“There was no future and no past. The present was eternity.”
Statement about perceptions he experienced in early clinical experiments with LSD. How Do We Know Who We Are? : A Biography of the Self (1997)
To Jacques Mercanton, on the structure of Ulysses, as quoted in James Joyce: The Critical Heritage (1997) by Robert H. Deming, p. 22
“There was no future and no past. The present was eternity.”
Statement about perceptions he experienced in early clinical experiments with LSD. How Do We Know Who We Are? : A Biography of the Self (1997)
"Heroic Reason", as translated by H. R. Hays, in Selected Writings of Juan Ramon Jimenez (1957) edited by Eugenio Florit, p. 231.
Context: A permanent state of transition is man's most noble condition. When we say an artist is in a state of transition, many believe that we are belittling. In my opinion when people speak of an art of transition this indicates a better art and the best that art can give. Transition is a complete present which unites the past and the future in a momentary progressive ecstasy, a progressive eternity, a true eternity of eternities, eternal moments. Progressive ecstasy is above all dynamic; movement is what sustains life and true death is nothing but lack of movement, be the corpse upright or supine. Without movement life is annihilated, within and without, for lack of dynamic cohesion. But the dynamism should be principally of the spirit, of the idea, it should be a moral dynamic ecstasy, dynamic in relation to progress, ecstatic in relation to permanence.
Source: Initiation, Human and Solar (1922), p. 13
Siddhartha (1922)
Context: Listen my friend! I am a sinner and you are a sinner, but someday the sinner will be Brahma again, will someday attain Nirvana, will someday become a Buddha. Now this "someday" is illusion; it is only a comparison. The sinner is not on his way to a Buddha-like state; he is not evolving, although our thinking cannot conceive things otherwise. No, the potential Buddha already exists in the sinner; his future is already there. The potential hidden Buddha must be recognized in him, in you, in everybody. The world, Govinda, is not imperfect or slowly evolving along a path to perfection. No, it is perfect at every moment; every sin already carries grace within it, all small children are potential old men, all sucklings have death within them, all dying people — eternal life. It is not possible for one person to see how far another is on the way; the Buddha exits in robber and the dice player; the robber exists in the Brahmin. During deep meditation it is possible to dispel time, to see simultaneously all the past, present, and future, and then everything is good, everything is perfect, everything is Brahman.
Source: "Some Perplexities about time: with an attempted solution" (1925), p. 149. as cited in: Jonathan Gorman, "The transmission of our understanding of historical time." Historia Social y de la Educación 1.2 (2012): 129-152.