“But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them.”

“People don't have fortunes left them in that style nowadays; men have to work and women to marry for money. It's a dreadfully unjust world.”

“If so many men, so many minds, certainly so many hearts, so many kinds of love.”

“Is it men’s disgust of women that makes so many of them treat women with such contempt? Is it that which makes it so easy to point out that the Don Juans and the Lotharios, for all their hunger for women, are often merely trying to see how many women they can punish?”

“Hmmmm… There certainly are a lot of pretty boys in this world.”

“In how many and which of these senses of the word does equality exist in the United States? Not as regards material conditions. Till about the middle of last century there were no great fortunes in America, few large fortunes, no poverty. Now there is some poverty (though only in a few places can it be called pauperism), many large fortunes, and a greater number of gigantic fortunes than in any other country of the world.”

“It is thought pretty to say that "Women have no passion." If passion is excitement in the daily social intercourse with men, women think about marriage much more than men do; it is the only event of their lives. It ought to be a sacred event, but surely not the only event of a woman's life, as it is now. Many women spend their lives in asking men to marry them, in a refined way. Yet it is true that women are seldom in love. How can they be?”

“The labor of women in the house, certainly, enables men to produce more wealth than they otherwise could; and in this way women are economic factors in society. But so are horses.”

“Many young men started down a false path to their true destiny. Time and fortune usually set them aright.”

“Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women – women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in – older women and younger men.”