Neil Gaiman Quotes (108 quotes) | Quotes of famous people

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The Ocean at the End of the Lane

Neil Gaiman

Stardust

Neil Gaiman

Neil Gaiman: 108 quotes 39 likes

Famous Neil Gaiman Quotes

“Have you ever been in love? Horrible isn't it? It makes you so vulnerable.”

Neil Gaiman

The character "Rose Walker" in The Sandman #65
Context: Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means someone can get inside you and mess you up. You build up all these defenses. You build up a whole armor, for years, so nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life... You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' or 'how very perceptive' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a body-hurt, a real gets-inside-you-and-rips-you-apart pain. Nothing should be able to do that. Especially not love. I hate love.

“"What's your name," Coraline asked the cat. "Look, I'm Coraline. Okay?"
"Cats don't have names," it said.
"No?" said Coraline.
"No," said the cat. "Now you people have names. That's because you don't know who you are. We know who we are, so we don't need names."”

Neil Gaiman book Coraline

Coraline (2002)

“Fiction is the lie that tells the truth, after all.”

Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)
Context: We writers – and especially writers for children, but all writers – have an obligation to our readers: it's the obligation to write true things, especially important when we are creating tales of people who do not exist in places that never were – to understand that truth is not in what happens but what it tells us about who we are. Fiction is the lie that tells the truth, after all.

“Hell is something you carry around with you. Not somewhere you go.”

Neil Gaiman

Source: Season of Mists (Údobí mlh) ze série Sandman

“We have an obligation to make things beautiful. Not to leave the world uglier than we found it, not to empty the oceans, not to leave our problems for the next generation. We have an obligation to clean up after ourselves, and not leave our children with a world we've shortsightedly messed up, shortchanged, and crippled.”

Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)

“What most people don't know about love, sex, and relations with other human beings would fill a book. Strangers in Paradise is that book. I have long suspected that what people did in private was much funnier than it ever was erotic. Terry Moore obviously thinks so too. Strangers in Paradise is a delightful new comic, and Terry Moore is a fun writer and a fine cartoonist.”

Neil Gaiman

Blurb on The Complete Strangers In Paradise (2004), Vol. 1

Neil Gaiman Quotes about the world

“One of the things I love about Kate Bush is her absolute ability to take things, to pluck things that you would never expect to see on a rock album, and put them there and make them work. James Joyce's Ulysses — one of the greatest passages in all of English or Anglo-Irish literature, is Molly Bloom's glorious soliloquy ending in a sequence of Yeses. It's about embracing the world of the senses, embracing yourself, embracing sex, embracing love, embracing the future, embracing all possibility, and it goes all the way back to me, to "Wuthering Heights" — this is somebody who is not afraid of books. This is somebody who is not afraid of reading, somebody who's not afraid of writers, and who's not afraid of translating, being an intermediary, being a door, between the world of books and the world of rock.”

Neil Gaiman

The Kate Bush Story (2014)

“Libraries really are the gates to the future. So it is unfortunate that, round the world, we observe local authorities seizing the opportunity to close libraries as an easy way to save money, without realising that they are stealing from the future to pay for today. They are closing the gates that should be open.”

Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)

“Nothing will remain of the armies of the living and of the dead, of the dreams of the gods and the bravery of their warriors, nothing but ash.
Soon after, the swollen ocean will swallow the ashes as it washes across all the land, and everything living will be forgotten under the sunless sky.
That is how the worlds will end, in ash and flood, in darkness and in ice. That is the final destiny of the gods.”

Neil Gaiman

Source: Norse Mythology (2017), Chapter 16, “Ragnarok: The Final Destiny of the Gods” (p. 279)

“All we have to believe with is our senses, the tools we use to perceive the world: our sight, our touch, our memory. If they lie to us, then nothing can be trusted. And even if we do not believe, then still we cannot travel in any other way than the road our senses show us; and we must walk that road to the end.”

