Tom Robbins cytaty

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Tom Robbins

Data urodzenia: 22. Lipiec 1932
Natępne imiona: تام رابینز, 湯姆·羅賓斯, トム・ロビンズ

Thomas Eugene Robbins – pisarz amerykański, jego powieści są kompleksowe, często przedstawiają dzikie historie z elementami socjologicznymi i obskurnymi, jednak prawidłowo i dobrze usadzonymi w treści. Jego powieść I kowbojki mogą marzyć została sfilmowana przez Gusa Van Santa, rolę główną zagrała Uma Thurman.

W 1954 Robbins uczęszczał na uniwersytety w Waszyngtonie, Lee University w Lexington, oraz na uniwersytet w Wirginii, gdzie studiował dziennikarstwo. Z ostatniej uczelni został jednak wyrzucony z powodu problemów z dyscypliną. Wówczas przeniósł się do Nowego Jorku, gdzie chciał zostać pisarzem. Wstąpił do Sił Powietrznych, gdzie przesłużył trzy lata w Korei. W 1960 roku powrócił do normalnego życia w Richmond, w stanie Wirginia. Dostał się do szkoły artystycznej – Richmond Professional Institute , która później przekształciła się w Virginia Commonwealth University . Tam studiował sztukę, był redaktorem naczelnym gazety uniwersyteckiej.

Po ukończeniu studiów przeniósł się do Seattle, gdzie pracował w lokalnej gazecie „The Seattle Times”. Po kilku latach przeniósł się ponownie, tym razem do LaConner, w stanie Waszyngton w 1970, gdzie żyje do chwili obecnej.

Cytaty Tom Robbins

„The only authority I respect is the one that causes butterflies to fly south in fall and north in springtime.“

—  Tom Robbins, książka Another Roadside Attraction

Źródło: Another Roadside Attraction

„And what would our ideas of God, of religion, be like if they had come to us through the minds of women? Ever think of that?“

—  Tom Robbins, Fierce Invalids Home from Hot Climates

Fierce Invalids Home from Hot Climates (2000)

„There's birth, there's death, and in between there's maintenance.“

—  Tom Robbins, Fierce Invalids Home from Hot Climates

Fierce Invalids Home from Hot Climates (2000)

„There are essential and inessential insanities. The latter are solar in character, the former are linked to the moon.“

—  Tom Robbins, książka Still Life with Woodpecker

Źródło: Still Life with Woodpecker (1980)

„The highest function of love is that it makes the loved one a unique and irreplaceable being.“

—  Tom Robbins, książka Jitterbug Perfume

Źródło: Jitterbug Perfume

„It's never too late to have a happy childhood.“

—  Tom Robbins, książka Still Life with Woodpecker

Źródło: Still Life with Woodpecker (1980)

„The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love.“

—  Tom Robbins, książka Still Life with Woodpecker

Leigh-Cheri to Bernard, in Phase III, Ch. 46.
Still Life with Woodpecker (1980)
Kontekst: I’m not quite twenty, but, thanks to you, I’ve learned something that many women these days never learn: Prince Charming really is a toad. And the Beautiful Princess has halitosis. The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn’t that be the way to make love stay?

„… disbelief in magic can force a poor soul into believing in government and business….“

—  Tom Robbins, Even Cowgirls Get the Blues

Źródło: Even Cowgirls Get the Blues

„There are many things worth living for, a few things worth dying for, and nothing worth killing for.“

—  Tom Robbins, Even Cowgirls Get the Blues

Źródło: Even Cowgirls Get the Blues

„We are our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.“

—  Tom Robbins, książka Still Life with Woodpecker

Źródło: Still Life with Woodpecker

„A sense of humor, properly developed, is superior to any religion so far devised.“

—  Tom Robbins, książka Jitterbug Perfume

Źródło: Jitterbug Perfume (1984)

„There is no such thing as a weird human being. It's just that some people require more understanding than others.“

—  Tom Robbins, książka Another Roadside Attraction

Another Roadside Attraction (1971)

„The truth, from my perspective, is that the world, indeed, is ending – and is also being reborn. It's been doing that all day, every day, forever. Each time we exhale, the world ends; when we inhale, there can be, if we allow it, rebirth and spiritual renewal. It all transpires inside of us. In our consciousness, in our hearts. All the time.“

