
Source: "The Great Summons" (trans. Arthur Waley), Lines 144–147
Band of the Red Hand's rendition of the song Dance With the Jak O' Shadows
(11 October 2005)
Source: "The Great Summons" (trans. Arthur Waley), Lines 144–147
“But lo! the girl, like a frightened dove, that caught in the vast shadow of a hawk falls trembling on some man, no matter who he be, so doth she fling herself into his arms driven by strong fear.”
Ecce autem pavidae virgo de more columbae
quae super ingenti circumdata praepetis umbra
in quemcumque tremens hominem cadit, haud secus illa
acta timore gravi mediam se misit.
Source: Argonautica, Book VIII, Lines 32–35
“O body swayed to music, O brightening glance,
How can we know the dancer from the dance?”
Among School Children http://poetry.poetryx.com/poems/1437/, st. 8
The Tower (1928)
Context: Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
A Literary History of Persia, Vol. 2, p. 123 https://archive.org/details/a-literary-history-of-persia-vol-2-1964
Poetry
The Bells of San Blas, st. 11 (March 15, 1882).
“Tragedy delights by affording a shadow of the pleasure which exists in pain.”
A Defence of Poetry http://www.bartleby.com/27/23.html (1821)
“Mine, O thou lord of life, send my roots rain.”
"Thou art indeed just, Lord, if I contend", line 14
Wessex Poems and Other Verses (1918)