Joseph Goebbels: Trending quotes (page 3)

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Joseph Goebbels: 290   quotes 139   likes

“The fact that the causes and effective potentialities of Bolshevism were already existent in a latent form in democracy explains why Bolshevism flourishes only on democratic soil, and is indeed generally the inevitable consequence of a radical and excessively democratic conception of the State. Bolshevism allegedly makes a classless society its aim. The equality of whatever bears a human form, which democracy applied only to political and social life, is set up as a ruling principle for economic life also. In this respect there are supposed to be no differences left. But this equality of all individuals in respect of economic goods can, in the Marxist-Bolshevist view, result only from a brutal and pitiless class struggle. … It is only logical that in connexion with this, Bolshevism should proclaim the equality of nations and races. … The opposition between the democratic and the Bolshevist mentality and conception of the State are in the last resort merely theoretical, and here we have the answer to the mysterious riddle which overshadows Europe and the explanation both of the opposition in the lives of nations to-day and of the things which they have in common. It enables us to see at once why democracy and Bolshevism, which in the eyes of the world are irrevocably opposed to one another, meet again and again on common ground in their joint hatred of and attacks on authoritarian nationalist concepts of State and State systems. For the authoritarian nationalist conception of the State represents something essentially new. In it the French Revolution is superseded.”

On National-Socialism, Bolshevism & Democracy (September 10, 1938) http://www.jewishvirtuallibrary.org/joseph-goebbels-on-national-socialism-bolshevism-and-democracy
1930s

“Every age that has historical status is governed by aristocracies.
Aristocracy with the meaning - the best are ruling.
Peoples do never govern themselves. That lunacy was concocted by liberalism. Behind its "people's sovereignty" the slyest cheaters are hiding, who don't want to be recognized.”

Jedes Zeitalter wird, wenn es historischen Rang hat, von Aristokratien gestaltet.
Aristokratie = die Besten herrschen.
Niemals regieren Völker sich selbst. Diesen Wahnsinn hat der Liberalismus erfunden. Hinter seiner Volkssouveränität verstecken sich nur die gerissensten Schelme, die nicht erkannt sein wollen.
Michael: a German fate in diary notes (1926)

“In the newspapers there is insulting and stirring up hatred. Those irresponsible daubers!
The people are on the streets -- rampaging and protesting. The magnates are sitting at the green table and calmly finish their game.
Old Europe is dying.
Well, it's a crazy world! Thrift, Horatio!
As if by a mysterious power one feels compelled to go out onto the streets. The thoughts wander outside to the stage which is portraying a drama of world history -- not an edifying one, but still a drama. It gives the earnest observer a lot to think about.”

In den Zeitungen wird gehetzt und geschimpft. Diese verantwortungslosen Schmieranten!
Das Volk ist auf der Straße, randaliert und demonstriert. Die Herren sitzen am grünen Tisch und spielen seelenruhig ihre Partie zu Ende.
Die alte Europa geht in die Binsen.
Ja, es ist eine tolle Welt! Wirtschaft, Horatio!
Man wird wie von einer geheimnisvollen Macht auf die Straße gezogen. Die Gedanken sind draußen, wo sich ein Stück Weltgeschichte abspielt -- kein erhebendes zwar, aber ein Stück. Der ernsthafte Zuschauer hat viel dabei nachzudenken.
Michael: a German fate in diary notes (1926)

“The worker in a capitalist state—and that is his deepest misfortune—is no longer a living human being, a creator, a maker. He has become a machine. A number, a cog in the machine without sense or understanding. He is alienated from what he produces.”

Written by Joseph Goebbels and Mjölnir, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (Munich: Verlag Frz. Eher, 1932).Translated as “Those Damned Nazis: Why a Workers Party?

“Those Damn Nazis: Why Are We a Workers’ Party?” https://research.calvin.edu/german-propaganda-archive/haken32.htm written by Joseph Goebbels and Mjölnir, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken, Nazi propaganda pamphlet (Munich: Verlag Frz. Eher, 1932)
1930s

“Christ is the genius of love and as such the most diametric antipole to Jewry, which is the incarnation of hate. … Christ was the first anti-Jewish opponent of stature. … The Jew is the lie that became flesh. He nailed Christ to the cross, and thus for the first time in history nailed the eternal truth to the cross.”

