John Updike cytaty

Źródło: Leksykon złotych myśli, wyboru dokonał Krzysztof Nowak, Warszawa 1998.

s. 121 - 122. Psycholog szkolny, Jack Levy w rozmowie z Terry - matką Ahmada.
Terrorysta

s. 54. Matka Ahmada (głównego bohatera) w rozmowie ze swoim kochankiem - Jackiem Levy.
Terrorysta

s. 132. Joryleen w rozmowie z Ahmadem.
Terrorysta

Źródło: My Father's Tears and Other Stories

Źródło: Self-Consciousness : Memoirs (1989), Ch. 3

Źródło: Couples (1968), Ch. 5

Hugging the Shore, foreword (1983)

Introduction to The Best American Short Stories of 1984 (1984)

Rabbit, Run (1960)

Rabbit at Rest (1990)

Rabbit Redux (1969)

The Centaur (1963)
Kontekst: I miss only, and then only a little, in the late afternoon, the sudden white laughter that like heat lightning bursts in an atmosphere where souls are trying to serve the impossible. My father for all his mourning moved in the atmosphere of such laughter. He would have puzzled you. He puzzled me. His upper half was hidden from me, I knew best his legs.

Salon interview (2000)
Kontekst: It was true of my generation, that the movies were terribly vivid and instructive. There were all kinds of things you learned. Like the 19th century novels, you saw how other social classes lived — especially the upper classes. So in a funny way, they taught you manners almost. But also moral manners. The gallantry of a Gary Cooper or an Errol Flynn or Jimmy Stewart. It was ethical instruction of a sort that the church purported to be giving you, but in a much less digestible form. Instead of these remote, crabbed biblical verses, you had contemporary people acting out moral dilemmas. Just the grace, the grace of those stars — not just the dancing stars, but the way they all moved with a certain grace. All that sank deep into my head, and my soul.

Salon interview (2000)
Kontekst: In the old movies, yes, there always was the happy ending and order was restored. As it is in Shakespeare's plays. It's no disgrace to, in the end, restore order. And punish the wicked and, in some way, reward the righteous.

On London, in “A Madman,” New Yorker (22 December 1962)

The Centaur (1963)
Kontekst: I miss only, and then only a little, in the late afternoon, the sudden white laughter that like heat lightning bursts in an atmosphere where souls are trying to serve the impossible. My father for all his mourning moved in the atmosphere of such laughter. He would have puzzled you. He puzzled me. His upper half was hidden from me, I knew best his legs.

Rabbit at Rest (1990)
Kontekst: Now nuns have blended into everybody else or else faded away. Vocations drying up, nobody wants to be selfless any more, everybody wants their fun. No more nuns, no more rabbis. No more good people, waiting to have their fun in the afterlife. The thing about the afterlife, it kept this life within bounds somehow, like the Russians. Now there's just Japan, and technology, and the profit motive, and getting all you can while you can.

Interview in New York Times Book Review (10 April 1977). later published in Conversations with John Updike (1994) edited by James Plath, p. 113
Kontekst: I think “taste” is a social concept and not an artistic one. I’m willing to show good taste, if I can, in somebody else’s living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into another’s brain in silence and intimacy, he should be as honest and explicit as we are with ourselves.

Źródło: Self-Consciousness : Memoirs (1989), Ch. 6
Kontekst: Our brains are no longer conditioned for reverence and awe. We cannot imagine a Second Coming that would not be cut down to size by the televised evening news, or a Last Judgment not subject to pages of holier-than-Thou second-guessing in The New York Review of Books.

Rabbit Redux (1969)
Kontekst: His insides are beginning to feel sickly. The pain of the world is a crater all these syrups and pills a thousandfold would fail to fill.

Rabbit, Run (1960)
Kontekst: He feels the truth: the thing that has left his life has left irrevocably; no search would recover it. No flight would reach it. It was here, beneath the town, in these smells and these voices, forever behind him. The fullness ends when we give Nature her ransom, when we make children for her. Then she is through with us, and we become, first inside, and then outside, junk. Flower stalks.

Act I
Buchanan Dying (1974)
Kontekst: Facts are generally overesteemed. For most practical purposes, a thing is what men think it is. When they judged the earth flat, it was flat. As long as men thought slavery tolerable, tolerable it was. We live down here among shadows, shadows among shadows.

Act I
Buchanan Dying (1974)
Kontekst: Facts are generally overesteemed. For most practical purposes, a thing is what men think it is. When they judged the earth flat, it was flat. As long as men thought slavery tolerable, tolerable it was. We live down here among shadows, shadows among shadows.

The New Yorker (March 29, 1976)

A Month of Sundays (1975)
Źródło: A Month Of Sundays

Źródło: Rabbit, Run

Źródło: Hugging the Shore: Essays and Criticism

Źródło: Rabbit Is Rich

Źródło: Brazil