“… I sensed that Park Street is, essentially (even for the destitute), a place of brief acquaintances and meetings no one has too much time for anyone else, you yourself are part of a web of motivations that are fading and resurrecting – and you must be on the move constantly to be in the street’s ebb and flow of traffic.”

“Your street, rich street or poor
Used to always be sure, on your street
There's a place in your heart you know from the start
Can't be complete outside of the street
Keep moving on through the joy and the pain
Sometimes you got to look back
To the street again
Would you prefer all those castles in Spain?
Or the view of your street from your window pane?”

“Now all you can do is wait. It must be hard for you, but there is a right time for everything. Like the ebb and flow of tides. No one can do anything to change them. When it is time to wait, you must wait.”

“Parking is such street sorrow.”

“Before you can inspire with emotion, you must be swamped with it yourself. Before you can move their tears, your own must flow. To convince them, you must yourself, believe.”

“He's hot like, the kind of hot that makes you stop walking on the street and get hit by traffic.”

“Not a single thing do I remember from the first trip but this: the sense of the place, the savor of the genie-soul of the place which every place has or else is not a place…there it is as big as life, the genie-soul of the place which, wherever you go, you must meet and master first thing or be met and mastered.”

“There is only one place to write and that is alone at a typewriter. The writer who has to go into the streets is a writer who does not know the streets… when you leave your typewriter you leave your machine gun and the rats come pouring through.”

“If you're dressed for my funeral, it's too casual. If it's just street clothes, then you must be scaring the tourists.”

“From time to time a square has been opened here, a park there, a street cut through in one place or widened in another, but these improvements have been entirely local in their effect, and have failed to change the general appearance of the city. Even the greatest of all these changes, the laying out of Central Park, was unfortunate, to say the least, for it serves to aggravate one of the worst features of the original plan, viz., the failure to provide a central artery of communication worthy of the coming city.”