Salvador Dalí: Quotes about painting

Salvador Dalí was Spanish artist. Explore interesting quotes on painting.
Salvador Dalí: 234   quotes 31   likes

“Begin by drawing and painting like the old masters. After that do as you see fit - you will always be respected.”

Salvador Dalí

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 82

Drawing , Painting

“In the degree that the images of concrete irrationality approach phenomenal reality, the corresponding means of expression approach those of the great realist painters - Velasquez and Vermeer of Delft - to paint realistically according to irrational thought, according to the unknown imagination.”

Salvador Dalí

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 12-13

Imagination , Reality , Painting

“The fact that I myself, at the moment of painting, do not understand my own pictures, does not mean that these pictures have no meaning; on the contrary, their meaning is so profound, complex, coherent, and involuntary that it escapes the most simple analysis of logical intuition. To describe my pictures in everyday language, to explain them, it is necessary to submit them to special analyses and preferably with the most ambitiously objective scientific rigour possible. Then all explanation arises a posteriori; once the picture already exists as phenomenon.”

Salvador Dalí

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 11-12

Understanding , Painting

“It is a question of the systematic and interpretive organization of the sensational, scattered and narcissist surrealist experimental material, - that is to say, of everyday surrealist events:, br>nocturnal pollution, false recollection, dream, diurnal fantasy, the concrete transformation of nocturnal phosphene into a hypnagogic image or of "waking phosphene" into an objective image, - the nutritive caprice, - inter-uterine claims, - anamorphic hysteria, - the voluntary retention of the urine, - the involuntary retention of insomnia - the fortuitous image of exclusively exhibitionist tendency, -the incomplete action, - the frantic manner, - the regional sneeze, the anal wheelbarrow, the minimal mistake, the liliputian malaise, the super-normal physiological state, - the picture one leaves off painting, that which one paints, the territorial ringing of the telephone, "the deranging image", etc., etc.,
all these things, I say, and a thousand other instantaneous or successive sollicitations, revealing a minimum of irrational intentionalety or, on the contrary, a minimum of suspect phenomenal nullity, are associated, by the mechanisms of paranoiac-critical activity, in an indestructible delirious-interpretive system of political problems, paralytic images, more or less mammiferous questions, playing the role of the obsessing idea.”

Salvador Dalí

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 15-16

Dreams , Idea , Question , Problem

“It is difficult to hold the world's interest for more than half an hour at a time... I have been successful for twenty years, to the extent that papers publish the most incomprehensible new items of our time, sent by teletype: PARIS. Dali gave lecture at Sorbonne on Vermeer's paintings 'lacemaker' and the rhinoceros.... NEW YORK. Dali landed in New York dressed in a golden space-suit.”

Salvador Dalí

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 171

World , Time , Success , Painting

“In that privileged place, reality and the sublime dimension almost come together. My mystical paradise begins in the plains of the Empordà, is surrounded by the Alberes hills, and reaches plenitude in the bay of Cadaqués. This land is my permanent inspiration. The only place in the world, too, where I feel loved. When I painted that rock that I entitled 'The Great Masturbator', I did nothing more than render homage to one of the promontories of my kingdom, and my painting was a hymn to one of the jewels of my crown.”

Salvador Dalí

Quote from Wikipedia: The Great Masturbator
Quotes of Salvador Dali, 1941 - 1950

Love , World , Feeling , Reality

“One morning with Ripolin [French paint] I painted a new-born that I then left to dry on the tennis-court. After two days I found it bristling with ants that made it move to the anesthetized, silent rhythm of sea-urchins. However I at once realized that this newborn child was none other than the pink breast of my girlfriend, being frenetically eaten by the shining, metallic thickness of the phonograph. But it wasn't her breast either: it was little pieces of my cigarette paper nervously grouped around the magnetic topaz of my fiancees ring.”

