Quotes about billboard

A collection of quotes on the topic of billboard, look, making, life.

Quotes about billboard

“Once he'd even reprogrammed the electronic billboards in Time Square to read: ALL DA LADIES LUV LEO… accidentally, of course.”

Rick Riordan book The Lost Hero

Source: The Lost Hero

Time, Reading

“On my way here I passed a local cinema and it turns out you were expecting me after all, for the billboards read: The Mummy Returns.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Election Rally in Plymouth (22 May, 2001) http://www.margaretthatcher.org/speeches/displaydocument.asp?docid=108389 <br class="br">Post-Prime Ministerial

Way, Reading

“If you've seen a crab's mouth, all foamy and gross with whiskers and snapping bits, you can imagine this one didn't look any better blown up to billboard size.”

Rick Riordan book The Last Olympian

Source: The Last Olympian

Imagination

“O Beautiful, for smoggy skies, insecticided grain

for strip-mined mountains' majesty, above the asphalt plain

America, America, man sheds his waste on thee

and hides the pines, with billboard signs, from sea to oily sea.”

George Carlin (1937–2008) American stand-up comedian

Class Clown (1972)

Beauty, Mountain, Sea

“(Henry Clarendon IV:) "Is God happy with the poisoned cat dying alone in convulsions behind the billboard? Is God happy that life is cruel and that only the fittest survive? The fittest for what? Oh no, far from it. If God were omnipotent and omniscient in any literal sense, he wouldn’t have bothered to make the universe at all. There is no success where there is no possibility of failure, no art without the resistance of the medium. Is it blasphemy to suggest that God has his bad days when nothing goes right, and that God’s days are very, very long?"”

Raymond Chandler book Playback

Source: Playback (1958), chapter 17

Life, God, Happiness, Art

“It is impossible to understand the American public without taking into account the tremendous psychological effect of bringing up a generation of people in a daily environment of advertising. It is impossible to escape the advertising man; his sales talk assaults us in the morning newspaper, in the street car, with billboards along the highways, and in his shameless use of the radio. This means that from morning till night, in the midst of our work as in our recreation, we live constantly in an atmosphere of intellectual shoddiness. Every popular prejudice and vulgar conceit is played upon and pandered to in the interests of salesmanship. Everywhere material interests and herd opinion are strengthened to the loss of personal independence. The tendency is to think and speak for effect rather than out of one's inner life. There is a marked decline the ability to play with ideas, or to live the spiritual life for its own sake. Hence a decline in civilization of interest, humor and urbanity. Advertising tends to make mechanized barbarians of us all.”

Everett Dean Martin (1880–1941)

Source: The Conflict of the Individual and the Mass in the Modern World (1932), pp. 29-30

Life, People, Cars, Idea

“I'd like to say that people people can change anything they want to; and that means everything in the world. Show me any country and there'll be people in it. And it's the people that make the country. People have got to stop pretending they're not on the world. People are running about following their little tracks. I am one of them. But we've all gotta stop just stop following our own little mouse trail. People can do anything; this is something that I'm beginning to learn. People are out there doing bad things to each other; it's because they've been dehumanized. It's time to take that humanity back into the centre of the ring and follow that for a time. Greed… it ain't going anywhere! They should have that on a big billboard across Times Square. Think on that. Without people you're nothing.”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

Joe Strummer: The Future Is Unwritten (2007).

People, World, Thinking, Learning

“Some credible scholars say that making mass murderers famous motivates other mass murderers. (One might even argue that this article is part of the problem). Elliot Rodger sent his lengthy diatribe to the media before he went on his killing spree -- correctly predicting that his actions would propel his ideas (such as they were) into the marketplace of ideas on a digital billboard larger than he could ever have enjoyed had he not amplified them with his psychotic rampage. Accordingly, should we not silence him? Wipe his words from the Internet forever? Let him be forgotten?”

