“What people really want in the theater is fantasy involvement and not reality involvement.”

—  Edward Albee

Quote (4 June 1967)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "What people really want in the theater is fantasy involvement and not reality involvement." by Edward Albee?
Edward Albee photo
Edward Albee 32
American playwright 1928–2016

Related quotes

Lauryn Hill photo
Sigmund Freud photo
Martin Scorsese photo
Jean Paul Sartre photo

“…the reality of society involves the socialization of certain unrealities.”

455
Saint Genet, Actor and Martyr (1952)

Amiri Baraka photo

“I guess I was the most unbohemian of all bohemians. My bohemianism consisted of not wanting to get involved with the stupid stuff that I thought people wanted you to get involved with — … namely America…”

Amiri Baraka (1934–2014) African-American writer

On his bohemian status in “Remembering Activist Poet Amiri Baraka” https://www.npr.org/2014/01/10/261379770/fresh-air-remembers-activist-poet-amiri-baraka in NPR (2014 Jan 10)

Muhammad Ali photo

“What's really hurting me, the name Islam is involved, and Muslim is involved and causing trouble and starting hate and violence. … Islam is not a killer religion. … Islam means peace, I couldn't just sit home and watch people label Muslims as the reason for this problem.”

Muhammad Ali (1942–2016) African American boxer, philanthropist and activist

As quoted in "Muhammad Ali Defends His Religion" by Lisa L. Colangelo and Clem Richardson in New York Daily News (21 September 2001), p. 34

Paulo Freire photo

“The road to revolution involves openness to the people, not imperviousness to them; it involves communion with the people, not mistrust.”

Paulo Freire (1921–1997) educator and philosopher

Source: Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970), Chapter 4, on revolution

Samuel R. Delany photo

“She simply has no concept of what’s real and what’s fantasy—did I say? She’s in the theater.”

Source: Triton (1976), Chapter 7 “Tiresias Descending, or Trouble on Triton” (p. 322)

“I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.”

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978) http://web.archive.org/web/20070701010155/zelazny.corrupt.net/19780408int.html#2
Context: Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.
I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central.
But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

“There's a tremendous tendency not to make a statement, not to be committed in that ultimate sense. Photo-realism is the same thing as minimal abstraction. Both are unwilling to say anything about the nature of reality, about their own involvement with reality, the evolvement of forms, their expressive…their deepest involvement with human reality.”

Leonard Baskin (1922–2000) American sculptor

Leonard Baskin Interview (1996) Discussing the State of Contemporary Art. in: Don Gray " Art Essays, Art Criticism & Poems http://jessieevans-dongrayart.com/essays/essay028.html" at jessieevans-dongrayart.com

Related topics