Roger Ebert: Likeness

“I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it.”

Roger Ebert

Review http://www.rogerebert.com/reviews/north-1994 of North (22 July 1994)
Reviews, Zero star reviews

Hate , Stupidity

“Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity”

Roger Ebert

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

Optimism

“Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow.”

Roger Ebert

First published in the "Movie Answer Man" column (25 July 2004) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040725/ANSWERMAN/407250305
Context: Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow. Moviegoers of course have the right to dislike b&w, but it is not something they should be proud of. It reveals them, frankly, as cinematically illiterate.
I have been described as a snob on this issue. But snobs exclude; they do not include. To exclude b&w from your choices is an admission that you have a closed mind, a limited imagination, or are lacking in taste.

Beauty , Light

“At last we see what a four-hour erection looks like.”

Roger Ebert

The Fall of the Revengers, discussing the film Transformers: Revenge of the Fallen "Roger Ebert's Journal" http://blogs.suntimes.com/ebert/2009/06/the_fall_of_the_revengers.html (24 June 2009)
Context: I didn't have a stop watch, but it seemed to me the elephantine action scenes were pretty much spaced out evenly through the movie. There was no starting out slow and building up to a big climax. The movie is pretty much all climax. The Autobots® and Decepticons® must not have read the warning label on their Viagra. At last we see what a four-hour erection looks like.

“To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them.”

Roger Ebert

Review http://www.rogerebert.com/reviews/house-of-sand-and-fog-2003 of House of Sand and Fog (26 December 2003)
Reviews, Four star reviews
Context: It's so rare to find a movie that doesn't take sides. Conflict is said to be the basis of popular fiction, and yet here is a film that seizes us with its first scene and never lets go, and we feel sympathy all the way through for everyone in it. To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them. … "House of Sand and Fog" relates not a plot with its contrived ups and downs but a story. A plot is about things that happen. A story is about people who behave.
To admire a story you must be willing to listen to the people and observe them, and at the end of House of Sand and Fog, we have seen good people with good intentions who have their lives destroyed because they had the bad luck to come across a weak person with shabby desires.

Love , Understanding , Heart , Housing

“I must slow down now, which is why I'm taking what I like to call "a leave of presence."”

Roger Ebert

What in the world is a leave of presence? It means I am not going away. My intent is to continue to write selected reviews but to leave the rest to a talented team of writers handpicked and greatly admired by me. What's more, I'll be able at last to do what I've always fantasized about doing: reviewing only the movies I want to review. … So on this day of reflection I say again, thank you for going on this journey with me. I'll see you at the movies.
"A Leave of Presence" (2 April 2013) http://www.rogerebert.com/rogers-journal/a-leave-of-presence

“It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask.”

Roger Ebert

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

Thinking

“All we can learn from a film like this is that millions of people can be led, and millions more killed, by madness leashed to racism and the barbaric instincts of tribalism.”

Roger Ebert

Review http://www.rogerebert.com/reviews/downfall-2005 of Downfall (11 March 2005)
Reviews, Four star reviews
Context: Admiration I did not feel. Sympathy I felt in the sense that I would feel it for a rabid dog, while accepting that it must be destroyed. I do not feel the film provides "a sufficient response to what Hitler actually did," because I feel no film can, and no response would be sufficient. All we can learn from a film like this is that millions of people can be led, and millions more killed, by madness leashed to racism and the barbaric instincts of tribalism.

People , Learning , Madness

“Doing research on the Web is like using a library assembled piecemeal by pack rats and vandalized nightly.”

Roger Ebert

"Critical Eye" column, Yahoo! Internet Life (September 1998), p. 66

“We can laugh at comedies like this for two reasons: Because we feel superior to the characters, or because we pity or like them. I do not much like laughing down at people, which is why the comedies of Adam Sandler make me squirmy (most people, I know, laugh because they like him). In the case of Napoleon Dynamite, I certainly don't like him, but then the movie makes no attempt to make him likable. Truth is, it doesn't even try to be a comedy. It tells his story and we are supposed to laugh because we find humor the movie pretends it doesn't know about.”

Roger Ebert

Review http://www.rogerebert.com/reviews/napoleon-dynamite-2004 of Napoleon Dynamite (18 June 2004)
Reviews, One-and-a-half star reviews

People , Truth , Feeling

“Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica. It's a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. Godzilla is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie. It was the festival's closing film, coming at the end like the horses in a parade, perhaps for the same reason.”

Roger Ebert

Review http://www.rogerebert.com/reviews/godzilla-1998 of Godzilla (26 May 1998)
Reviews, One-and-a-half star reviews

Faith , Intelligence , Horse

“Your Highness is a juvenile excrescence that feels like the work of 11-year-old boys in love with dungeons, dragons, warrior women, pot, boobs and four-letter words. One of the heroes even wears the penis of a minotaur on a string around his neck. I hate it when that happens.”