Salvador Dalí

Quote from 'Mon amie et la plage' [My girlfriend and the beach], Salvador Dali, 1927; as quoted in Dali and Me, Catherine Millet, - translation Trista Selous -, Scheidegger & Spiess AG, 8001 Zurich Switzerland, pp. 47-48
Quotes of Salvador Dali, 1920 - 1930

Painting , Sea

“Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929'. By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.”

Salvador Dalí

Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

Faith , History , Study , Painting

“Telephone, pedal washbasin, white refrigerators gleaming with Ripolin [French paint], bidet, small phonograph.... objects of authentic and pure poetry (MPC p. 11).... The Parthenon was not built as a ruin. It was built on a new surface without patina, like our automobiles. / we will not always bear on our shoulders the weight of our father's corpse.”

Salvador Dalí

Quote, 1920's; MPC p. 13; as quoted in Dali and Me, Catherine Millet, - translation Trista Selous -, Scheidegger & Spiess AG, 8001 Zurich Switzerland, p. 28
Quotes of Salvador Dali, 1920 - 1930

Painting

“.. the paint marks [in Impressionist paintings] placed apparently without order and which suddenly became magnificently ordered if one knew how to make the right distance.... to communicate a deep, sun-drenched image of a stream, landscape or face.... My eyes were popping out of my head.”

Salvador Dalí

as cited in The Unspeakable confessions of Salvador Dali, Parinaud, ed. W. H. Allen, London 1976, p. 42
Quotes of Salvador Dali, 1971 - 1980, Comment on deviant Dali, les aveux inavouables de Salvador Dali

Communication , Sun , Painting

“It ['The Great Masturbator', 1929] represented a large head, yellow like wax, with very red cheeks, long eyelashes and an imposing nose compressed against the ground. This face had no mouth, and in place of the mouth an enormous lobster was hooked. The lobster's belly was decomposing and full of ants. Some of these ants were scurrying through the space that would have been occupied by the non-existent mouth of the great anguished face, whose head ended in 1900-style architecture and ornamentation. The title of the painting was The Great Masturbator.”

Salvador Dalí

Quote from La vida secreta de Salvador Dalí. In: Complete Works, Autobiographical Articles 1. Ediciones Destino / Gala-Salvador Dalí Foundation, Barcelona / Figueres, 2003, p. 648
Quotes of Salvador Dali, 1941 - 1950

Painting

“So, André Breton, if tonight I dream I am screwing you, tomorrow morning I will paint all of our best fucking positions with the greatest wealth of detail.”

Salvador Dalí

Quote, early 1930's; as quoted by Jonathan Jones in his article 'André in wonderland'; The Guardian / Culture, 16 June, 2004 https://www.theguardian.com/culture/2004/jun/16/1
In the early 1930's Dalí was judged by a surrealist 'high court' at André Breton's flat; Dali was accused of 'counter-revolutionary actions' because of his supposed political sympathy for fascism. Dalí claimed that he was being an honest and pure surrealist, recording the unexpurgated contents of his psychic life - which this quote should illustrate.
Quotes of Salvador Dali, 1920 - 1930

Wealth , Dreams , Painting

“Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929.”

Salvador Dalí

By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.
Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

Faith , Painting

“Just now I'm painting a beautiful woman, smiling, burnt to a crisp, with feathers of all colors, held up by a small die of burning marble; the die is in turn held up by a little puff of smoke, churned and quite; in the sky there are asses with parrot-heads, grasses and beach sand, all about to explode, all clean, incredible objective..”

Salvador Dalí

Quote in Dali's letter to his art-friend Lorca, 1927; as quoted in Surrealism and the Spanish Civil War, Robin Adèle Greeley, p. 67
Dali is striving then for a rational approach of his paintings; he is very probably referring to his painting, he made earlier in 1927: ' Little Ashes' https://upload.wikimedia.org/wikipedia/commons/b/b7/Little_Ashes.jpg
Quotes of Salvador Dali, 1920 - 1930

Painting , Smile , Beauty , Grass