Quotes about amber

A collection of quotes on the topic of amber, herring, likeness, time.

Quotes about amber

Octavio Paz photo

“If you are the amber mare”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature
Adam Levine photo

“Tiffani-Amber Thiessen thought we were all on blow…. Tori Spelling hung out with us backstage and gave us the lowdown. Brian Austin Green, kept telling us about his music. Ian Ziering was kind of a dick. Maybe he was having a bad day.”

Adam Levine (1979) singer, songwriter, actor, and record producer from the United States

On being on Beverly Hills, 90210 when he was 17 in his band Kara's Flowers
Voss, Brandon (2007-05-22), "Adam Levine". Advocate. (986):25.

Maureen Johnson photo
Zora Neale Hurston photo
Patrick Rothfuss photo
Rick Riordan photo
Edouard Manet photo

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Edouard Manet (1832–1883) French painter

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

Aurangzeb photo

“On Saturday, the 24th January, 1680/2nd Muharram, the Emperor went to view lake Udaisagar, constructed by the Rana, and ordered all the three temples on its banks to be demolished.'…On the 29th January [1680]/7th Muharram, Hasan 'Ali Khan brought to the Emperor twenty camel-loads of tents and other things captured from the Rana's palace and reported that one hundred and seventy-two other temples in the environs of Udaipur had been destroyed. The Khan received the title of Bahadur 'Alamgirshahi'…'Abu Turab, who had been sent to demolish the temples of Amber, returned to Court on Tuesday, the 10th August [1680]/24th Rajab, and reported that he had pulled down sixty-six temples.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 107-120, also quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. (Different translation : Abu Tarab, who had been commissioned to effect the destruction of the idol temples in Amber, reported in person on the 24th Rajab, that threescore and six of these edifices had been levelled with the ground.)
Quotes from late medieval histories, 1680s

Martial photo

“The bee enclosed and through the amber shown
Seems buried in the juice which was his own.”

IV, 32, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Whence we see spiders, flies, or ants entombed and preserved forever in amber, a more than royal tomb", Francis Bacon, Historia Vitæ et Mortis; Sylva Sylvarum, Cent. i. experiment 100.
Epigrams (c. 80 – 104 AD)

Robert Herrick photo

“I saw a flie within a beade
Of amber cleanly buried.”

"The Amber Bead" (published c. 1648). Compare: "Whence we see spiders, flies, or ants entombed and preserved forever in amber, a more than royal tomb", Francis Bacon, Historia Vitæ et Mortis; Sylva Sylvarum, Cent. i. Exper. 100.
Hesperides (1648)

Torquato Tasso photo

“The purple morning left her crimson bed,
And donned her robes of pure vermilion hue,
Her amber locks she crowned with roses red,
In Eden's flowery gardens gathered new.”

Torquato Tasso (1544–1595) Italian poet

Già l'aura messaggiera erasi desta
A nunziar che se ne vien l'aurora:
intanto s'adorna, e l'aurea testa
Di rose, colte in Paradiso, infiora.
Canto III, stanza 1 (tr. Fairfax)
Gerusalemme Liberata (1581)

John Denham photo
Francis Bacon photo

“Whence we see spiders, flies, or ants entombed and preserved forever in amber, a more than royal tomb.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

Historia Vitæ et Mortis; Sylva Sylvarum, Cent. i. Exper. 100, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Mike Oldfield photo

“Amber light
Of this new morning,
Amber light,
Clear, bright and warming.
Overnight
The Earth adorning…
Amber light,
A New Age is dawning….”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, The Millennium Bell (1999)

George Gordon Byron photo
Philip K. Dick photo
Guillaume de Salluste Du Bartas photo

“Soft carpet-knights, all scenting musk and amber.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

Second Week, Third Day, Part i. Compare: "As much valour is to be found in feasting as in fighting, and some of our city captains and carpet knights will make this good, and prove it", Robert Burton, Anatomy of Melancholy, Part i, Section 2, Membrane 2, Subsection 2.
La Seconde Semaine (1584)

