
Form in Modern Poetry(1932)
letter to Alfred Stieglitz, September 28, 1913, Hartley Archive, Yale University; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 9
1908 - 1920
Form in Modern Poetry(1932)
Original: Fate molta attenzione nell'esprimere alcune parole. Spesso hanno un forte impatto emotivo su una persona e possono ferirla più di quanto la vostra mente possa immaginare.
Source: prevale.net
“The high-minded man must care more for the truth than for what people think.”
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Modern Science and Pantheism, p.74
First Dialogue; translated by Judith R. Bush, Christopher Kelly, Roger D. Masters
Dialogues: Rousseau Judge of Jean-Jacques (published 1782)
"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time
Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), pp. 409-410
Mont Saint Michel and Chartres (1904)
Context: If you are to get the full enjoyment of Chartres, you must, for the time, believe in Mary as Bernard and Adam did, and feel her presence as the architects did, in every stone they placed, and in every touch they chiseled. You must try first to rid your mind of the traditional idea that the gothic is an intentional expression of religious gloom. The necessity for light was the motive of the gothic architects. They needed light and always more light, until they sacrificed safety and common-sense in trying to get it. They converted their walls into windows, raised their vaults, diminished their piers, until their churches could no longer stand. You will see the limit at Beauvais; at Chartres we have not got so far, but even here in places where the Virgin wanted it — as above the high altar — the architect has taken all the light there was to take.