“…two things. First that Daberlohn's eyes seemed to say: 'Death and the Maiden, that is the two of us;' and second, that she still loved him as much as ever. And if he was Death, then everything was alright, then she did not have to kill herself like her ancestors... So she was in fact the living model for his theories, and she remembered…”

— Charlotte Salomon

Charlotte's 3th ending, written page in brush, related to JHM no. 4924r https://charlotte.jck.nl/detail/M004924/part/character/theme/keyword/M004924: (556) 'Life? or Theater..', p. 821
Charlotte Salomon - Life? or Theater?

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Charlotte Salomon 25

German painter 1917–1943

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“And now something strange happened to our Charlotte. While busy painting, as she always was, she fell asleep in the midday sun. And when she awoke, the finished portrait of her once so ardently beloved Daberlohn [ = Alfred Wolfsohn ] lay before her. However, she tore the sheet into a hundred thousand shreds.... she sought for an explanation... Then her glace fell on one of her old paintings representing Death and the Maiden. And suddenly she knew…”

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Charlotte's 4th ending, written page in brush, related to no. 4923v https://charlotte.jck.nl/detail/M004923/part/character/theme/keyword/M004923JHM: (555) 'Life? or Theater..', p. 820
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Context: It is not merely a question of sorrow after the death of a beloved being, but of the reproaches she will apply to herself, thinking that if she had loved him more he might have clung more to his life. Empty, trivial, and unjust reproaches, for she did everything that force of will could command, — she spurned my love and remained pure and faithful to him. But one must know that soul full of scruples as I know it, to gauge the depth of misery into which the news would plunge her, and how she would suspect herself, — asking whether his death did not correspond to some deeply hidden desire on her part for freedom and happiness; whether it did not gratify those wishes she had scarcely dared to form.

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Charlotte Salomon 25

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