Harper of the Stones (1986).
Context: Again he struck the harp and began the jig. But this time it was such music as never came from a harp. It was the wildest, strangest music you ever heard, full of the sound of birds and the cries of animals and the wind and the rain, and the thunder and the lightning, and the dashing of huge waves against the shores of a great cold ocean that was formed from ice that had made its way slowly down from Ultima Thule. It was the sound of a world before mankind. It was the sound of the great merriment God must have known during the long days of Creation.
“In many cases, a jig borer is a "jig eliminator." In other words, such a machine may be used instead of a jig either when the quantity of work is not large enough to warrant making a jig or when there is insufficient time for jig making.”
Machine Shop Training Course, 5th ed. (New York: Industrial Press, 1964), Volume 1 (p. 358).
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Franklin D. Jones 1
mechanical engineer 1879–1967Related quotes
The Table Talk of Samuel Marchbanks (1949)
“When media make war against each other, it is a case of world-views in collision.”
Technopoly: the Surrender of Culture to Technology (1992)
Context: We can imagine that Thamus [or Amun: this is a reference to a discussion on the value of writing in Plato's Phaedrus] would also have pointed out to Gutenberg, as he did to Theuth, that the new invention would create a vast population of readers who "will receive a quantity of information without proper instruction... with the conceit of wisdom instead of real wisdom"; that reading, in other words, will compete with older forms of learning. This is yet another principle of technological change we may infer from the judgment of Thamus: new technologies compete with old ones — for time, for attention, for money, for prestige, but mostly for dominance of their world-view. This competition is implicit once we acknowledge that the medium contains an ideological bias. And it is a fierce competition, as only ideological competitions can be. It is not merely a matter of tool against tool — the alphabet attacking ideographic writing, the printing press attacking the illuminated manuscript, the photograph attacking the art of painting, television attacking the printed word. When media make war against each other, it is a case of world-views in collision.

The Notebooks of Leonardo da Vinci (1883), XI The Notes on Sculpture