Christus ist das Genie der Liebe, als solches der diametralste Gegenpol zum Judentum, das die Inkarnation des Hasses darstellt. … Christus ist der erste Judengegner von Format. … Der Jude ist die menschgewordene Lüge. In Christus hat er zum erstenmal vor der Geschichte die ewige Wahrheit ans Kreuz geschlagen.
Michael: a German fate in diary notes (1926)

“We are against the political bourgeoisie, and for genuine nationalism!”

1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)

“Accuse the other side of that which you are guilty.”

Perhaps a reframing of "The cleverest trick used in propaganda against Germany during the war was to accuse Germany of what our enemies themselves were doing," which Goebbels said at a 1934 Nurenberg rally. stackexchange.com https://skeptics.stackexchange.com/questions/37824/did-joseph-goebbels-say-accuse-the-other-side-of-that-which-you-are-guilty.
Misattributed

“He who creates value works, and is a worker. A movement that wants to free labor is a workers’ party.”

1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)

“If Germany stays united and marches to the rhythm of its revolutionary socialist outlook, it will be unbeatable. Our indestructible will to life, and the driving force of the Führer’s personality guarantee this.”

“The Winter Crisis is Over” speech on June 4, 1943 at the Berlin Sport Palace, “Überwundene Winterkrise, Rede im Berliner Sportpalast,” Der steile Aufstieg (Munich: Zentralverlag der NSDAP., 1944), pp. 287-306.
1940s

“The night is my best friend. It calms the storm in my soul and it lets the guiding stars rise.”

Die Nacht ist meine beste Freundin. Sie glättet den Sturm in der Seele und lässt die weisenden Sterne aufgehen.
Michael: a German fate in diary notes (1926)

“A child laughs when it feels joy and cries when it feels pain. Both things, laughing and crying, it does with its whole heart. We have all become so tall and so clever. We know so much and we have read so much. But one thing we have forgot: to laugh and cry like the children do.”

Das Kind lacht, wenn es Freude hat, und weint, wenn es Schmerz empfindet. Bei beidem, bei Lachen und Weinen ist sein ganzes Herz dabei. Wir sind alle so groß und klug geworden. Wir wissen so viel und haben so viel gelesen. Aber eines haben wir vergessen: zu lachen und zu weinen wie die Kinder.
Michael: a German fate in diary notes (1926)

“Hereafter we all have to be redeemed. The world is pulling with a thousand strings. We sin because of indifference and negligence and heap new guilt on the old original one. Our life is a chain of sin and expiation ruled by an incomprehensible providence.”

Wir müssen alle einmal erlöst werden. Die Welt zieht uns mit tausend Banden. Wir fehlen aus Gleichgültigkeit und Nachsicht und häufen neue eigene Schuld auf alte ererbte. Unser Leben ist eine Kette aus Schuld und Sühne, darüber ein nach unerforschlichen Gesetzen wirkendes Schicksal waltet.
Michael: a German fate in diary notes (1926)

“I feel how inside of me word follows word and thought follows thought, growing to the last act of creation. Holy hour of bringing forth, you are pain and pleasure, and a longing for form, image and essence. I am only the instrument that God uses to sing his song. I am only the vessel that nature smilingly fills with new wine.”

Ich fühle, wie in mir sich wachsend Wort an Wort, Gedanke an Gedanke reiht zum letzten Akt der Schöpfung. Heilige Stunde des Gebärens, Schmerz bist du und Lust und eine Sehnsucht nach Form, Gestalt und Wesen. Ich bin nur Instrument, darauf der alte Gott sein Lied singt. Ich bin nur harrendes Gefäß, in das Natur den neuen Wein mit Lächeln füllt.
Michael: a German fate in diary notes (1926)

“Dostoyevsky is ahead of his time - a few daring steps. You follow him, dizzying, fearful, incredulous; but you follow. He won't let loose, you have to follow. … You simply have to call him unique. He comes from nowhere and belongs nowhere. And yet he is always a Russian.”

Dostojewski ist seiner Zeit noch um ein paar gewagte Schritte voraus. Man folgt ihm schwindelnd, bange, ungläubig; aber man folgt. Er lässt nicht locker, man muss folgen. … Man muss ihn einfach als Unikum nehmen. Er kommt von nirgendwo und gehört nirgendwo hin. Und dabei bleibt er doch stets Russe.
Michael: a German fate in diary notes (1926)

“The modern man is necessarily a seeker of God, maybe a Man of Christ.”

Der moderne Mensch ist notwendigerweise ein Gottsucher, vielleicht ein Christusmensch.
Michael: a German fate in diary notes (1926)