Marc Randazza (1969) American writer

Motivation, Idea, Problem, Silence

“I paint directly – then it's said to be an exact copy; and not art, probably because there's no perspective or shading. It doesn't look like a painting of something, it looks like the thing itself. Instead of looking like a painting of a billboard – the way a w:Reginald Marsh would look – Pop Art seems to be the actual thing. It is intensification, a stylistic intensification of the excitement which the subject matter has for me; but the style is, as you said, cool.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Art, Way, Painting

“With a long slow stride, limping a little from his blistered feet, Bud walked down Broadway, past empty lots where tin cans glittered among grass and sumach bushes and ragweed, between ranks of billboards and Bull Durham signs, past shanties and abandoned squatters’ shacks, past gulches heaped with wheelscarred rubbishpiles where dumpcarts were dumping ashes and clinkers, past knobs of gray outcrop where steamdrills continually tapped and nibbled, past excavations out of which wagons full of rock and clay toiled up plank roads to the street, until he was walking on new sidewalks along a row of yellow brick apartment houses, looking in the windows of grocery stores, Chinese laundries, lunchrooms, flower and vegetable shops, tailors’, delicatessens. (pp. 23-24)”

John Dos Passos book Manhattan Transfer

Manhattan Transfer (1925)

Flowers, Grass, Past, Housing

“I realized that wherever she came from, whatever shaped her, she’s the quintessence of the horror behind the bright billboard. She’s the smile that tricks you into throwing away your money and your life. She’s the eyes that lead you on and on, and then show you death. She’s the creature you give everything for and never really get. She’s the being that takes everything you’ve got and gives nothing in return. When you yearn towards her face on the billboards, remember that. She’s the lure. She’s the bait. She’s the Girl.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“The Girl with the Hungry Eyes” (p. 241)
Short Fiction, Night's Black Agents (1947)

Life, Death, Money, Smile

“Los Angeles is the home of self-expression, but the artists are middle-class and middling-minded; no passions will calcify here for years in the gloom to be revealed a decade later as the tessellations of hard and fertile work. … In this land of the pretty-pretty, the virility is in the barbarisms, the vulgarities, it is in the huge billboards, the screamers of the neon lighting, the shouting farm-utensil colors of the gas stations and monster drugstores, it is in the swing of the sports cars, hot rods, convertibles.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Angels, Cars, Color, Home

“.. it [painting art] has never been so truly realistic, so firmly attached to its own period as it is today. A kind of painting that is realistic in the highest sense is beginning to appear, and it is here today... The advertising billboard, dictated by modern commercial needs, that brutally cuts across a landscape.... this yellow or red poster shouting in a timid landscape, is the best of possible reasons for the new painting; it topples the whole sentimental literary concept and announces the advent of plastic contrast.”

Fernand Léger (1881–1955) French painter

Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 12
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914

Art, Sense, Appearance, Painting

“It would be another two decades before I came upon the words that made me think I had a story to tell—the opening words of Maxine Hong Kingston’s The Woman Warrior: “You must not tell anyone,” my mother said, “what I am about to tell you.” The immigrant mother’s prohibition to her daughter reminded me of my own mother’s warning about spreading “family secrets.” In the face of California’s fame for blatancy—in the face of pervasive light, ingenuousness, glass-and-aluminum housing, bikinis, billboards—Mrs. Hong recommended concealment.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)

Secret, Family, Thinking, Light

“The first-century church in Jerusalem clearly had it. And they didn't have any fancy accoutrements. So it can't possibly be stained-glass windows, hand-carved cherubs, custom silk tapestries, gold-inlaid hymnals, thousand-pipe organs, marble floors, mile-high steeples, hand-painted ceilings, mahogany pews, giant cast-iron bells, and a three-piece, thousand dollar suit. It doesn't stick any better to a young, hip, shaved-headed pastor with rimmed glasses, a goatee, and tattoos than it does to an older, stately gentleman in a robe. Nor is it spotlights and lasers, video production, satellite dishes, fog machines, shiny gauze backdrops, four-color glossy brochures, sexy billboards, loud "contemporary" music, free donuts, coffee shops, hip bookstores, break dancing or acrobatics, sermon series named after television shows, a retro-modern matching chair and table onstage, or blue jeans and Heelys. It is not being on television, being on the Internet, or being on book and magazine covers. It is real. It is genuine.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