Neil Gaiman book American Gods

Source: American Gods (2001), Ch. 6

“We live in a world in which the only utopian visions arrive in commercial breaks: magical visions of an impossibly hospitable world, peopled by bright-eyed attractive men, women, children… Where nobody dies… In my worlds people died. And I thought that was honest. I thought I was being honest.”

Neil Gaiman book Signal to Noise

Signal to Noise (1992)

“The world always seems brighter when you've just made something that wasn't there before.”

Neil Gaiman

"Gunpowder treason and plot" Blog entry (5 Nov 2004) http://journal.neilgaiman.com/2004/11/gunpowder-treason-and-plot.asp

Neil Gaiman Quotes about people

“The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ("but of course that's why he was doing that, and that means that…") and it's magic and wonderful and strange.”

Neil Gaiman

Neil Gaiman's Journal (15 October 2007)

“You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we're doing it.”

Neil Gaiman

" Where do you get your ideas? http://www.neilgaiman.com/p/Cool_Stuff/Essays/Essays_By_Neil/Where_do_you_get_your_ideas%3F" (1997)

“Bod said, "I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want," he said, and then he paused, and thought. "I want everything."”

Neil Gaiman book The Graveyard Book

Source: The Graveyard Book (2008), Ch. 8

“But libraries are about freedom. Freedom to read, freedom of ideas, freedom of communication. They are about education (which is not a process that finishes the day we leave school or university), about entertainment, about making safe spaces, and about access to information. I worry that here in the 21st century people misunderstand what libraries are and the purpose of them. If you perceive a library as a shelf of books, it may seem antiquated or outdated in a world in which most, but not all, books in print exist digitally. But that is to miss the point fundamentally.”

Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)

“Chesterton and Tolkien and Lewis were, as I’ve said, not the only writers I read between the ages of six and thirteen, but they were the authors I read over and over again; each of them played a part in building me. Without them, I cannot imagine that I would have become a writer, and certainly not a writer of fantastic fiction. I would not have understood that the best way to show people true things is from a direction that they had not imagined the truth coming, nor that the majesty and the magic of belief and dreams could be a vital part of life and of writing.
And without those three writers, I would not be here today. And nor, of course, would any of you. I thank you.”

Neil Gaiman

"Mythcon 35 Guest of Honor Speech", in Mythprint (October 2004)

“There's never been a true war that wasn't fought between two sets of people who were certain they were in the right. The really dangerous people believe they are doing whatever they are doing solely and only because it is without question the right thing to do.”

Neil Gaiman book American Gods

"Mr. Wednesday" to Shadow, in Ch. 9
American Gods (2001)

Neil Gaiman: Trending quotes

“Terry Pratchett and I met in February 1985, in a Chinese restaurant. I was a young journalist. He was a former journalist and Electricity Board PR, and a writer who had just published his second Discworld novel. I was the first journalist who had ever interviewed him.
I remember we made each other laugh a lot. We laughed at the same things. We became friends. It was easy.”

Neil Gaiman

Good Omens: How Neil Gaiman and Terry Pratchett wrote a book (2014)

“Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”

Neil Gaiman book Coraline

Often misattributed to but inspired by GK Chesterton:
Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon.
Coraline (2002)

Motivational , Inspirational , Attitude , Deep

“I wish I had an origin story for you. When I was four, I was bitten by a radioactive myth.”

Neil Gaiman

On how his interest in mythology started, in an interview with Bookslut (October 2006)

Neil Gaiman Quotes

“Writers may be solitary but they also tend to flock together: they like being solitary together.”

Neil Gaiman

Context: Writers may be solitary but they also tend to flock together: they like being solitary together. I knew a lot of writers in London and many of them were award-winning writers and many of them were award-winning, respectable writers. And the trouble with being an award-winning, respectable writer is that you probably are not making a living.
If you write one well-reviewed, well-respected, not bad selling, but not a bestseller list book every three years, which you sell for a whopping 30,000 pounds, that's still going to average out to 10,000 pounds a year and you will make more managing a McDonald's. With overtime you'd probably make more working in a McDonald's. So there were incredibly well-respected, award-winning senior writers who, to make ends meet, were writing film novelizations and TV novelizations under pen names that they were desperately embarrassed about and didn't want anybody to know about.

