“Maia lifted her gaze to watch low clouds briefly occult a brightly speckled, placid sea, its green shoals aflicker with silver schools of fish and the flapping shadows of hovering swoop-birds. The variegated colors were lush, voluptuous. Mixing with scents carried by the moist, heavy wind, they made a stew for the senses, spiced with fecund exudates of life.
The beauty was heavy-handed, adamantly consoling. She got the point—that life goes on.”

— David Brin , book Glory Season

Source: Glory Season (1993), Chapter 4 (p. 80)

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David Brin 123

novelist, short story writer 1950

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“And the sand all alive, all alive, as the hatched sea-turtles made their dash for the sea, while the birds hovered and swooped to attack and hovered and—swooped to attack! They were diving down on the hatched sea-turtles, turning them over to expose their soft undersides, tearing the undersides open and rending and eating their flesh.”

Tennessee Williams Suddenly Last Summer

Mrs. Venable, Scene One
Suddenly Last Summer (1958)

“Her left hand reminded her of its existence, and she looked round to see what was scratching the heel of her hand. It was a tiny thistle, crouched in a crack in the sandstone, barely lifting its colorless spikes into the light and wind. It nodded stiffly as the wind blew, resisting the wind, rooted in rock. She gazed at it for a long time.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, Tehanu (1990), Chapter 4, "Kalessin"

“In vain she strives with dying hands
To wrench away the blade:
Fixed in her ribs the weapon stands,
Closed by the wound it made.
Bloodless and faint, she gasps for breath;
Her heavy eyes sink down in death;
Her cheek's bright colors fade.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book XI, p. 427

“Summer is the season of motion, winter is the season of form. In summer everything moves save the fixed and inert. Down the hill flows the west wind, making wavelets in the shorter grass and great billows in the standing hay; the tree in full leaf sways its heavy boughs below and tosses its leaves above; the weed by the gate bends and turns when the wind blows down the road. It is the shadow of moving things that we usually see, and the shadows are themselves in motion. The shadow of a branch, speckled through with light, wavers across the lawn, the sprawling shadow of the weed moves and sways across the dust.”

Henry Beston (1888–1968) American writer

Source: The Northern Farm: A Glorious Year on a Small Maine Farm

“But she is in the shadows,
the ocean and the sand
She is everywhere and noplace,
Her church not made with hands”

Mike Scott (1958) songwriter, musician

"Church Not Made With Hands"
A Pagan Place (1984)
Context: She is everywhere and noplace
Like a breath or like a wind
she moves among men
They would seek to hold her as a prize
But she is in the shadows,
the ocean and the sand
She is everywhere and noplace,
Her church not made with handsUncontained by man.

“Life… is only heavy and none else; there is only the one trip, all heavy. Heavy that leads to the grave. For everyone and everything.”

Philip K. Dick book A Scanner Darkly

Source: A Scanner Darkly

“Love goes toward love as schoolboys from their books,
But love from love, toward school with heavy looks.”

William Shakespeare book Romeo and Juliet

Source: Romeo and Juliet

“There is a fair woman in the west,
who is as bright as sunlight.
She wears a dress of the finest silk
and jewelry shines from her left, her right.
Her face is a charm, so full of grace,
lightly perfuming the breeze.
Climbing upward, she keeps watch for her loved one,
holding her sleeves, she faces the morning sun.
She hovers, she drifts through the sky,
waving her sleeves, she dances,
flies like the wind, like a cloud, in [a] trance.
Every so often, she glances at me,
but for me this beauty is out of reach.
Left alone, I lament my fate.”

Ruan Ji (210–263) One of the Seven Sages of the Bamboo Grove

Poem XIX, translated by Wu Fusheng and Graham Hartill in The Poem of Ruan Ji (2006), p. 39, as reported in Constructing Irregular Theology (2009) by Paul S. Chung, p. 13

““Could Yarl the Omnipotent create a stone so heavy he couldn’t lift it?” Green Green asked him.
”No,” said Courtcour.
”Why not?”
”He would not.”
”That is no answer.”
”Yes, it is. Think about it. Would you?””

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 7 (p. 157)

“I thought for a minute, and then I got heavy, heavy boots.”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Source: Extremely Loud and Incredibly Close

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David Brin 123

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