Quotes about amber

A collection of quotes on the topic of amber, herring, likeness, time.

Quotes about amber

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

“Tiffani-Amber Thiessen thought we were all on blow…. Tori Spelling hung out with us backstage and gave us the lowdown. Brian Austin Green, kept telling us about his music. Ian Ziering was kind of a dick. Maybe he was having a bad day.”

Adam Levine (1979) singer, songwriter, actor, and record producer from the United States

On being on Beverly Hills, 90210 when he was 17 in his band Kara's Flowers
Voss, Brandon (2007-05-22), "Adam Levine". Advocate. (986):25.

Music, Bad luck

“Oh my God!" said one of the Ambers. "Is this not the worst trip ever? Did you see the snow?"
She was a sharp one, this Amber. What would she notice next? The train? The moon? The hilarious vagaries of human existence? Her own head?”

Maureen Johnson book Let It Snow

Source: Let It Snow: Three Holiday Romances

God, Training

“So she sat on the porch and watched the moon rise. Soon its amber fluid was drenching the earth, and quenching the thirst of the day.”

Zora Neale Hurston book Their Eyes Were Watching God

Source: Their Eyes Were Watching God

“We have some nachos left.” Carlos motioned to a plate on the table. “But I don’t suppose you’re interested.”
“I already ate.” Ian sat at the end of the table.
“Anyone we know?” Carlos’s amber eyes twinkled. “Ouch.” He glared at Toni.”

Kerrelyn Sparks (1955) American writer

Source: All I Want for Christmas is a Vampire

“I want a magical horse that fits in my pocket," Wil said. "And a ring of red amber that gives me power over demons. And an endless supply of cake.”

Patrick Rothfuss book The Wise Man's Fear

Source: The Wise Man's Fear

Horse

“Her eyes were luminous gold. I wondered if that was the last color a bug saw when it was trapped in amber—and if the bug thought,, right before it was frozen forever.”

Rick Riordan book The Throne of Fire

Source: The Throne of Fire

Color

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Edouard Manet (1832–1883) French painter

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

Children, Way, Light, Appearance

“O fast her amber blood doth flow
From the heart-wounded Incense Tree,
Fast as earth’s deep-embosom’d woe
In silent rivulets to the sea!”

George Darley (1795–1846) Irish poet, novelist, and critic

Poem Nepenthe

Tree, Heart, Sea

“On Saturday, the 24th January, 1680/2nd Muharram, the Emperor went to view lake Udaisagar, constructed by the Rana, and ordered all the three temples on its banks to be demolished.'…On the 29th January [1680]/7th Muharram, Hasan 'Ali Khan brought to the Emperor twenty camel-loads of tents and other things captured from the Rana's palace and reported that one hundred and seventy-two other temples in the environs of Udaipur had been destroyed. The Khan received the title of Bahadur 'Alamgirshahi'…'Abu Turab, who had been sent to demolish the temples of Amber, returned to Court on Tuesday, the 10th August [1680]/24th Rajab, and reported that he had pulled down sixty-six temples.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 107-120, also quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. (Different translation : Abu Tarab, who had been commissioned to effect the destruction of the idol temples in Amber, reported in person on the 24th Rajab, that threescore and six of these edifices had been levelled with the ground.)
Quotes from late medieval histories, 1680s

“The bee enclosed and through the amber shown
Seems buried in the juice which was his own.”

Martial book Epigrammata

IV, 32, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Whence we see spiders, flies, or ants entombed and preserved forever in amber, a more than royal tomb", Francis Bacon, Historia Vitæ et Mortis; Sylva Sylvarum, Cent. i. experiment 100.
Epigrams (c. 80 – 104 AD)

Bee

“I saw a flie within a beade
Of amber cleanly buried.”

Robert Herrick book Hesperides

"The Amber Bead" (published c. 1648). Compare: "Whence we see spiders, flies, or ants entombed and preserved forever in amber, a more than royal tomb", Francis Bacon, Historia Vitæ et Mortis; Sylva Sylvarum, Cent. i. Exper. 100.
Hesperides (1648)

“The purple morning left her crimson bed,
And donned her robes of pure vermilion hue,
Her amber locks she crowned with roses red,
In Eden's flowery gardens gathered new.”