Books, Music, Color, Coffee

“I certainly owe a lot of awesomeness to blogs, to people who have been blogging about a show, or blogging about a single, or blogging about something. It's just amazing to me that it seems to be a nice equalizer. People don't necessarily need the clout of a big "record company machine" to put their face on a billboard. It seems more organic and honest in a lot of ways, for fans of music to be critics I suppose.”

St. Vincent (musician) (1982) American singer-songwriter

QRO Magazine interview (2007)

People, Music, Way

“How would you feel if your prayer requests were made public, displayed on a billboard or marquee? "Dear Lord, make me famous. Make me rich."”

Bill Hybels (1951) American writer

Too Busy Not to Pray (2008, InterVarsity Press)

Feeling

“My collages are only ideas for things much larger – things to cover walls. In fact all the things that I have done I would like to see much larger. I am not interested in painting as it has been accepted for so long – to hang on walls of houses as pictures. To hell with pictures – they should be the wall – even better – on the outside wall – of large buildings. Or stood up outside as billboards or a kind of modern 'icon'. We must make our art like the Egyptians, the Chinese & the African and the Island primitives – with their relation to life. It should meet the eye direct.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Quote in a letter to John Cage, 4 September 1950; as quoted in "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim museum, New York 1997, p. 11
1950 - 1968

Life, Art, Idea, Hell

“When we encounter a face, we view it as a whole, by a process of integration of the parts, which takes place, as some scientists and physicians understand it, in the optic nerves long before any transmission reaches the brain. The otherwise dizzying abundance of information that hits the retina is distilled in this tract of fibers behind the eye into a sign that our intelligence can absorb. When we see a strip of letters, a billboard slogan, for example, we cannot help but read the word; we do not see each letter separately, but rather, instantly, we grasp the whole word and, moreover, its meaning.”

Zia Haider Rahman British novelist

In The Light of what We Know (2014)

Intelligence, Understanding, Reading, Help

“The family which takes its mauve and cerise, air conditioned, power-steered, and power braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, blighted buildings, billboards, and posts for wires that should long since have been put underground.”

John Kenneth Galbraith book The Affluent Society

Source: The Affluent Society (1958), Chapter 18, Section I, p. 199

Family

“From the moment he switches on an early-morning news broadcast until he falls asleep at night over a novel or a magazine, he is, like all other people living in modern civilized conditions, swimming in words. Newspaper editors, politicians, salesmen, disc jockeys, columnists, luncheon club speakers, and clergymen; colleagues at work, friends, relatives, wife and children; market reports, direct-mail advertising, books, and billboards -- all are assailing him with words all day long. […] ”

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Niagara of Words, p. 15

Children, People, Books, Night

“I don't think it's a good attitude in your life to feel that you have to be rich to have self-esteem. You know, I saw a billboard in New York I wish I had photographed. It was for the TNN network. It said three words against a patriotic background of red, white and blue — BIGGER, YOUNGER, RICHER. Now, I find that fascinating: 'Bigger, younger, richer.' This whole idea of being wealthy has gone too far. I never ride in a limousine, you know. I feel gross if I get in a limousine. One good thing about the sixties was it sort of was the opposite back then. You looked silly trying to appear rich.”

Tom Petty (1950–2017) American musician

Rolling Stone interview (2002)

Life, Feeling, Idea, Thinking

“I was sitting in my suite one night after the show, and I looked out at the [Las Vegas] Strip and saw the huge neon billboard with my name on it, spelled out in those giant letters they use. Then I looked across the street at Caesars Palace and saw Frank Sinatra's name, in the same giant letters. And I said to myself, 'Face it, Anne; you're in the business.”

