William Blake Quotes
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William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. What he called his prophetic works were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich œuvre, which embraced the imagination as "the body of God" or "human existence itself".Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic". A committed Christian who was hostile to the Church of England , Blake was influenced by the ideals and ambitions of the French and American Revolutions. Though later he rejected many of these political beliefs, he maintained an amiable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg. Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Michael Rossetti characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".



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✵ 28. November 1757 – 12. August 1827   •   Other names 威廉布萊克, Williem Blake
William Blake photo
William Blake: 249   quotes 66   likes

William Blake Quotes

“SUCH VISIONS HAVE APPEARD TO ME
AS I MY ORDERD RACE HAVE RUN
JERUSALEM IS NAMED LIBERTY
AMONG THE SONS OF ALBION”

Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 26, lines 1-4

“Terror in the house does roar,
But Pity stands before the door.”

Terror in the House
1800s, Poems from Blake's Notebook (c. 1804)

“Every tear from every eye
Becomes a babe in eternity.”

Source: 1800s, Auguries of Innocence (1803), Line 67

“All wholesome food is caught without a net or a trap.”

Source: 1790s, The Marriage of Heaven and Hell (1790–1793), Proverbs of Hell, Line 13

“When a Man has Married a Wife
He finds out whether
Her Knees & elbows are only
glued together.”

Poems from Blake's Notebook (c. 1800–1803)
1800s

“A robin redbreast in a cage
Puts all Heaven in a rage.”

Source: 1800s, Auguries of Innocence (1803), Line 5

“To Generalize is to be an Idiot. To Particularize is the Alone Distinction of Merit — General Knowledges are those Knowledges that Idiots possess.”

Annotations to Sir Joshua Reynolds's Discourses, pp. xvii–xcviii (c. 1798–1809)
1790s

“Jesus & his apostles & disciples were all artists”

The Laocoön, p. 271
1800s

“O Saviour pour upon me thy Spirit of meekness & love:
Annihilate the Selfhood in me, be thou all my life!
Guide thou my hand which trembles exceedingly upon the rock of ages”

Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 5, lines 21-23 The Words of Blake

“They have divided themselves by Wrath. they must be united by
Pity<…”

Source: Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 7, lines 57-58 The Words of Los to his Spectre

“Every Thing has its Vermin O Spectre of the Sleeping Dead!”

Frontiespiece, plate 1, line 11 (as it seen on the additional plate, Fitzwilliam Museum).
1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820)

“If you have formed a circle to go into,
Go into it yourself and see how you would do.”

To God
1800s, Poems from Blake's Notebook (c. 1807-1809)

“Degrade first the arts if you'd mankind degrade,
Hire idiots to paint with cold light and hot shade.”

Annotations to Sir Joshua Reynolds's Discourses, title page (c. 1798–1809)
1790s

“Forgiveness of enemies can only come upon their repentance.”

1780s, Annotations to Lavater (1788)

“The iron hand crush'd the Tyrant's head
And became a Tyrant in his stead.”

Ibid, stanza 9
1810s, Miscellaneous poems and fragments from the Nonesuch edition

“Grown old in love from seven till seven times seven,
I oft have wished for Hell for ease from Heaven.”

Grown Old in Love
1800s, Poems from Blake's Notebook (c. 1807-1809)

“Every Harlot was a Virgin once”

For the Sexes: The Gates of Paradise: [Epilogue] To The Accuser who is The God of This World
1810s

“Nothing can be more contemptible than to suppose Public RECORDS to be True.”

Annotations to An Apology for the Bible by R. Watson
1790s

“Why art thou silent and invisible,
Father of Jealousy?”

To Nobodaddy, st. 1
1790s, Poems from Blake's Notebook (c. 1791-1792)

“The Goddess Fortune is the devils servant ready to Kiss any ones Arse.”

Inscription on Illustrations to Dante "No. 16: HELL Canto 7"
1810s

“This cabinet is formed of gold
And pearl and crystal shining bright,
And within it opens into a world
And a little lovely moony night.”

The Crystal Cabinet, st. 2
1800s, Poems from the Pickering Manuscript (c. 1805)

“The fields from Islington to Marybone,
To Primrose Hill and Saint John's Wood:
Were builded over with pillars of gold,
And there Jerusalems pillars stood.”

Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 27, "To the Jews" 1) lines 1-4

“The harlot's cry from street to street
Shall weave old England's winding sheet.”

Source: 1800s, Auguries of Innocence (1803), Line 115

“One thought fills immensity.”

Source: 1790s, The Marriage of Heaven and Hell (1790–1793), Proverbs of Hell, Line 36

“In the morning glad I see
My foe outstretch'd beneath the tree.”

Ibid., st. 4
1790s, Songs of Experience (1794)

“Half Friendship is the bitterest Enmity…”

Frontiespiece, plate 1, line 8 (as it seen on the additional plate, Fitzwilliam Museum).
1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820)

“He who shall hurt the little wren
Shall never be beloved by men.”

Source: 1800s, Auguries of Innocence (1803), Line 29