Virginia Woolf Quotes
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Adeline Virginia Woolf was an English writer who is considered one of the foremost modernists of the twentieth century, and a pioneer in the use of stream of consciousness as a narrative device. Born in an affluent household in Kensington, London, she attended the King's College London and was acquainted with the early reformers of women's higher education.

Having been home-schooled for most part of her childhood, mostly in English classics and Victorian literature, Woolf began writing professionally in 1900. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. She published her first novel titled The Voyage Out in 1915, through the Hogarth Press, a publishing house that she established with her husband, Leonard Woolf. Her best-known works include the novels Mrs Dalloway , To the Lighthouse and Orlando , and the book-length essay A Room of One's Own , with its dictum, "A woman must have money and a room of her own if she is to write fiction."

Woolf became one of the central subjects of the 1970s movement of feminist criticism, and her works have since garnered much attention and widespread commentary for "inspiring feminism", an aspect of her writing that was unheralded earlier. Her works are widely read all over the world and have been translated into more than fifty languages. She suffered from severe bouts of mental illness throughout her life and took her own life by drowning in 1941 at the age of 59.

✵ 25. January 1882 – 28. March 1941   •   Other names Adeline Virginia Woolf
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Virginia Woolf: 382   quotes 530   likes

Virginia Woolf Quotes

“For books continue each other, in spite of our habit of judging them separately.”

Source: A Room of One's Own and Three Guineas

“It was a silly, silly dream, being unhappy.”

Source: Mrs. Dalloway

“It is no use trying to sum people up.”

Source: Jacob's Room

“No passion is stronger in the breast of man than the desire to make others believe as he believes. Nothing so cuts at the root of his happiness and fills him with rage as the sense that another rates low what he prizes high.”

Source: Orlando: A Biography (1928), Ch. 3
Context: No passion is stronger in the breast of man than the desire to make others believe as he believes. Nothing so cuts at the root of his happiness and fills him with rage as the sense that another rates low what he prizes high. Whigs and Tories, Liberal party and Labour party — for what do they battle except their own prestige?

“Peter would think her sentimental. So she was. For she had come to feel that it was the only thing worth saying – what one felt. Cleverness was silly. One must say simply what one felt.”

Mrs Dalloway (1925)
Source: Mrs. Dalloway
Context: But to go deeper, beneath what people said (and these judgements, how superficial, how fragmentary they are!) in her own mind now, what did it mean to her, this thing she called life? Oh, it was very queer. Here was So-and-so in South Kensington; some one up in Bayswater; and somebody else, say, in Mayfair. And she felt quiet continuously a sense of their existence and she felt what a waste; and she felt what a pity; and she felt if only they could be brought together; so she did it. And it was an offering; to combine, to create; but to whom?
An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know.
All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was! — that it must end; and no one in the whole world would know how she had loved it all.

“Rigid, the skeleton of habit alone upholds the human frame.”

Mrs Dalloway (1925)
Source: Mrs. Dalloway

“Never pretend that the things you haven't got are not worth having.”

Source: The Diary of Virginia Woolf, Volume Two: 1920-1924

“Her life was a tissue of vanity and deceit.”

Source: Mrs. Dalloway

“I prefer men to cauliflowers”

Source: Mrs. Dalloway

“Fear no more, says the heart…”

Source: Mrs. Dalloway

“Life is not a series of gig-lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.”

"Modern Fiction"
The Common Reader (1925)
Context: Examine for a moment an ordinary mind on an ordinary day. The mind receives a myriad impressions — trivial, fantastic, evanescent, or engraved with the sharpness of steel. From all sides they come, an incessant shower of innumerable atoms; and as they fall, as they shape themselves into the life of Monday or Tuesday, the accent falls differently from of old; the moment of importance came not here but there; so that, if a writer were a free man and not a slave, if he could write what he chose, not what he must, if he could base his work upon his own feeling and not upon convention, there would be no plot, no comedy, no tragedy, no love interest or catastrophe in the accepted style, and perhaps not a single button sewn on as the Bond Street tailors would have it. Life is not a series of gig-lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of the alien and external as possible? We are not pleading merely for courage and sincerity; we are suggesting that the proper stuff of fiction is a little other than custom would have us believe it.

“for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge”

Part I, Ch. 9
Source: To the Lighthouse (1927)
Context: Could loving, as people called it, make her and Mrs Ramsay one? for it was not knowledge but unity that she desired, not inscription on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs Ramsay's knee.