Anne Murray (1945) Canadian singer

On her popularity in Las Vegas, as quoted in "Anne Murray: Facing the Big Time Her Own Way", Section "Her Own Way", by George Anthony, Billboard, Oct 20, 1979

Business, Night

“You've got a new Spanish-language album out now ["90 Millas," released in September of 2007], and the single ["No Llores"] is #1 on the Billboard Latin chart.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Al Roker on the "Today Show" television program (July 25, 2007)
2007, 2008

“Hans Haacke's "Visitor's Profile" encouraged visitors to interact with a computer by inputting personal information, which was then tabulated to output statistical data on the exhibition's audience. Such demographic research - as art - opened up a critical discourse, following Foucault and others, on the exclusivity of cultural institutions and their patrons, revealing the myth of public service as a thin veneer justifying the hierarchical values that reify extant social relations. Similarly, "Interactive Paper Systems" by Sonia Sheridan, engaged museum-goers in a creative exchange with the artist and 3M's first commercially available color photocopying machine, dissolving conventional artist-viewer-object relations. In "The Seventh Investigation (Art as Idea as Idea)" Joseph Kosuth utilized multiple forms of mass media and distribution (a billboard, an newspaper advertisement, a banner, and a museum installation) to question the conceptual and contextual boundaries between art, philosophy, commerce, pictures, and texts.”

Edward A. Shanken (1964) American art historian

Edward A. Shanken. " The House That Jack Built: Jack Burnham's Concept of "Software" as a Metaphor for Art http://www.artexetra.com/House.html" in Leonardo Electronic Almanac 6:10 (November, 1998)

Art, Color, Idea, Question

“On a bus ride into town, I wondered out loud, "Why am I going to town?"
As I looked around at the billboards and the stores I thought, "Why do I look around?"
And I kissed the filthy ground… the first dry spot I found…
I didn't have to wonder why I was laying down.”

Aaron Weiss

Carousels.
Catch For Us The Foxes (2004)

Kiss

“[J]amming a coin into a monopoly newspaper box or liberating a billboard in the middle of the night can be a rather honest and joyful thing to do.”

Kalle Lasn (1942) Estonian-Canadian film maker, author, magazine editor and activist

Cultural Jam (2000)

Night, Box

“It's weird when you open up Billboard because you see your name next to 50 Cent and Madonna. I mean, 50 Cent who I grew up on for the last month.”

Ben Moody (1981) American musician

Music and business

“I think that I shall never see
A billboard lovely as a tree.
Indeed, unless the billboards fall,
I'll never see a tree at all.”

Ogden Nash (1902–1971) American poet

"Song of the Open Road" — this poem is a parody of "Trees" by Joyce Kilmer
Many Long Years Ago (1945)

Love, Thinking, Tree

“Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard. There is no universal Poetry, anyway, only poetries and poetics, and the streaming, intertwining histories to which they belong.”

Adrienne Rich (1929–2012) American poet, essayist and feminist

"Legislators of the world" in The Guardian (18 November 2006) http://books.guardian.co.uk/comment/story/0,,1950812,00.html <br class="br">Context: I'm both a poet and one of the "everybodies" of my country. I live with manipulated fear, ignorance, cultural confusion and social antagonism huddling together on the faultline of an empire. I hope never to idealise poetry — it has suffered enough from that. Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard. There is no universal Poetry, anyway, only poetries and poetics, and the streaming, intertwining histories to which they belong. There is room, indeed necessity, for both Neruda and César Valléjo, for Pier Paolo Pasolini and Alfonsina Storni, for both Ezra Pound and Nelly Sachs. Poetries are no more pure and simple than human histories are pure and simple. And there are colonised poetics and resilient poetics, transmissions across frontiers not easily traced.

History, Universe

“Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards.”

Nelson Algren book Nonconformity

Nonconformity (1953/1996)
Context: To see life steadily, and see it whole, as a creature of the deep sees it, from below. Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards.

Way