Matthew Arnold: Trending quotes

Matthew Arnold trending quotes. Read the latest quotes in collection
Matthew Arnold: 332   quotes 8   likes

“The bloom is gone, and with the bloom go I.”

St. 6
Thyrsis (1866)

“Only, from the long line of spray”

St. 1
Dover Beach (1867)

“Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light.”

Source: Culture and Anarchy (1869), Ch. I, Sweetness and Light
Context: The pursuit of perfection, then, is the pursuit of sweetness and light. He who works for sweetness and light, works to make reason and the will of God prevail. He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light.

“Ah, love, let us be true
To one another!”

St. 4
Dover Beach (1867)
Context: Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

“The pursuit of perfection, then, is the pursuit of sweetness and light. He who works for sweetness and light, works to make reason and the will of God prevail.”

Source: Culture and Anarchy (1869), Ch. I, Sweetness and Light
Context: The pursuit of perfection, then, is the pursuit of sweetness and light. He who works for sweetness and light, works to make reason and the will of God prevail. He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light.

“Thou waitest for the spark from heaven!”

St. 18
The Scholar Gypsy (1853)
Context: Thou waitest for the spark from heaven! and we,
Light half-believers of our casual creeds,
Who never deeply felt, nor clearly will’d,
Whose insight never has borne fruit in deeds,
Whose vague resolves never have been fulfill’d;
For whom each year we see
Breeds new beginnings, disappointments new;
Who hesitate and falter life away,
And lose to-morrow the ground won to-day—
Ah! do not we, wanderer! await it too?

“What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time.”

"Preface to Poems" (1853)
Context: What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time. These feelings are permanent and the same; that which interests them is permanent and the same also.

“The poet's matter being the hitherto experience of the world, and his own, increases with every century.”

Letter to Arthur Hugh Clough (December 1847/early 1848)
Context: Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.

“We cannot kindle when we will
The fire that in the heart resides”

"Morality" (1852), st. 1
Context: We cannot kindle when we will
The fire that in the heart resides,
The spirit bloweth and is still,
In mystery our soul abides; —
But tasks, in hours of insight willed,
Can be through hours of gloom fulfilled.

“And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.”

St. 4
Dover Beach (1867)
Context: Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

“For both were faiths, and both are gone.”

Stanzas from the Grande Chartreuse (1855)
Context: Forgive me, masters of the mind!
At whose behest I long ago
So much unlearnt, so much resign'd —
I come not here to be your foe!
I seek these anchorites, not in ruth,
To curse and to deny your truth; Not as their friend, or child, I speak!
But as, on some far northern strand,
Thinking of his own Gods, a Greek
In pity and mournful awe might stand
Before some fallen Runic stone —
For both were faiths, and both are gone.

“I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves — and yet
The same heart beats in every human breast!”

" The Buried Life http://www.victorianweb.org/authors/arnold/writings/buriedlife.html" (1852), st. 2
Context: Alas! is even love too weak
To unlock the heart, and let it speak?
Are even lovers powerless to reveal
To one another what indeed they feel?
I knew the mass of men conceal'd
Their thoughts, for fear that if reveal'd
They would by other men be met
With blank indifference, or with blame reproved;
I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves — and yet
The same heart beats in every human breast!

“Alas! is even love too weak
To unlock the heart, and let it speak?”

" The Buried Life http://www.victorianweb.org/authors/arnold/writings/buriedlife.html" (1852), st. 2
Context: Alas! is even love too weak
To unlock the heart, and let it speak?
Are even lovers powerless to reveal
To one another what indeed they feel?
I knew the mass of men conceal'd
Their thoughts, for fear that if reveal'd
They would by other men be met
With blank indifference, or with blame reproved;
I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves — and yet
The same heart beats in every human breast!

“Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.”

St. 14
Thyrsis (1866)
Context: Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.
I see her veil draw soft across the day,
I feel her slowly chilling breath invade
The cheek grown thin, the brown hair sprent with grey;
I feel her finger light
Laid pausefully upon life’s headlong train; —
The foot less prompt to meet the morning dew,
The heart less bounding at emotion new,
And hope, once crush’d, less quick to spring again.