January magazine interview (2002)

“I really don’t know what "I love you" means.
I think it means don’t leave me here alone…”

Neil Gaiman

Dark Sonnet

I don’t think that I’ve been in love as such,
although I liked a few folk pretty well.
Love must be vaster than my smiles or touch,
for brave men died and empires rose and fell.
For love, girls follow boys to foreign lands,
and men have followed women into hell.
In plays and poems someone understands,
there’s something makes us more than blood and bone.
And more than biological demands
for me love’s like the wind unseen, unknown.
I see the trees are bending where it’s been.
I know that it leaves wreckage where it’s blown.
I really don’t know what "I love you" means.
I think it means don’t leave me here alone...
Source: báseň Dark Sonnet z knihy Dark Adventures in the Dream Trade

“I don’t think that I’ve been in love as such,
although I liked a few folk pretty well.
Love must be vaster than my smiles or touch,
for brave men died and empires rose and fell.

For love, girls follow boys to foreign lands,
and men have followed women into hell.
In plays and poems someone understands,
there’s something makes us more than blood and bone.

And more than biological demands
for me love’s like the wind unseen, unknown.
I see the trees are bending where it’s been.
I know that it leaves wreckage where it’s blown.

I really don’t know what "I love you" means.
I think it means don’t leave me here alone…”

Neil Gaiman

Source: báseň Dark Sonnet z knihy Adventures in the Dream Trade

“Nothing dates harder and faster and more strangely than the future.”

Neil Gaiman

"Of Time, and Gully Foyle", Foreword to a 1999 edition of The Stars My Destination (1956)
Context: You can tell when a Hollywood historical film was made by looking at the eye makeup of their leading ladies, and you can tell the date of an old science fiction novel by every word on the page. Nothing dates harder and faster and more strangely than the future.

Future

“The world doesn't have to be like this. Things can be different.”

Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)
Context: You're also finding out something as you read vitally important for making your way in the world. And it's this: The world doesn't have to be like this. Things can be different.

World

“Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different.”

Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)
Context: Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different.

People , World

“Ideas are more difficult to kill than people, but they can be killed, in the end.”

Neil Gaiman book American Gods

Source: American Gods (2001), Ch. 3
Context: Gods die. And when they truly die they are unmourned and unremembered. Ideas are more difficult to kill than people, but they can be killed, in the end.

People , Idea

“I watched my life as if it were happening to someone else.”

Neil Gaiman

William Shakespeare, portrayed as looking back over his career as he finishes writing The Tempest as one of two plays commissioned by Morpheus (aka Dream, aka The Sandman). "The Tempest," issue #75 of The Sandman (1996), collected in The Wake.
Context: Whatever happened to me in my life, happened to me as a writer of plays. I'd fall in love, or fall in lust. And at the height of my passion, I would think, "So this is how it feels," and I would tie it up in pretty words. I watched my life as if it were happening to someone else. My son died. And I was hurt, but I watched my hurt, and even relished it, a little, for now I could write a real death, a true loss. My heart was broken by my dark lady, and I wept, in my room, alone; but while I wept, somewhere inside I smiled. For I knew I could take my broken heart and place it on the stage of The Globe, and make the pit cry tears of their own.

Life

“And, after all, it is always easier to be afraid of something you cannot see.”

Neil Gaiman book Coraline

Coraline (2002)
Context: Coraline shivered. She preferred her other mother to have a location: if she were nowhere, then she could be anywhere. And, after all, it is always easier to be afraid of something you cannot see.

“Everybody has a secret world inside of them.”

Neil Gaiman The Sandman

The Sandman
Context: Everybody has a secret world inside of them. All of the people of the world, I mean everybody. No matter how dull and boring they are on the outside, inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds. Not just one world. Hundreds of them. Thousands maybe.

Heart Touching , Secret , World

“Because if you don't stand up for the stuff you don't like, when they come for the stuff you do like, you've already lost.”