—  Tom Robbins

The Syntax of Sorcery (2012)
Kontekst: Christians, and some Jews, claim we're in the "end times," but they've been saying this off and on for more than two thousand years. According to Hindu cosmology, we're in the Kali Yuga, a dark period when the cow of history is balanced precariously on one leg, soon to topple. Then there are our new-age friends who believe that this December we're in for a global cage-rattling which, once the dust has settled, will usher in a great spiritual awakening.
Most of this apocalyptic noise appears to be just wishful thinking on the part of people who find life too messy and uncertain for comfort, let alone for serenity and mirth. The truth, from my perspective, is that the world, indeed, is ending – and is also being reborn. It's been doing that all day, every day, forever. Each time we exhale, the world ends; when we inhale, there can be, if we allow it, rebirth and spiritual renewal. It all transpires inside of us. In our consciousness, in our hearts. All the time.
Otherwise, ours is an old, old story with an interesting new wrinkle. Throughout most of our history, nothing – not flood, famine, plague, or new weapons – has endangered humanity one-tenth as much as the narcissistic ego, with its self-aggrandizing presumptions and its hell-hound spawn of fear and greed. The new wrinkle is that escalating advances in technology are nourishing the narcissistic ego the way chicken manure nourishes a rose bush, while exploding worldwide population is allowing its effects to multiply geometrically. Here's an idea: let's get over ourselves, buy a cherry pie, and go fall in love with life.

„Nobody can say the word “naked” as nakedly as Cohen.“

—  Tom Robbins, książka Wild Ducks Flying Backward

Źródło: Wild Ducks Flying Backward (2005), Liner notes for the Leonard Cohen tribute album Tower of Song (1995).
Kontekst: Nobody can say the word “naked” as nakedly as Cohen. He makes us see the markings where the pantyhose have been.

„Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic.“

—  Tom Robbins

The Syntax of Sorcery (2012)
Kontekst: Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew?
When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work. The pervasive brutality in current fiction – the death, disease, dysfunction, depression, dismemberment, drug addiction, dementia, and dreary little dramas of domestic discord – is an obvious example of how language in exploitative, cynical or simply neurotic hands can add to the weariness, the darkness in the world. Less apparent is that bland writing — timid, antiseptic, vanilla writing – is nearly as unhealthy as the brutal and dark. Instead of sipping, say, elixir, nectar, tequila, or champagne, the reader is invited to slurp lumpy milk or choke on the author's dust bunnies.

„Authority is to be ridiculed, outwitted and avoided. And it's fairly easy to do all three. If you believe in peace, act peacefully; if you believe in love, acting lovingly; if you believe every which way, then act every which way, that's perfectly valid — but don't go out trying to sell your beliefs to the system. You end up contradicting what you profess to believe in, and you set a bum example. If you want to change the world, change yourself.“

—  Tom Robbins, Even Cowgirls Get the Blues

Even Cowgirls Get the Blues (1976)
Kontekst: I set an example. That's all anyone can do. I'm sorry the cowgirls didn't pay better attention, but I couldn't force them to notice me. I've lived most of my entire adult life outside the law, and never have I compromised with authority. But neither have I gone out and picked fights with authority. That's stupid. They're waiting for that; they invite it; it helps keep them powerful. Authority is to be ridiculed, outwitted and avoided. And it's fairly easy to do all three. If you believe in peace, act peacefully; if you believe in love, acting lovingly; if you believe every which way, then act every which way, that's perfectly valid — but don't go out trying to sell your beliefs to the system. You end up contradicting what you profess to believe in, and you set a bum example. If you want to change the world, change yourself.

„Less apparent is that bland writing — timid, antiseptic, vanilla writing – is nearly as unhealthy as the brutal and dark.“

—  Tom Robbins

The Syntax of Sorcery (2012)
Kontekst: Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew?
When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work. The pervasive brutality in current fiction – the death, disease, dysfunction, depression, dismemberment, drug addiction, dementia, and dreary little dramas of domestic discord – is an obvious example of how language in exploitative, cynical or simply neurotic hands can add to the weariness, the darkness in the world. Less apparent is that bland writing — timid, antiseptic, vanilla writing – is nearly as unhealthy as the brutal and dark. Instead of sipping, say, elixir, nectar, tequila, or champagne, the reader is invited to slurp lumpy milk or choke on the author's dust bunnies.

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