“Aurangzeb’s religious policy had created a division in the Indian society. Communal antagonisms resulted in communal riots at Banaras, Narnaul (1672) and Gujarat (1681) where Hindus, in retaliation, destroyed mosques. Temples were destroyed in Marwar after 1678 and in 1680-81, 235 temples were destroyed in Udaipur. Prince Bhim of Udaipur retaliated by attacking Ahmadnagar and demolishing many mosques, big and small, there. Similarly, there was opposition to destruction of temples in the Amber territory, which was friendly to the Mughals. Here religious fairs continued to be held and idols publicly worshipped even after the temples had been demolished.64 In the Deccan the same policy was pursued with the same reaction. In April 1694, the imperial censor had tried to prevent public idol worship in Jaisinghpura near Aurangabad. The Vairagi priests of the temple were arrested but were soon rescued by the Rajputs.65 Aurangzeb destroyed temples throughout the country. He destroyed the temples at Mayapur (Hardwar) and Ayodhya, but “all of them are thronged with worshippers, even those that are destroyed are still venerated by the Hindus and visited by the offering of alms.” Sometimes he was content with only closing down those temples that were built in the midst of entirely Hindu population, and his officers allowed the Hindus to take back their temples on payment of large sums of money. “In the South, where he spent the last twenty-seven years of his reign, Aurangzeb was usually content with leaving many Hindu temples standing… in the Deccan where the suppression of rebellion was not an easy matter… But the discontent occasioned by his orders could not be thus brought to an end.””

Hindu resistance to such vandalism year after year and decade after decade throughout the length and breadth of the country can rather be imagined than described.
Source: The Legacy of Muslim Rule in India (1992), Chapter 6

“This book — amber-clear, cool and with a good head — deserves a thoughtful swig even from people who never drink.”

John Wain (1925–1994) British writer

As given in Simpson's Contemporary Quotations (1988) p. 301

Aurangzeb photo
Alexander Pope photo

“Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane.”

Canto IV, line 123.
The Rape of the Lock (1712, revised 1714 and 1717)

Elinor Wylie photo
Patrick Rothfuss photo

“On his first hand he wore rings of stone,
Iron, Amber, Wood and Bone.
There were rings unseen on his second hand,
One was blood in a flowing band,
One was air all whisper thin,
And the ring of ice had a flaw within.
Full faintly shone the ring of flame,
And the final ring was without name.”

A poem from the second book of the The Kingkiller Chronicle, quoted in an interview at Fantasymundo (1 August 2009) http://www.fantasymundo.com/articulos/2207/fantasymundo_entrevista_patrick_rothfuss_nombre_viento
The Wise Man's Fear (2011)

Florbela Espanca photo

“Your hands tremble as they caress and woo me…
My amber body, harmonious and young,
Is like a jasmin vine deliciously high-strung
Drunk with sunlight, with pleasure and perfume!”

Florbela Espanca (1894–1930) Portuguese poet

As tuas mãos tacteiam-me a tremer...
Meu corpo de âmbar, harmonioso e moço
É como um jasmineiro em alvoroço
Ébrio de sol, de aroma, de prazer!
Quoted in Florbela Espanca (1984), p. 13
Translated by John D. Godinho
The Flowering Heath (1931), "Toledo"

William Morley Punshon photo
Rembrandt van Rijn photo

“The Ground of Rinebrant of Rine: Take half an ounce of Expoltum burnt of Amber, one ounce of Virgin's was, half an ounce of Mastick, then take the Mastick and Expoltum, and beat them severally very fine in a Mortar; this being done, take a new earthen pot and set upon it a charcoal-fire, then shake into it the Mastick and Expoltum by degrees, stirring the Wax about till they be thoroughly mingled, then pour it forth into fair water and make a ball of it, and use it as before mentioned, but be sure you do not heat the plate too hot when you lay the ground upon it, this is the only way of Rinebrant.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt's etching recipe http://remdoc.huygens.knaw.nl/#/document/remdoc/e12885, in 'The Whole Art of Drawing', Alexander Browne, London 1660, p. 106
Strauss & Van der Meulen 1979, p. 476, RD 1660/29: 'This recipe, specifically attributed to Rembrandt, for preparing the ground of a plate for etching is given by Alexander Brown in 'The Whole of Drawing'
1640 - 1670

Alexander Pope photo

“Let opening roses knotted oaks adorn,
And liquid amber drop from every thorn.”

Autumn, line 36.
Pastorals (1709)

John Keats photo
Charles Stross photo
David Sedaris photo

“I Photo Elfed all day for a variety of Santas and it struck me that many of the parents don't allow their children to speak at all. A child sits upon Santa's lap and the parents say, 'All right now, Amber, tell Santa what you want. Tell him you want a Baby Alive and My Pretty Ballerina and that winter coat you saw in the catalog.'
The parents name the gifts they have already bought. They don't want to hear the word 'pony' or 'television set,' so they talk through the entire visit, placing words in the child's mouth. When the child hops off the lap, the parents address their children, each and every time, with, 'What do you say to Santa?'
The child says, 'Thank you, Santa.'”

It is sad because you would like to believe that everyone is unique and then they disappoint you every time by being exactly the same, asking for the same things, reciting the exact same lines as though they have been handed a script.
All of us take pride and pleasure in the fact that we are unique, but I'm afraid that when all is said and done the police are right: it all comes down to the fingerprints.
Essay, "Santaland diaries" - p.233-234, 235
Barrel Fever (1994)