Neil Gaiman

Neil Gaiman's Journal (01 December 2008)

“But how can you walk away from something and still come back to it?”

Neil Gaiman book Coraline

Source: Coraline (2002)

“He said nothing: seldom do those who are silent make mistakes.”

Neil Gaiman

Source: Norse Mythology (2017), Chapter 4, “Mimir’s Head and Odin’s Eye” (p. 45)

“At the best of times his face was unreadable. Now his face was a book written in a language long forgotten, in an alphabet unimagined. Silas wrapped the shadows around him like a blanket, and stared after the way the boy had gone, and did not move to follow.”

Neil Gaiman book The Graveyard Book

Source: The Graveyard Book (2008), Ch. 6

Books , Way , Boy , Time

“I think… I would rather recollect a life misspent on fragile things than spent avoiding moral debt.”

Neil Gaiman book Fragile Things

Fragile Things (2006)

Life

“Even the gods cannot change destiny.”

Neil Gaiman

Source: Norse Mythology (2017), Chapter 14, “The Death of Balder” (p. 234)

God , Change

“And he still thinks, in the little bit of his head that's still him, that he's not a zombie. That he's not dead, that there's a threshold he hasn't stepped over. But he crossed it long time ago.”

Neil Gaiman book Fragile Things

From Bitter Grounds
Fragile Things (2006)

Thinking , Time , Dead

“She does not know where any tale waits before it's told. (No more do I.) But forty thieves sounds good, so forty thieves it is. She prays she has bought another clutch of days. We save our lives in such unlikely ways.”

Neil Gaiman book Fragile Things

From Inventing Aladdin
Fragile Things (2006)

Way , Waiting

“For the uninitiated, Good Omens is a story about how the world is going to end next Saturday. Just after tea. And how the only things standing between us and the inevitable Armageddon are a demon, Crowley, and an angel (and rare book dealer), Aziraphale, who are, rather uncomfortably, working together, not to mention a witch, a very small witchfinder army, the Antichrist (who is 11, and very nice) and his dog.”

Neil Gaiman

Good Omens: How Neil Gaiman and Terry Pratchett wrote a book (2014)

Books , World , Dogs , Angels

“I'd never heard anything like it before. It was like banshee music. This absolutely otherworldly voice, singing about a book, and as a bookish kid, I was always fascinated by anything, any music that seems to be about or inspired by books.”

Neil Gaiman

On the song "Wuthering Heights"
The Kate Bush Story (2014)

Books , Music , Singing

“I wanted to put a reference to masturbation in one of the scripts for the Sandman. It was immediately cut by the editor [Karen Berger]. She told me, "There's no masturbation in the DC Universe." To which my reaction was, "Well that explains a lot about the DC Universe."”

Neil Gaiman

The Sandman Companion (1999)

Universe

“I don't want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted just like that, and it didn't mean anything? What then?”

Neil Gaiman book Coraline

Coraline (2002)

“I have always felt,” he said, “that violence was the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept.”

Neil Gaiman book Neverwhere

Source: Neverwhere (1996), Chapter 10; Gaiman here references the famous statement of Isaac Asimov from "Foundation", Astounding Science-Fiction (May 1942)

““You’ve a good heart,” she told him. “Sometimes that’s enough to see you safe wherever you go.” Then she shook her head. “But mostly, it’s not.””

Neil Gaiman book Neverwhere

Prologue
Neverwhere (1996)

Heart

“Doctor Who has never pretended to be hard science fiction … At best Doctor Who is a fairytale, with fairytale logic about this wonderful man in this big blue box who at the beginning of every story lands somewhere where there is a problem.”

Neil Gaiman

As quoted in "Neil Gaiman reveals power of writing Doctor Who" by Tim Masters at BBC News (24 May 2010)

Fairytale , Problem , Science , Box

“The world is always ending, for someone.”