Torquato Tasso (1544–1595) Italian poet

Già l'aura messaggiera erasi desta
A nunziar che se ne vien l'aurora:
intanto s'adorna, e l'aurea testa
Di rose, colte in Paradiso, infiora.
Canto III, stanza 1 (tr. Fairfax)
Gerusalemme Liberata (1581)

“The transcript lay there, waiting for him as he hung up the telephone. Waiting for him to open it again. Trent Interview. Subject: Dorrant. Jason Dorrant. Poor kid, but at least he was young, free, not caught and fixed in time, as if frozen in ambers. Like so many others. Like me. You are what you do, Lottie had said. But now I don't do anything.”

Robert Cormier book The Rag and Bone Shop

Source: The Rag and Bone Shop (2000), p. 149

Time, Waiting

“Though with those streams he no resemblance hold,
Whose foam is amber and their gravel gold;
His genuine and less guilty wealth t' explore,
Search not his bottom, but survey his shore.”

John Denham Cooper's Hill

Cooper's Hill, Line 165.

Search, Wealth

“Whence we see spiders, flies, or ants entombed and preserved forever in amber, a more than royal tomb.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

Historia Vitæ et Mortis; Sylva Sylvarum, Cent. i. Exper. 100, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

“Amber light
Of this new morning,
Amber light,
Clear, bright and warming.
Overnight
The Earth adorning…
Amber light,
A New Age is dawning….”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, The Millennium Bell (1999)

Age, Light

“Scarce had the morning starre hid from the light
Heavens crimson canopie with stars bespangled,
But I began to rue th' unhappy sight
Of that faire boy that had my hart intangled;
Cursing the time, the place, the sense, the sin;
I came, I saw, I viewd, I slipped in.

If it be sinne to love a sweet-fac'd boy,
Whose amber locks trust up in golden tramels
Dangle adowne his lovely cheekes with joy,
When pearle and flowers his faire haire enamels;
If it be sinne to love a lovely lad,
Oh then sinne I, for whom my soule is sad.”

Richard Barnfield (1574–1627) English poet

The Teares of an Affectionate Shepheard Sicke for Love, or the Complaint of Daphnis for the Love of Ganimede. <br class="br"> The Affectionate Shepheard http://www.gutenberg.org/etext/19902 (1594)

Love, Sadness, Soul, Star

“Divine in hookas, glorious in a pipe
When tipp'd with amber, mellow, rich, and ripe;
Like other charmers, wooing the caress
More dazzlingly when daring in full dress;
Yet thy true lovers more admire by far
Thy naked beauties—give me a cigar!”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

The Island (1823), Canto II, Stanza 19.

Beauty, Lovers

“He could not endure what he found himself going through, and he could not get away. It seemed to him as if he sat behind the tiller of his custom-made unique quibble, facing a red light, green light, amber light all at once; no rational response was possible. Her irrationality made it so. The terrible power, he thought, of illogic. Of the archetypes. Operating out of the drear depths of the collective unconscious which joined him and her — and everyone else — together. In a knot which could never be undone, so long as they lived.
No wonder, he thought, some people, many people, long for death.”

Philip K. Dick book Flow My Tears, the Policeman Said

Source: Flow My Tears, The Policeman Said (1974), Chapter 5 (p. 54)

Death, People, Light

“Soft carpet-knights, all scenting musk and amber.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

Second Week, Third Day, Part i. Compare: "As much valour is to be found in feasting as in fighting, and some of our city captains and carpet knights will make this good, and prove it", Robert Burton, Anatomy of Melancholy, Part i, Section 2, Membrane 2, Subsection 2.
La Seconde Semaine (1584)

