“There is no flock, however watched and tended,
But one dead lamb is there!
There is no fireside, howsoe'er defended,
But has one vacant chair!”

— Henry Wadsworth Longfellow , Resignation

Resignation, st. 1 (1849).

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Henry Wadsworth Longfellow 202

American poet 1807–1882

Abbott Eliot Kittredge (1834–1912) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 374.

“In order to be a perfect member of a flock of sheep, one has to be, foremost, a sheep.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Um ein tadelloses Mitglied einer Schafherde sein zu können, muß man vor allem ein Schaf sein.
The New Quotable Einstein
variant translation from Ideas and Opinions: "In order to form an immaculate member of a flock of sheep one must, above all, be a sheep."
1950s, Essay to Leo Baeck (1953)

“The game of Bees in the Trees is a variant of musical chairs and is best played with funeral music and in the open air. The object of the game is to sit down on a vacant chair when the music stops. If the chair sat in is occupied by bees, it is permissible to arrange a professional foul.”

Peter Greenaway (1942) British film director

Drowning By Numbers

“It was one of those rare times when remembering the dead was more inmportant than tending to the needs of the living.”

Dean Koontz book Lightning

Source: Lightning

“Even so a shepherd, seeking safety for his flock, lures the wolves at night by the bleating of a tethered lamb into the pitfall masked by a slender covering of leafage.”
Haud secus ac stabulis procurans otia pastor in foveam parco tectam velamine frondis ducit nocte lupos positae balatibus agnae.

Silius Italicus Punica

Book VI, lines 329–331
Punica

“Writers may be solitary but they also tend to flock together: they like being solitary together.”

Neil Gaiman (1960) English fantasy writer

Context: Writers may be solitary but they also tend to flock together: they like being solitary together. I knew a lot of writers in London and many of them were award-winning writers and many of them were award-winning, respectable writers. And the trouble with being an award-winning, respectable writer is that you probably are not making a living.
If you write one well-reviewed, well-respected, not bad selling, but not a bestseller list book every three years, which you sell for a whopping 30,000 pounds, that's still going to average out to 10,000 pounds a year and you will make more managing a McDonald's. With overtime you'd probably make more working in a McDonald's. So there were incredibly well-respected, award-winning senior writers who, to make ends meet, were writing film novelizations and TV novelizations under pen names that they were desperately embarrassed about and didn't want anybody to know about.

January magazine interview (2002)