Neil Gaiman book Signal to Noise

Signal to Noise (1992)

For Wife , World

“Travers's Mary Poppins was a natural phenomena, ancient as mountain ranges, on first-name terms with the primal powers of the universe, adored and respected by everything that saw the world as it was. And she was a mystery. … philosophically, I suspect now, the universe of Mary Poppins underpins all my writing …”

Neil Gaiman

In his Foreword to Myth, Symbol, and Meaning in Mary Poppins: The Governess as Provocateur (2007) by Giorgia Grilli, p. xiii

World , Mountain , Nature , Universe

“The names are the first things to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names.”

Neil Gaiman book Coraline

Coraline (2002)

Memory , Heart

“"So computers are tools of the devil?" thought Newt. He had no problem believing it. Computers had to be the tools of somebody, and all he knew for certain was that it definitely wasn't him.”

Neil Gaiman book Good Omens

Neil Gaiman and Terry Pratchett, Good Omens (1990) -->

Problem

“Chesterton was important — as important to me in his way as C. S. Lewis had been.
You see, while I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien’s words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.”

Neil Gaiman

"Mythcon 35 Guest of Honor Speech", in Mythprint (October 2004) http://www.mythsoc.org.nyud.net:8090/mythcon/35/speech/

Love , Books , Way , Nature

“The little folk dare anything", said his friend. "And they talk a lot of nonsense. But they talks an awful lot of sense, as well. You listen to 'em at your peril, and you ignore 'em at your peril, too.”

Neil Gaiman book Stardust

Stardust (1999)

Sense

“My grandpa sells condoms to sailors, He punctures the tips with a pin, My grandma does back-street abortions, My god how the money rolls in.”

Neil Gaiman book Fragile Things

From the Monarch in the Glenn
Fragile Things (2006)

Money , God , Grandma

“If they think you're a hero, they're wrong. After you die, you don't get to be Beowulf or Perseus or Rama any more. Whole different set of rules. Chess, not checkers. Go, not chess. You understand?”

Neil Gaiman book Fragile Things

From the Monarch in the Glenn
Fragile Things (2006)

Understanding , Thinking

“Off to bed. If squirrels take over in the night, I, for one, welcome our new bushy-tailed scampering overlords, & I know where the nuts are.”

Neil Gaiman

Neil Gaiman's Twitter stream http://twitter.com/neilhimself, Tweet ID # 2189298072 (16 June 2009) http://twitter.com/neilhimself/status/2189298072

Night

“We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes.”

Neil Gaiman

Good Omens: How Neil Gaiman and Terry Pratchett wrote a book (2014)

Reading

“I wrote the first 5,000 words of William the Antichrist. It had a demon named Crawleigh. He drove a Citroen 2CV, and was ineffectual. Proper demons like Hastur and Ligur loathed him. It had a baby swap. I sent it to a few friends for feedback. Then my graphic novel Sandman happened, and it was almost a year later that the phone rang.
"It's Terry," said Terry. "'Ere. That thing you sent me. Are you doing anything with it?"
"Not really."
"Well, I think I know what happens next. Do you want to sell it to me? Or write it together?"
"Write it together," I said, because I was not stupid, and because that was the nearest I was ever going to get to Michaelangelo phoning to ask if I wanted to paint a ceiling with him.”

Neil Gaiman

Good Omens: How Neil Gaiman and Terry Pratchett wrote a book (2014)

Stupidity , Thinking , Baby , Painting

“… the beast made the noise of a cat being shampooed, a lonely wail of horror and outrage, of shame and defeat.”

Neil Gaiman book Anansi Boys

Source: Anansi Boys (2005), Ch. 13

Cats

“When I was very young, somebody — maybe it was a squirrel, they talk so much, or a magpie, or maybe a fishie — told me that Pan owned all this forest. Well, not owned owned. Not like he would sell the forest to someone else, or put a wall all around it … It's not hard to own something. Or everything. You just have to know that it's yours, and then be willing to let it go.”

Neil Gaiman book Stardust

Stardust (1999)

“There was reality and there was reality; and some things were more real than others.”

Neil Gaiman book Anansi Boys

Source: Anansi Boys (2005), Ch. 9

Reality

“I am grim of mind and wrathful of spirit and I have no desire to be nice to anyone.”

