Marcel Duchamp cytaty

Marcel Duchamp Fotografia
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Marcel Duchamp

Data urodzenia: 28. Lipiec 1887
Data zgonu: 2. Październik 1968

Marcel Duchamp, właśc. Henri-Robert-Marcel Duchamp – francuski malarz i szachista.

Fotografia: Unknown author / Public domain
To tłumaczenie czeka na recenzję. Czy to jest poprawne?

„Wszyscy szachiści są artystami.“

—  Marcel Duchamp

Źródło: Cytaty i powiedzenia szachowe http://sites.google.com/site/szachyprzeworsk/cytaty_i_powiedzenia

„I have forced myself to contradict myself in order to avoid conforming to my own tastes.“

—  Marcel Duchamp

Quote by Harriet & Sidney Janis in 'Marchel Duchamp: Anti-Artist' in View magazine 3/21/45; reprinted in Robert Motherwell, Dada Painters and Poets (1951)
1921 - 1950
Wariant: I force myself to contradict myself in order to avoid conforming to my own taste.

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„Destruction is also creation.“

—  Marcel Duchamp

Źródło: Ref: en.wikiquote.org - J. Posadas / Quotes / War is Not the End of the World

„The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.“

—  Marcel Duchamp

Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous
Kontekst: The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place... All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.

„To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.“

—  Marcel Duchamp

1951 - 1968, The Creative Act', 1957
Kontekst: Let us consider two important factors, the two poles of the creation of art: the artist on one hand, and on the other the spectator who later becomes the posterity; to all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.

„What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion.“

—  Marcel Duchamp

1951 - 1968, The Creative Act', 1957
Kontekst: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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