfect harmony; so that as the hand of the skilful artist gathers music from the harp-strings, history calls it forth from the well-tuned chords of time.”

George Bancroft (1800–1891) American historian and statesman

Literary and Historical Miscellanies (1855), The Necessity, the Reality, and the Promise of the Progress of the Human Race (1854)
Context: The glory of God is not contingent on man's good will, but all existence subserves his purposes. The system of the universe is as a celestial poem, whose beauty is from all eternity, and must not be marred by human interpolations. Things proceed as they were ordered, in their nice, and well-adjusted, and perfect harmony; so that as the hand of the skilful artist gathers music from the harp-strings, history calls it forth from the well-tuned chords of time. Not that this harmony can be heard during the tumult of action. Philosophy comes after events, and gives the reason of them, and describes the nature of their results. The great mind of collective man may, one day, so improve in self-consciousness as to interpret the present and foretell the future; but as yet, the end of what is now happening, though we ourselves partake in it, seems to fall out by chance. All is nevertheless one whole; individuals, families, peoples, the race, march in accord with the Divine will; and when any part of the destiny of humanity is fulfilled, we see the ways of Providence vindicated. The antagonisms of imperfect matter and the perfect idea, of liberty and necessary law, become reconciled. What seemed irrational confusion, appears as the web woven by light, liberty and love. But this is not perceived till a great act in the drama of life is finished. The prayer of the patriarch, when he desired to behold the Divinity face to face, was denied; but he was able to catch a glimpse of Jehovah, after He had passed by; and so it fares with our search for Him in the wrestlings of the world. It is when the hour of conflict is over, that history comes to a right understanding of the strife, and is ready to exclaim: "Lo! God is here, and we knew it not."

Music , History , Time , Perfection

“Such the bard's prophetic words, Pregnant with celestial fire, Bending as he swept the chords Of his sweet but awful lyre.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

"Boadicea" (1782).
Context: "Regions Caesar never knew
Thy posterity shall sway;
Where his eagles never flew,
None invincible as they."Such the bard's prophetic words, Pregnant with celestial fire, Bending as he swept the chords Of his sweet but awful lyre.

“What I read in the Qur’an, and what I learned from the words of Muhammad, Jesus and others really struck a chord with me, so I chose to implement the wisdom I found.”

Dawud Wharnsby (1972) Canadian musician

Beating the drums of hope and faith (2004)
Context: What I read in the Qur’an, and what I learned from the words of Muhammad, Jesus and others really struck a chord with me, so I chose to implement the wisdom I found. I don’t feel as though I "changed" to any new "religion", rather, I just grew as an individual: I matured spiritually. … I believe the proverbial "search" doesn’t end until we die.

Wisdom , Learning , Reading

“Whatever happens, don't give up and don't despair. Results may not be immediately apparent, but you may have touched a receptive chord without knowing it. Even the most unsympathetic and unenlightened politician, industrialist or bureaucrat begins to take notice when a lot of people write about the same subject.”

Prince Philip, Duke of Edinburgh (1921) member of the British Royal Family, consort to Queen Elizabeth II

The Environmental Revolution: Speeches on Conservation, 1962–77 (1978)
Context: It is frequently more rewarding merely to ask pertinent questions. It may get someone to go and look for an answer. If you get a silly answer, which can easily happen, you can return to the charge with even more telling effect. Whatever happens, don't give up and don't despair. Results may not be immediately apparent, but you may have touched a receptive chord without knowing it. Even the most unsympathetic and unenlightened politician, industrialist or bureaucrat begins to take notice when a lot of people write about the same subject.

People , Despair

“This evolution toward noise-sound is only possible today. The ear of an eighteenth century man never could have withstood the discordant intensity of some of the chords produced by our orchestras (whose performers are three times as numerous); on the other hand our ears rejoice in it, for they are attuned to modern life, rich in all sorts of noises. But our ears far from being satisfied, keep asking for bigger acoustic sensations. However, musical sound is too restricted in the variety and the quality of its tones. Music marks time in this small circle and vainly tries to create a new variety of tones... We must break at all cost from this restrictive circle of pure sounds and conquer the infinite variety of noise-sounds.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 6

Music , Life , Time

“It’s no accident that so many fabled rock ensembles have had two contrasting leaders (Lennon and McCartney, Jagger and Richards, Plant and Page, Bono and The Edge) to play off each other and cross-pollinate and, at times, butt heads. But Chris Martin completely dominates Coldplay; there’s no yin to his smiley enraptured yang. He’s the rock-king superstar the other band members all worship, humbly, as the genius who made their fates possible, and almost every moment of the band’s creative energy is organized around what Chris is going to do next: the piano chords he’s playing around with, the lyrics he’s writing, his endless studio perfectionism.”

