 
                            
                        
                        
                        Global Health TV Interview at Women Deliver Conference (16 June 2010) http://www.globalhealthtv.com/news/v/jennifer_beals_attends_women_deliver_as_guest_of_united_nations_fund/to/latest_news/.
            Verse XXV.10 
Tirukkural
        
Global Health TV Interview at Women Deliver Conference (16 June 2010) http://www.globalhealthtv.com/news/v/jennifer_beals_attends_women_deliver_as_guest_of_united_nations_fund/to/latest_news/.
Knowing Yourself: The True in the False (1996)
Carl Kozlowski (September 11, 2008) "Taste in the making: Tool’s Maynard James Keenan shifts his focus from writing dark lyrics to creating zesty wines" http://www.pasadenaweekly.com/cms/story/detail/taste_in_the_making/6378/, Pasadena Weekly. Southland Publishing.
Quote from: 1001 quotations to inspire you before you die; Quintessence Editions Ltd., 2016, ISBN 978-1-84403-895-4
                                        
                                        O meu problema, nesta situação, é saber se já deveria ter corado antes, ou se é agora que devo corar, Lembro-me de a ter visto corar uma vez, Quando, Quando toquei na rosa que estava no seu gabinete, As mulheres coram mais que os homens, somos o sexo frágil, Ambos os sexos são frágeis, eu também corei, Sabe assim tanto da fragilidade dos sexos, Sei da minha própria fragilidade, e alguma coisa da dos outros. 
Source: The History of the Siege of Lisbon (1989), p. 219
                                    
                                        
                                        Friedrich's remark to Carl Gustac Carus, as cited by Sigrid Hinz, Caspar David Friedrich in Briefen und Bekenntnissen; Henschelverlag Kunst und Gesellchaft, Berlin ,1968 p. 239; translated and quoted in  Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, p. 19 
undated
                                    
Source: The devil in the hills (1949), Chapter 5, p. 306
 
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                        