Roger Ebert

Review http://www.rogerebert.com/reviews/your-highness-2011 of Your Highness (April 6, 2011)
Reviews, One-star reviews

Love , Women , Hate , Feeling

“One of the remarkable things about Russ Meyer's films is that they continue to live and play, long after the other work of the soft-core era has been forgotten. That is partly because of their craftsmanship, partly because of Meyer's leading ladies, and partly because of a spirit of paramilitary commitment that can be sensed as the cast and crew struggle through rugged terrain to enact their rural melodramas. But the central reason, I believe, is that Meyer is an auteur whose every frame reflects his own obsessions. Like all serious artists, he doesn't allow any space between his work and his dream.”

Roger Ebert

"Russ Meyer busts sleazy stereotype" Chicago Sun-Times (15 November 1985) http://www.rogerebert.com/interviews/russ-meyer-busts-sleazy-stereotype

Dreams , Sense

“Occasionally an unsuspecting innocent will stumble into a movie like this and send me an anguished postcard, asking how I could possibly give a favorable review to such trash. My stock response is Ebert's Law, which reads: A movie is not about what it is about. It is about how it is about it.”

Roger Ebert

Review http://www.rogerebert.com/reviews/freeway-1997 of Freeway (24 January 1997)
Reviews, Three-and-a-half star reviews

Law , Reading

“Burt and Verona are two characters rarely seen in the movies: thirtysomething, educated, healthy, self-employed, gentle, thoughtful, whimsical, not neurotic and really truly in love. Their great concern is finding the best place and way to raise their child, who is a bun still in the oven. For every character like this I’ve seen in the last 12 months, I’ve seen 20, maybe 30, mass murderers.”

Roger Ebert

Review http://www.rogerebert.com/reviews/away-we-go-2009 of Away We Go (10 June 2009)
Reviews, Three-and-a-half star reviews

Love , Education , Way

“It's in the action scenes that things fall apart. Consider the scene where Spider-Man is given a cruel choice between saving Mary Jane or a cable car full of school kids. He tries to save both, so that everyone dangles from webbing that seems about to pull loose. The visuals here could have given an impression of the enormous weights and tensions involved, but instead the scene seems more like a bloodless storyboard of the idea. In other CGI scenes, Spidey swoops from great heights to street level and soars back up among the skyscrapers again with such dizzying speed that it seems less like a stunt than like a fast-forward version of a stunt.”

Roger Ebert

Review http://www.rogerebert.com/reviews/spider-man-2002 of Spider-Man (3 May 2002)
Reviews, Two-and-a-half star reviews

School , Cars , Idea , Speed

“In Blue Crush, we meet three Hawaiian surfers who work as hotel maids, live in a grotty rental, and are raising the kid sister of one of them. Despite this near-poverty, they look great; there is nothing like a tan and a bikini to overcome class distinctions.”

Roger Ebert

Review http://www.rogerebert.com/reviews/blue-crush-2002 of Blue Crush (16 August 2002)
Reviews, Three star reviews

Sister

“I recently published a book about movies I hated, and people have been asking me which reviews are harder to write — those about great movies, or those about terrible ones. The answer is neither. The most unreviewable movies are those belonging to the spoof genre — movies like Airplane! and The Naked Gun and all the countless spin-offs and retreads of the same basic idea… the bottom line in reviewing a movie like this is, does it work? Is it funny? Yes, it is. Not funny with the shocking impact of Airplane! which had the advantage of breaking new ground. But also not a tired wheeze like some of the lesser and later Leslie Nielsen films. To get your money's worth, you need to be familiar with the various teenage horror franchises, and if you are, Scary Movie delivers the goods.”

Roger Ebert

Review http://www.rogerebert.com/reviews/scary-movie-2000 of Scary Movie (7 July 2000)
Reviews, Three star reviews

Money , Hate , People , Books

“Why must a film explain everything? Why must every motivation be spelled out? Aren't many films fundamentally the same film, with only the specifics changed? Aren't many of them telling the same story? Seeking perfection, we see what our dreams and hopes might look like. We realize they come as a gift through no power of our own, and if we lose them, isn't that almost worse than never having had them in the first place?There will be many who find "To the Wonder" elusive and too effervescent. They'll be dissatisfied by a film that would rather evoke than supply. I understand that, and I think Terrence Malick does, too. But here he has attempted to reach more deeply than that: to reach beneath the surface, and find the soul in need.”

Roger Ebert

Review http://www.rogerebert.com/reviews/to-the-wonder-2013 of To the Wonder (April 6, 2013)
NOTE: This was the last movie review Roger Ebert filed.
Reviews, Three-and-a-half star reviews

Dreams , Hope , Soul , Motivation

“I like good horror movies. They can exorcise our demons. The Texas Chainsaw Massacre doesn't want to exorcise anything. It wants to tramp crap through our imaginations and wipe its feet on our dreams. I think of filmgoers on a date, seeing this movie and then — what? I guess they'll have to laugh at it, irony being a fashionable response to the experience of being had. … Do yourself a favor. There are a lot of good movies playing right now that can make you feel a little happier, smarter, sexier, funnier, more excited — or more scared, if that's what you want. This is not one of them. Don't let it kill 98 minutes of your life.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-texas-chainsaw-massacre-2003 of The Texas Chainsaw Massacre (17 October 2003)
Reviews, Zero star reviews

Life , Dreams , Feeling , Imagination