Chris Martin (1977) musician, co-founder of Coldplay

http://variety.com/2018/film/reviews/coldplay-a-head-full-of-dreams-review-1203031635/ source

Time , Fate

“Sometimes an ill favored bitch gnaws a good chord.”

James Howell (1594–1666) Anglo-Welsh historian and writer

Lexicon Tetraglotton (1660)

Bitch

“The two hundred or so songs that Saigal sang, touched a popular chord despite their, or perhaps because of their, profundity.”

K. L. Saigal (1904–1947) Indian actor

Saigal, the unforgettable

“The effortless ease with which his tried vocal chords alternately contrasted the vibrant and tender shades is another special characteristics of Bhimsen’s rendition, capable of capturing the subtlest tones, at once showcasing the aesthetic majesty and grandeur of his exceptionally captivating quality of singing.”

Bhimsen Joshi (1922–2011) Indian vocalist

Critique

Singing

“I pretended I was Cat Stevens. I started out with very Cat Stevensy chords, very abrupt. I was so stuck in the moment of being fearful so as a lesson to myself I said: ‘but we can never know about the days to come’. I didn’t know when the door-bell was going to ring. I liked that. It was all of a sudden a quarter to eight and I had written the whole song.”

Carly Simon (1943) American singer-songwriter, musician and author

On her song “Anticipation” in “Carly Simon explains ‘Anticipation’ was about Cat Stevens” http://www.music-news.com/news/Underground/101225/Carly-Simon-explains-Anticipation-was-about-Cat-Stevens in Music-News.com (31 Oct 2016)

Cats , Fear

“The Introductory chords dissolve the dream which the music has evoked, and we are back once more in the world of reality.”

Walter Raymond Spalding (1865–1962) American music pedagogue and author

On the Coda of the Midsummer Night's Dream Overture, page 187 https://books.google.com/books?id=pQARAAAAIAAJ&pg=PA187.
Music: An Art and a Language (1920), Schumann and Mendelssohn (Ch. XIII)

Music , Reality , World , Dreams

“Regions Caesar never knew
Thy posterity shall sway;
Where his eagles never flew,
None invincible as they.
Such the bard's prophetic words,
Pregnant with celestial fire,
Bending as he swept the chords
Of his sweet but awful lyre.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: "Boadicea" (1782)

“If the tune stays in my mind the next morning then it means that it has potential! The next step is to throw some chords with the keyboard and record a demo with my voice, which you can then work on quietly.”

Prevale (1983) Italian DJ and producer

From the interview «Carlo Prevale: il DJ che trasmette emozioni con le sue canzoni!» http://www.prevale.net/news-and-releases.html, Corriereinformazione.it
Original: (it) [Come nascono le tue song?] Le mie song nascono dal nulla, spontanee, niente di studiato a tavolino, di solito è di notte che l'ispirazione mi porta delle buone idee... magari sono in qualsiasi punto del mio studio e canticchio, canticchio e poi esclamo: "Mmm carino questo motivo...". Se la mattina seguente il motivetto mi rimane in mente allora vuol dire che ha delle potenzialità! Il passo successivo è quello di buttare degli accordi con la tastiera e registrare una demo con la mia voce, sulla quale poi lavorarci tranquillamente.
[How are your songs born?] My songs come out of nothing, spontaneous, nothing studied at the table, usually it is at night that inspiration brings me good ideas ... maybe they are anywhere in my studio and I hum, hum and then exclaim: "Mmm cute this reason ... ".
Source: From the interview by Federico Valenti, «Carlo Prevale: il DJ che trasmette emozioni con le sue canzoni!», Corriereinformazione.it, August 22, 2010; on Prevale.net http://www.prevale.net/news-and-releases.html.

Quotes about chord page 2

Quotes about chord
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