Friedrich Schiller book On the Aesthetic Education of Man
Letter 9
On the Aesthetic Education of Man (1794)
The Laocoön, p. 271
1800s
Friedrich Schiller book On the Aesthetic Education of Man
Letter 9
On the Aesthetic Education of Man (1794)
Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast
"Jesus never existed" http://www.patheos.com/blogs/reasonadvocates/2015/11/03/jesus-never-existed/, Patheos (November 3, 2015) <br class="br">Patheos
Oscar Wilde book The Soul of Man under Socialism
The Soul of Man Under Socialism (1891)
Context: Art is the most intense mode of individualism that the world has known. I am inclined to say that it is the only real mode of individualism that the world has known. Crime, which, under certain conditions, may seem to have created individualism, must take cognisance of other people and interfere with them. It belongs to the sphere of action. But alone, without any reference to his neighbours, without any interference, the artist can fashion a beautiful thing; and if he does not do it solely for his own pleasure, he is not an artist at all.
“Until the artist is dead, we are not able to determine his work in all its dimensions.”
Anselm Kiefer (1945) German painter and sculptor
(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."
Federico Fellini (1920–1993) Italian filmmaker
"Artistic Freedom"
I'm a Born Liar (2003)
Context: I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.
Mohammad Khatami (1943) Iranian prominent reformist politician, scholar and shiite faqih.
Reported by AFP on April 3, 2005 in his condoling Message to Vatican
Attributed
“The artist creates his own elite, and the elite its own artists.”
Source: Art and Illusion: A Study in the Psychology of Pictorial Representation
“An artist who theorizes about his work is no longer artist but critic.”
H. G. Wells (1866–1946) English writer
The Temptaion of Harringay (1929)
Henri Poincaré (1854–1912) French mathematician, physicist, engineer, and philosopher of science
"Notice sur Halphen," Journal de l'École Polytechnique (Paris, 1890), 60ème cahier, p. 143. See also Tobias Dantzig, Henri Poincaré, Critic of Crisis: Reflections on His Universe of Discourse (1954) p. 8
Context: A scientist worthy of the name, above all a mathematician, experiences in his work the same impression as an artist; his pleasure is as great and of the same nature.... we work not only to obtain the positive results which, according to the profane, constitute our one and only affection, as to experience this esthetic emotion and to convey it to others who are capable of experiencing it.