George Chapman cytaty
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George Chapman w Londynie - angielski poeta, dramaturg i uczony. Autor wielu prac o filozoficznym i moralnym wpływie poezji oraz o znaczeniu filologii klasycznej dla dorobku ludzkości.

Jego pierwszym utworem był filozoficzny poemat "The Shadow of Night" . Napisał też poemat "Ovid's Banquet of Sense". W roku 1598 opublikował ciąg dalszy poematu Christophera Marlowe "Hero and Leander", a wkrótce potem tłumaczenie fragmentu Iliady Homera.

Jako dramaturg pisał zarówno komedie jak i tragedie, w tym popularną w Anglii tego czasu "Bussy d'Ambois" . W swych tragediach odnosił się zazwyczaj do jednostki i jej stosunku do społeczeństwa.

W roku 1616 opublikował własne tłumaczenie "Iliady" i "Odysei" ciepło przyjęte przez czytelników czemu dał wyraz John Keats w sonecie "On First Looking into Chapman's Homer".

✵ 1559 – 12. Maj 1634
George Chapman Fotografia
George Chapman: 60   Cytatów 0   Polubień

George Chapman: Cytaty po angielsku

“As far as white Aurora's dews are sprinkled through the air.”

Book VII, line 374, p. 104
The Iliads of Homer, Prince of Poets (1611)

“Each natural agent works but to this end,—
To render that it works on like itself.”

George Chapman Bussy D'Ambois

Act III, scene i.
Bussy D'Ambois (1607)

“Love is a golden bubble, full of dreams,
That waking breaks, and fills us with extremes.”

Hero and Leander: a poem (1600), begun by Christopher Marlowe, and finished by George Chapman. Sestiad III.

“Virtue is not malicious; wrong done her
Is righted even when men grant they err.”

George Chapman Monsieur D'Olive

Monsieur D'Olive, Act I, scene i; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Give me a spirit that on this life's rough sea
Loves t' have his sails fill'd with a lusty wind,
Even till his sail-yards tremble, his masts crack,
And his rapt ship run on her side so low
That she drinks water, and her keel plows air.”

George Chapman The Conspiracy and Tragedy of Charles, Duke of Byron

Act III, scene i; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
The Conspiracy and Tragedy of Charles, Duke of Byron (1608)

“The lady of the light, the rosy-fingered Morn,
Rose from the hills.”

Book I, line 460, p. 11
The Iliads of Homer, Prince of Poets (1611)

“Promise is most given when the least is said.”

Musæus of Hero and Leander; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Man is a name of honour for a king.”

George Chapman Bussy D'Ambois

Act IV, scene i.
Bussy D'Ambois (1607)

“This was a sleight well mask'd. O, what is man,
Unless he be a Politician?”

George Chapman Bussy D'Ambois

Act I, scene i.
Bussy D'Ambois (1607)

“Tis immortality to die aspiring,
As if a man were taken quick to heaven.”

George Chapman The Conspiracy and Tragedy of Charles, Duke of Byron

Act I, scene i; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
The Conspiracy and Tragedy of Charles, Duke of Byron (1608)

“Fair words never hurt the tongue.”

George Chapman Eastward Hoe

Act IV, scene i.
Eastward Hoe (1605)

“I know an Englishman,
Being flattered, is a lamb; threatened, a lion.”

Alphonsus, Emperor of Germany (1654), Act I, scene ii, lines 208–209. Attributed, probably falsely, to Chapman. Perhaps by George Peele.
Disputed

“To put a girdle round about the world.”

George Chapman Bussy D'Ambois

Act I, scene i.
Bussy D'Ambois (1607)

“Let pride go afore, shame will follow after.”

George Chapman Eastward Hoe

Act IV, scene i.
Eastward Hoe (1605)

“An ill weed grows apace.”

George Chapman An Humorous Day's Mirth

An Humorous Day's Mirth; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Words writ in waters.”

Revenge for Honour, Act V, scene ii; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Disputed

“I am ashamed the law is such an ass.”

Revenge for Honour, Act III, scene ii.
Disputed

“And for the authentical truth of either person or actions, who (worth the respecting) will expect it in a poem, whose subject is not truth, but things like truth?”

George Chapman The Revenge of Bussy D'Ambois

Poor envious souls they are that cavil at truth's want in these natural fictions; material instruction, elegant and sententious excitation to virtue, and deflection from her contrary, being the soul, limbs, and limits of an authentical tragedy.
The Revenge of Bussy D'Ambois (1613)

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