"BOG VENUS VERSUS NAZI COCK-RING: Some Thoughts Concerning Pornography" in Arthur magazine, Vol. 1, No. 25 (November 2006) http://www.arthurmag.com/magpie/?p=1685
Source: 25,000 Years of Erotic Freedom
Context: Sexually progressive cultures gave us mathematics, literature, philosophy, civilization and the rest, while sexually restrictive cultures gave us the Dark Ages and the Holocaust. Not that I’m trying to load my argument, of course.
“Literature keeps us connected to our culture.”
Source: https://quotefancy.com/ansuman-bhagat-quotes
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About the Russian invasion of Ukraine 2022
“Literature is a state of culture, poetry is a state of grace, before and after culture.”
"Poetry and Literature" (1941), as translated in Selected Writings (1957).
@femfreq (Oct 24, 2014) https://web.archive.org/web/20141228102607/https://twitter.com/femfreq/status/525793436025118721
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Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)
Foreword
LSD : My Problem Child (1980)
Context: In studying the literature connected with my work, I became aware of the great universal significance of visionary experience. It plays a dominant role, not only in mysticism and the history of religion, but also in the creative process in art, literature, and science. More recent investigations have shown that many persons also have visionary experiences in daily life, though most of us fail to recognize their meaning and value. Mystical experiences, like those that marked my childhood, are apparently far from rare.
The Syntax of Sorcery (2012)
Context: Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew?
When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work. The pervasive brutality in current fiction – the death, disease, dysfunction, depression, dismemberment, drug addiction, dementia, and dreary little dramas of domestic discord – is an obvious example of how language in exploitative, cynical or simply neurotic hands can add to the weariness, the darkness in the world. Less apparent is that bland writing — timid, antiseptic, vanilla writing – is nearly as unhealthy as the brutal and dark. Instead of sipping, say, elixir, nectar, tequila, or champagne, the reader is invited to slurp lumpy milk or choke on the author's dust bunnies.
Claudio Gentili, “Time out” for Classical Studies? The Future of Italian Liceo Classico in the 4.0 world https://www.researchgate.net/deref/http%3A%2F%2Fdx.doi.org%2F10.15581%2F004.33.127-143, in Estudios Sobre Educacion, 33:127-143, October 2017.