Margaret Fuller: Trending quotes (page 2)

Life Without and Life Within (1859), The Captured Wild Horse
Context: p>On the boundless plain careering
By an unseen compass steering, Wildly flying, reappearing, —
With untamed fire their broad eyes glowing
In every step a grand pride showing,
Of no servile moment knowing, —Happy as the trees and flowers, In their instinct cradled hours,
Happier in fuller powers, —See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.</p

Life Without and Life Within (1859), The Thankful and the Thankless
Context: With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.
The weeds unthankful raise their vile heads high,
Flaunting back insult to the gracious sky;
While the dear flowers, wht fond humility,
Uplift the eyelids of a starry eye
In speechless homage, and, from grateful hearts,
Perfume that homage all around imparts.

Life Without and Life Within (1859), The One In All
Context: A single thought transfuses every form;
The sunny day is changed into the storm,
For light is dark, hard soft, and cold is warm.One presence fill and floods the whole serene;
Nothing can be, nothing has ever been,
Except the one truth that creates the scene.</p

"Poets of the People" in Art, Literature and the Drama (1858).
Context: There are two modes of criticism. One which … crushes to earth without mercy all the humble buds of Phantasy, all the plants that, though green and fruitful, are also a prey to insects or have suffered by drouth. It weeds well the garden, and cannot believe the weed in its native soil may be a pretty, graceful plant.
There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.

Letter XXIV (19 April 1848), ** Part II, Things and Thoughts of Europe, p. 326.
At Home And Abroad (1856)
Context: My friends write to urge my return the talk of our country as the land of the future. It is so, but that spirit which made it all it is of value in my eyes, which gave me all hope with which I can sympathize for that future, is more alive here at present than in America. My country is at present spoiled by prosperity, stupid with the lust of gain, soiled by crime in its willing perpetuation of slavery, shamed by an unjust war, noble sentiment much forgotten even by individuals, the aims of politicians selfish or petty, the literature frivolous and venal. In Europe, amid the teachings of adversity, a nobler spirit is struggling — a spirit which cheers and animates mine. I hear earnest words of pure faith and love. I see deeds of brotherhood. This is what makes my America. I do not deeply distrust my country. She is not dead, but in my time she sleepeth, and the spirits of our fathers flame no more, but lies hid beneath the ashes. It will not be so long; bodies cannot live when the soul gets too overgrown with gluttony and falsehood.

It weeds well the garden, and cannot believe the weed in its native soil may be a pretty, graceful plant.
There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.
"Poets of the People" in Art, Literature and the Drama (1858).

Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Context: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.

Life Without and Life Within (1859), My Seal-Ring
Context: Mercury has cast aside
The signs of intellectual pride,
Freely offers thee the soul:
Art thou noble to receive?
Canst thou give or take the whole,
Nobly promise and believe?
Then thou wholly human art,
A spotless, radiant, ruby heart,
And the golden chain of love
Has bound thee to the realm above.

Letter (Spring 1850)
I am absurdly fearful about this voyage. Various little omens have combined to give me a dark feeling.... Perhaps we shall live to laugh at these. But in case of mishap I should perish with my husband and child, perhaps to be transferred to some happier state.
Letter to Marchioness Visconti Arconati (6 April 1850) as quoted in Margaret Fuller Ossoli by Thomas Wentworth Higginson, p. 274, the differences could be from differing translations or from omissions, as Emerson is said to have highly edited many of the letters as published in Memoirs of Margaret Fuller Ossoli.
Memoirs of Margaret Fuller Ossoli (1852)
Context: I am absurdly fearful, and various omens have combined to give me a dark feeling. I am become indeed a miserable coward, for the sake of Angelino. I fear heat and cold, fear the voyage, fear biting poverty. I hope I shall not be forced to be as brave for him, as I have been for myself, and that, if I succeed to rear him, he will be neither a weak nor a bad man. But I love him too much! In case of mishap, however, I shall perish with my husband and my child, and we may be transferred to some happier state.

