“Through all the drama — whether damned or not —
Love gilds the scene, and women guide the plot.”

— Richard Brinsley Sheridan , The Rivals

Epilogue.
The Rivals (1775)

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Richard Brinsley Sheridan 58

Irish-British politician, playwright and writer 1751–1816

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“Once for all, then, a short precept is given thee: Love, and do what thou wilt: whether thou hold thy peace, through love hold thy peace; whether thou cry out, through love cry out; whether thou correct, through love correct; whether thou spare, through love do thou spare: let the root of love be within, of this root can nothing spring but what is good.”

Aurelius Augustinus (354–430) early Christian theologian and philosopher

Tractatus VII, 8 http://www.newadvent.org/fathers/170207.htm
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Translation by Professor Joseph Fletcher: Love and then what you will, do.
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“Because as a rule women dont really care about facts just so they fit; it's just men that dont give a damn whether they fit or not.”

William Faulkner book The Town

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“By summer of 1966, the national scene was marked by insurrection on the campus, riots in the streets, rise in women's liberation, protest of the young, doubts about the institution of marriage, abandonment of old guiding slogans, and the crumbling of social traditions.”

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Context: By summer of 1966, the national scene was marked by insurrection on the campus, riots in the streets, rise in women's liberation, protest of the young, doubts about the institution of marriage, abandonment of old guiding slogans, and the crumbling of social traditions. It would have been foolish to believe that movies, that most creative of art forms, could have remained unaffected by the change and torment in our society.
The result of all this was the emergence of a "new kind" of American movie — frank and open, and made by filmmakers subject to very few self-imposed restraints.

“For wheresoe'er I turn my ravished eyes,
Gay gilded scenes and shining prospects rise,
Poetic fields encompass me around,
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Franz Kafka (1883–1924) author

“Among the many senses that modern painters have lost, we must number the sense of architecture. The edifice accompanying the human figure, whether alone or in a group, whether in a scene from life or in an historical drama, was a great concern of the ancients. They applied themselves to it with loving and severe spirit, studying and perfecting the laws of perspective. A landscape enclosed in the arch of a portico or in the square or rectangle of a window acquires a greater metaphysical value, because it is solidified and isolated from the surrounding space. Architecture completes nature.”

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1920
as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 440-441
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“All plots tend to move deathwards. This is the nature of plots.”

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Source: White Noise (1984), Ch. 6

“love be damned now
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Source: The People Look Like Flowers at Last

“But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.”

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“I like drama. I love being in a drama where I get to be the funny guy. That's what I really love the most.”

John Leguizamo (1964) Colombian and American actor, film producer, voice artist, and comedian

John Leguizamo Talks About "Assault on Precinct 13", January 16, 2005, answering the question, "Is comedy your first love?"

“Through all the drama — whether damned or not —Love gilds the scene, and women guide the plot.”

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Richard Brinsley Sheridan 58

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“Through all the drama — whether damned or not —
Love gilds the scene, and women guide the plot.”