“Aurangzeb’s religious policy had created a division in the Indian society. Communal antagonisms resulted in communal riots at Banaras, Narnaul (1672) and Gujarat (1681) where Hindus, in retaliation, destroyed mosques. Temples were destroyed in Marwar after 1678 and in 1680-81, 235 temples were destroyed in Udaipur. Prince Bhim of Udaipur retaliated by attacking Ahmadnagar and demolishing many mosques, big and small, there. Similarly, there was opposition to destruction of temples in the Amber territory, which was friendly to the Mughals. Here religious fairs continued to be held and idols publicly worshipped even after the temples had been demolished.64 In the Deccan the same policy was pursued with the same reaction. In April 1694, the imperial censor had tried to prevent public idol worship in Jaisinghpura near Aurangabad. The Vairagi priests of the temple were arrested but were soon rescued by the Rajputs.65 Aurangzeb destroyed temples throughout the country. He destroyed the temples at Mayapur (Hardwar) and Ayodhya, but “all of them are thronged with worshippers, even those that are destroyed are still venerated by the Hindus and visited by the offering of alms.” Sometimes he was content with only closing down those temples that were built in the midst of entirely Hindu population, and his officers allowed the Hindus to take back their temples on payment of large sums of money. “In the South, where he spent the last twenty-seven years of his reign, Aurangzeb was usually content with leaving many Hindu temples standing… in the Deccan where the suppression of rebellion was not an easy matter… But the discontent occasioned by his orders could not be thus brought to an end.””

K. S. Lal book The Legacy of Muslim Rule in India

Hindu resistance to such vandalism year after year and decade after decade throughout the length and breadth of the country can rather be imagined than described.
Source: The Legacy of Muslim Rule in India (1992), Chapter 6

Money, Imagination, Communication, Country

“This book — amber-clear, cool and with a good head — deserves a thoughtful swig even from people who never drink.”

John Wain (1925–1994) British writer

As given in Simpson's Contemporary Quotations (1988) p. 301

People, Books, Drink

“January-February 1680: ‘The grand temple in front of the Maharana’s mansion (at Udaipur) – one of the wonderful buildings of the age, which had cost the infidels much money – was destroyed and its images broken.’ ‘On 24 January the Emperor went to view the lake Udaisagar and ordered all the three temples on its banks to be pulled down.’ ‘On 29 January Hasan Ali Khan reported that 172 other temples in the environs of Udaipur had been demolished.’ ‘On 22 February the Emperor went to look at Chitor, and by his order the 63 temples of the place were destroyed.’
10 August 1680: ‘Abu Turab returned to Court and reported that he had pulled down 66 temples in Amber’. 2 August 1680: ‘Temple of Someshwar in western Mewar ordered to be destroyed.’
September 1687: ‘On the capture of Golkonda, the Emperor appointed Abdur Rahim Khan as Censor of the city of Haidarabad with orders to put down infidel practices and (heretical) innovations and destroy the temples and build mosques on their sites.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Akhbarat. Jadunath Sarkar, History of Aurangzib, Volume III, Orient Longman, New Delhi, 1972 reprint, pp. 185–89., quoted from Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories, 1680s

Money, Age

“Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane.”

Alexander Pope The Rape of the Lock

Canto IV, line 123.
The Rape of the Lock (1712, revised 1714 and 1717)

Box

“The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.”

Elinor Wylie book Nets to Catch the Wind

1
Nets to Catch the Wind (1921), Wild Peaches

Autumn, Winter, Summer, Season

“On his first hand he wore rings of stone,
Iron, Amber, Wood and Bone.
There were rings unseen on his second hand,
One was blood in a flowing band,
One was air all whisper thin,
And the ring of ice had a flaw within.
Full faintly shone the ring of flame,
And the final ring was without name.”

Patrick Rothfuss book The Wise Man's Fear

A poem from the second book of the The Kingkiller Chronicle, quoted in an interview at Fantasymundo (1 August 2009) http://www.fantasymundo.com/articulos/2207/fantasymundo_entrevista_patrick_rothfuss_nombre_viento <br class="br">The Wise Man's Fear (2011)

“Your hands tremble as they caress and woo me…
My amber body, harmonious and young,
Is like a jasmin vine deliciously high-strung
Drunk with sunlight, with pleasure and perfume!”