"Free Hope" p. 127.
Summer on the Lakes, in 1843 (1844)
Context: Who sees the meaning of the flower uprooted in the ploughed field? The ploughman who does not look beyond its boundaries and does not raise his eyes from the ground? No — but the poet who sees that field in its relations with the universe, and looks oftener to the sky than on the ground. Only the dreamer shall understand realities, though, in truth, his dreaming must not be out of proportion to his waking!

Life Without and Life Within (1859), The One In All

"Free Hope" p. 131.
Summer on the Lakes, in 1843 (1844)
Context: Thou art greatly wise, my friend, and ever respected by me, yet I find not in your theory or your scope, room enough for the lyric inspirations, or the mysterious whispers of life. To me it seems that it is madder never to abandon oneself, than often to be infatuated; better to be wounded, a captive, and a slave, than always to walk in armor.

"Self-Poise" p. 130.
Summer on the Lakes, in 1843 (1844)
Context: The better part of wisdom is a sublime prudence, a pure and patient truth that will receive nothing it is not sure it can permanently lay to heart. Of our study there should be in proportion two-thirds of rejection to one of acceptance. And, amid the manifold infatuations and illusions of this world of emotion, a being capable of clear intelligence can do no better service than to hold himself upright, avoid nonsense, and do what chores lie in his way, acknowledging every moment that primal truth, which no fact exhibits, nor, if pressed by too warm a hope, will even indicate. I think, indeed, it is part of our lesson to give a formal consent to what is farcical, and to pick up our living and our virtue amid what is so ridiculous, hardly deigning a smile, and certainly not vexed. The work is done through all, if not by every one.

Woman in the Nineteenth Century (1845)
Context: The electrical, the magnetic element in Woman has not been fairly brought out at any period. Everything might be expected from it; she has far more of it than Man. This is commonly expressed by saying that her intuitions are more rapid and more correct. You will often see men of high intellect absolutely stupid in regard to the atmospheric changes, the fine invisible links which connect the forms of life around them, while common women, if pure and modest, so that a vulgar self do not overshadow the mental eye, will seize and delineate these with unerring discrimination.
Women who combine this organization with creative genius are very commonly unhappy at present. They see too much to act in conformity with those around them, and their quick impulses seem folly to those who do not discern the motives. This is an usual effect of the apparition of genius, whether in Man or Woman, but is more frequent with regard to the latter, because a harmony, an obvious order and self-restraining decorum, is most expected from her.
Then women of genius, even more than men, are likely to be enslaved by an impassioned sensibility. The world repels them more rudely, and they are of weaker bodily frame.
Those who seem overladen with electricity frighten those around them.

Life Without and Life Within (1859), The One In All

Last letter to her mother, (14 May 1850).
Memoirs of Margaret Fuller Ossoli (1852)
Context: I long so much to see you! Should anything hinder our meeting upon earth, think of your daughter, as one who always wished, at least, to do her duty, and who always cherished you, according as her mind opened to discover excellence. … I hope we shall be able to pass some time together yet, in this world. But, if God decrees otherwise, — here and HEREAFTER, — my dearest mother, "Your loving child, MARGARET."

A higher charm than modern culture won,
With all the wealth of metaphysic lore,
Gifted to analyze, dissect explore.
Life Without and Life Within (1859), Flaxman

Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Context: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.

Woman in the Nineteenth Century (1845)
Context: We would have every arbitrary barrier thrown down. We would have every path laid open to Woman as freely as to Man. Were this done, and a slight temporary fermentation allowed to subside, we should see crystallizations more pure and of more various beauty. We believe the divine energy would pervade nature to a degree unknown in the history of former ages, and that no discordant collision, but a ravishing harmony of the spheres, would ensue.
Yet, then and only then will mankind be ripe for this, when inward and outward freedom for Woman as much as for Man shall be acknowledged as a right, not yielded as a concession.