Neil Gaiman

Source: Norse Mythology (2017), Chapter 13, “Hymir and Thor’s Fishing Expedition” (p. 216)

“Apocatastasis. What it means:
1) Restoration, re-establishment, renovation
2) Return to a previous condition
3) (Astronomy) Return to the same apparent position, completion of a period of revolution.
Think about it.”

Neil Gaiman book Signal to Noise

Signal to Noise (1992)

Thinking

“American Gods is about 200,000 words long, and I'm sure there are words that are simply in there 'cause I like them. I know I couldn't justify each and every one of them.”

Neil Gaiman

In response to a question about whether he writes differently for different audiences, in an Inteview at HarperCollins.com

God

“Last year, initially The Scotsman newspaper — being Scottish and J. K. Rowling being Scottish — and because of the English tendency to try and tear down their idols, they kept trying to build stories which said J. K. Rowling ripped off Neil Gaiman. They kept getting in touch with me and I kept declining to play because I thought it was silly. And then The Daily Mirror in England ran an article about that mad woman who was trying to sue J. K. Rowling over having stolen muggles from her. And they finished off with a line saying [something like]: And Neil Gaiman has accused her of stealing.
Luckily I found this online and I found it the night it came out by pure coincidence and the reporter's e-mail address was at the bottom of the thing so I fired off an e-mail saying: "This is not true, I never said this. You are making this up." I got an apologetic e-mail back, but by the time I'd gotten the apologetic e-mail back it was already in The Daily Mail the following morning and it was very obvious that The Daily Mail‘s research [had] consisted of reading The Daily Mirror. And you're going: journalists are so lazy.”

Neil Gaiman

On stories which implied that Harry Potter was merely a revised Timothy Hunter of Gaiman's The Books of Magic, in January magazine interview (2002) http://januarymagazine.com/profiles/gaiman.html

Tear , Time , Reading , Madness

“In Hollywood the man who cleans your pool is an actor. The man who sells you your copy of Variety is an actor. I don't think there's a real person left in the place.”

Neil Gaiman book Signal to Noise

Signal to Noise (1992)

Thinking , Personality

“We have an obligation to read aloud to our children. To read them things they enjoy. To read to them stories we are already tired of. To do the voices, to make it interesting, and not to stop reading to them just because they learn to read to themselves.”

Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)

Children , Learning , Reading

“I tweet, therefore my entire life has shrunk to 140 character chunks of instant event and predigested gnomic wisdom. And swearing.”

Neil Gaiman

Neil Gaiman's Twitter stream http://twitter.com/neilhimself, Tweet ID # 1178514410, (5 February 2009) http://twitter.com/neilhimself/status/1178514410

Life , Wisdom

“I had to go to the store, I had decided, to bring back some apples — and I went past the store that sold apples and I kept driving, and driving. I was going south, and west, because if I went north or east I would run out of world too soon.”

Neil Gaiman book Fragile Things

From Bitter Grounds
Fragile Things (2006)

World , Past

“We are always living in the final days. What have you got? A hundred years or much, much less until the end of your world.”

Neil Gaiman book Signal to Noise

Signal to Noise (1992)

World

“Fiction has two uses. Firstly, it's a gateway drug to reading. The drive to know what happens next, to want to turn the page, the need to keep going, even if it's hard, because someone's in trouble and you have to know how it's all going to end … that's a very real drive. And it forces you to learn new words, to think new thoughts, to keep going. To discover that reading per se is pleasurable. Once you learn that, you're on the road to reading everything. And reading is key. There were noises made briefly, a few years ago, about the idea that we were living in a post-literate world, in which the ability to make sense out of written words was somehow redundant, but those days are gone: words are more important than they ever were: we navigate the world with words, and as the world slips onto the web, we need to follow, to communicate and to comprehend what we are reading. People who cannot understand each other cannot exchange ideas, cannot communicate, and translation programs only go so far.”

Neil Gaiman

Why our future depends on libraries, reading and daydreaming (2013)