“I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.”

— William Wordsworth , book Lyrical Ballads

Preface.
Source: Lyrical Ballads (1798–1800)

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William Wordsworth 306

English Romantic poet 1770–1850

George Musser

Spooky Action at a Distance (2015), Ch. 4 : The Great Debate

“In emotional vibrancy experience is recollected not in tranquility… but in excitement.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

“In tranquility one recollects them with affection, their instinct is good, crazy family good.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

“Take a commonplace, clean it and polish it, light it so that it produces the same effect of youth and freshness and originality and spontaneity as it did originally, and you have done a poet’s job. The rest is literature.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Mettez un lieu commun en place, nettoyez-le, frottez-le, éclairez-le de telle sorte qu'il frappe avec sa jeunesse et avec la même fraîcheur, le même jet qu'il avait à sa source, vous ferez œuvre de poète. Tout le reste est littérature.
"Le Secret Professionnel" (originally published 1922); later published in Collected Works Vol. 9 (1950)
A Call to Order (1926)

“If you did not suffer from emotions, from feelings, you could be as powerful as we are.”

Stirling Silliphant (1918–1996) American screenwriter and film producer

David Zellaby (Martin Stephens), Village of the Damned, (speaking to his father) (1960)

“Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality.”

T.S. Eliot book Tradition and the Individual Talent

Tradition and the Individual Talent (1919)
Context: The bad poet is usually unconscious where he ought to be conscious, and conscious where he ought to be unconscious. Both errors tend to make him "personal." Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.