
"Orphée Noir (Black Orpheus)"
The Usurpation Of Language (1910)
Context: Though science makes no use for poetry, poetry is enriched by science. Poetry “takes up” the scientific vision and re-expresses its truths, but always in forms which compel us to look beyond them to the total object which is telling its own story and standing in its own rights. In this the poet and the philosopher are one. Using language as the lever, they lift thought above the levels where words perplex and retard its flight, and leave it, at last, standing face to face with the object which reveals itself.
"Orphée Noir (Black Orpheus)"
Introduction
The Wedge (1944)
Context: Each speech having its own character, the poetry it engenders will be peculiar to that speech also in its own intrinsic form. The effect is beauty, what in a single object resolves our complex feelings of propriety.
Form in Modern Poetry(1932)
22
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)
As quoted in "The Notation of the Heart" by Edmund Fuller, in The American Scholar Reader (1960) edited by Hiram Hayden and Betsy Saunders
“Each of us has his own alphabet with which to create poetry.”
“Science is the poetry of the intellect and poetry the science of the heart's affections.”
Source: The Alexandria Quartet
Source: Dialogues of the Soul and Mortal Self in Time (1975), p. v