„Prawda istnieje. Wymyśla się tylko kłamstwo.”
La vérité existe. On n'invente que le mensonge. (fr.)
Źródło: Le jour et la nuit: Cahiers 1917–52
Georges Braque – francuski malarz, grafik i rzeźbiarz, wraz z Pablem Picassem był twórcą kubizmu.
„Prawda istnieje. Wymyśla się tylko kłamstwo.”
La vérité existe. On n'invente que le mensonge. (fr.)
Źródło: Le jour et la nuit: Cahiers 1917–52
„Hołdem dla artysty jest, gdy go okradają.”
Źródło: Wielka encyklopedia aforyzmów, tom 1, Croma, 1996, s. 168.
Les preuves fatiguent la vérité. (fr.)
Źródło: Le jour et la nuit: Cahiers 1917–52
„Sztuka jest po to, by niepokoić. Wiedza umacnia.”
L'art est fait pour troubler: la science rassure. (fr.)
Źródło: Le jour et la nuit: Cahiers 1917–52
„Jedyne, co jest coś warte w dziele sztuki: to, czego nie można wytłumaczyć.”
Il n'est en art qu'une chose qui vaille: celle qu'on ne peut expliquer. (fr.)
Źródło: Le jour et la nuit: Cahiers 1917–52
“Evidence exhausts the truth.”
as quoted in Conversations with Samuel Beckett and Bram van Velde, ed. Charles Juliet, First Dalkey Archive edition, 2009, London and Champaign pp. 60-61
posthumous quotes
“Whatever is valuable in painting is precisely what one is incapable of talking about.”
two quotes by Braque, in 'Les Problèmes de la Peinture', interview with Gaston Diehl Paris 1945
1921 - 1945
Źródło: 1946 - 1963, Cahiers d'art', 1954, p. 16
Źródło: posthumous quotes, Braque', (1968), p. 55
Źródło: posthumous quotes, Braque', (1968), p. 30 - Braque's quote from the book, written by John Rusell, London 1959
“It is the act of painting, not the finished painting.”
1946 - 1963, interview with John Richardson' (1957)
Źródło: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264 - Braque's quote is referring to the early common starting years of Cubism in Paris with Picasso, ca. 1907 -1910
Źródło: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265
Źródło: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264
1946 - 1963, interview with John Richardson' (1957)
Źródło: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265
Braque is referring in this quote to the early common start of Cubism ca. 1907 -1910, in Paris with Picasso
Źródło: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265
1946 - 1963, interview with John Richardson' (1957)
1946 - 1963, interview with John Richardson' (1957)
Quote by Braque, from 'Le Monologue du Peintre', George Charbonnier, Paris 1959
1946 - 1963
[Braque refers to their common years in Paris, c. 1907 - 1912]
Źródło: posthumous quotes, Braque', (1968), p. 10
Quote from: 'Entretien avec Jauqes Lassaigne' - 1961; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 94
1946 - 1963
1946 - 1963, interview with John Richardson' (1957)
Quote of Braque to John Richardson, in 'Braque Discusses His Art', in 'Realités', no. 93, August 1958, p. 28
1946 - 1963
1946 - 1963, interview with John Richardson' (1957)
Źródło: posthumous quotes, Braque', (1968), p. 41
Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920
the letters
Źródło: posthumous quotes, Braque', (1968), p. 68
Źródło: 1908 - 1920, quotes from Artists on Art...(1972), p. 422 - Braque's quote, Paris 1917
Źródło: 1908 - 1920, quotes from Artists on Art...(1972), p. 423 - short quotes by Georges Braque on 'Means' - Paris, 1917
Źródło: 1946 - 1963, Cahiers d'art', 1954, p. 14 - In: 'Braque, la peinture et nous'
Źródło: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265
Braque admired Corot and frequently used Corot's young country-ladies as models, for instance in his painting 'Souvenirs de Corot' he made in 1922/23
Źródło: 1921 - 1945, p. 96 - quote of Braque from 'Cahiers d'art', No. 10, 1935, ed. Christian Zervos - quote of Braque is referring to Corot's impact on his painting art