Florbela Espanca (1894–1930) Portuguese poet

As tuas mãos tacteiam-me a tremer...
Meu corpo de âmbar, harmonioso e moço
É como um jasmineiro em alvoroço
Ébrio de sol, de aroma, de prazer!
Quoted in Florbela Espanca (1984), p. 13
Translated by John D. Godinho
The Flowering Heath (1931), "Toledo"

Pleasure

“Wearily have the years passed, I know; wearily to the pale watcher on the hill who has been so long gazing for the daybreak; wearily to the anxious multitudes who have been waiting for his tidings below. Often has the cry gone up through the darkness, " Watcher, what of the night?" and often has the disappointing answer come, "It is night still; here the stars are clear above me, but they shine afar, and yonder the clouds lower heavily, and the sad night winds blow." But the time shall come, and perhaps sooner than we look for it, when the countenance of that pale watcher shall gather into intenser expectancy, and when the challenge shall be given, with the hopefulness of a nearer vision, "Watcher, what of the night?" and the answer will come, "The darkness is not so dense as it was; there are faint streaks on the horizon's verge; mist is in the valleys, but there is a radiance on the distant hill. It comes nearer — that promise of the day. The clouds roll rapidly away, and they are fringed with amber and gold. It is, it is the blest sunlight that I feel around me — Morning! It is Morning!"”

William Morley Punshon (1824–1881) English Nonconformist minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 410.

Sadness, Hope, Disappointment, Feeling

“The Ground of Rinebrant of Rine: Take half an ounce of Expoltum burnt of Amber, one ounce of Virgin's was, half an ounce of Mastick, then take the Mastick and Expoltum, and beat them severally very fine in a Mortar; this being done, take a new earthen pot and set upon it a charcoal-fire, then shake into it the Mastick and Expoltum by degrees, stirring the Wax about till they be thoroughly mingled, then pour it forth into fair water and make a ball of it, and use it as before mentioned, but be sure you do not heat the plate too hot when you lay the ground upon it, this is the only way of Rinebrant.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt's etching recipe http://remdoc.huygens.knaw.nl/#/document/remdoc/e12885, in 'The Whole Art of Drawing', Alexander Browne, London 1660, p. 106 <br class="br">Strauss &amp; Van der Meulen 1979, p. 476, RD 1660/29: 'This recipe, specifically attributed to Rembrandt, for preparing the ground of a plate for etching is given by Alexander Brown in 'The Whole of Drawing' <br class="br">1640 - 1670

Way, Water

“Let opening roses knotted oaks adorn,
And liquid amber drop from every thorn.”

Alexander Pope Pastorals

Autumn, line 36.
Pastorals (1709)

“Byron! how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress,
Had touched her plaintive lute, and thou, being by,
Hadst caught the tones, nor suffered them to die.
O'ershading sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily,
As when a cloud a golden moon doth veil,
Its sides are tinged with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow;
Still warble, dying swan! still tell the tale,
The enchanting tale, the tale of pleasing woe. ”

John Keats (1795–1821) English Romantic poet

Sadness, Soul, Suffering

“Things have gone downhill since Mom decided a modal average dose of old-time religion was an essential part of her upbringing, to the point that absolutely the best thing in the world Tante Annette could send her is some scam programmed by Daddy to take her away. If it doesn’t work, Mom will take her to Church tonight, and she’s certain she’ll end up making a scene again. Amber’s tolerance of willful idiocy is diminishing rapidly, and while building up her memetic immunity might be the real reason Mom’s forcing this shit on her—it’s always hard to tell with Mom—things have been tense ever since she got expelled from Sunday school for mounting a spirited defense of the theory of evolution.”

Charles Stross book Accelerando

Source: Accelerando (2005), Chapter 4 (“Halo”), p. 130

School, Religion, Time, Moms

“I Photo Elfed all day for a variety of Santas and it struck me that many of the parents don't allow their children to speak at all. A child sits upon Santa's lap and the parents say, 'All right now, Amber, tell Santa what you want. Tell him you want a Baby Alive and My Pretty Ballerina and that winter coat you saw in the catalog.'
The parents name the gifts they have already bought. They don't want to hear the word 'pony' or 'television set,' so they talk through the entire visit, placing words in the child's mouth. When the child hops off the lap, the parents address their children, each and every time, with, 'What do you say to Santa?'
The child says, 'Thank you, Santa.'”

David Sedaris book Barrel Fever

It is sad because you would like to believe that everyone is unique and then they disappoint you every time by being exactly the same, asking for the same things, reciting the exact same lines as though they have been handed a script.
All of us take pride and pleasure in the fact that we are unique, but I'm afraid that when all is said and done the police are right: it all comes down to the fingerprints.
Essay, "Santaland diaries" - p.233-234, 235
Barrel Fever (1994)

Baby, Time, Photo, Children