“The last scene came really, really early, disconnected from even the idea of a woman painter…I wanted to write a love story and I thought, ‘What do I want to tell?’ And that scene came up really, really quickly, alone, by itself. The weird compass of the film was its last scene. That’s a compass, but it’s a high pressure one.”
On her creative process for Portrait of a Lady on Fire in “‘Portrait of a Lady on Fire’ Filmmaker Céline Sciamma Is Trying to Break Your Heart” https://www.indiewire.com/2019/12/portrait-of-a-lady-on-fire-filmmaker-celine-sciamma-interview-1202193537/ in IndieWire (2019 Dec 05)
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