Jacob Bronowski: Quotes about art

“The discoveries of science, the works of art are explorations — more, are explosions, of a hidden likeness.”

Jacob Bronowski

Part 1: "The Creative Mind", §9 (p. 19)
Science and Human Values (1956, 1965)
Context: The discoveries of science, the works of art are explorations — more, are explosions, of a hidden likeness. The discoverer or the artist presents in them two aspects of nature and fuses them into one. This is the act of creation, in which an original thought is born, and it is the same act in original science and original art.

Art , Science

“In science and in art and in self-knowledge we explore and move constantly by turning to the world of sense to ask, Is this so?”

Jacob Bronowski

Part 2: "The Habit of Truth", §11 (p. 45–46)
Science and Human Values (1956, 1965)
Context: In effect what Luther said in 1517 was that we may appeal to a demonstrable work of God, the Bible, to override any established authority. The Scientific Revolution begins when Nicolaus Copernicus implied the bolder proposition that there is another work of God to which we may appeal even beyond this: the great work of nature. No absolute statement is allowed to be out of reach of the test, that its consequence must conform to the facts of nature.
The habit of testing and correcting the concept by its consequences in experience has been the spring within the movement of our civilization ever since. In science and in art and in self-knowledge we explore and move constantly by turning to the world of sense to ask, Is this so? This is the habit of truth, always minute yet always urgent, which for four hundred years has entered every action of ours; and has made our society and the value it sets on man.

World , Art , Knowledge , Sense

“Ralegh's own circle, which turned Christopher Marlowe into a rationalist, was dominated by… Thomas Hariot. For navigation is dependent on astronomy; it went hand in hand with the new speculations about the world and the solar system… in turn, the voyages of the great navigators inspired the literature of Elizabethan England. The worlds of art and science and the physical world unfolded then together. It was not by accident that the first table of logarithms was published within a few years of the First Folio.”

Jacob Bronowski

"Sense and Sensibility"
The Common Sense of Science (1951)

World , Art , Literature , Science

“Since the word "knowledge" occurs in my general title… I am going to be talking about epistemology, although I prefer to use the eighteenth-century, indeed, medieval phrase, "natural philosophy."… that enterprise of the human mind which attempts to trace lawfulness to nature, dead and living, but which is not directed to specific inquiries into how this or that law works. Philosophy in the sense in which I practice it, natural philosophy, is concerned with lawfulness rather than with laws and the general nature of laws rather than with the specific structure of this or that law. Natural philosophy was one of the three topics (moral philosophy and metaphysical philosophy were the others) to which one graduated in medieval universities after having studied the seven liberal arts.
I believe that we need to review the whole of our natural philosophy in the light of scientific knowledge that has arisen in the last fifty years.”

Jacob Bronowski

The Origins of Knowledge and Imagination (1978)

Law , Art , Nature , Knowledge

“The ability… to experiment with imaginary situations, gives man a freedom… the pleasure in trying out and exploring imaginary situations. A child's play is concerned with this pleasure; and so is much of art, and much of science… [P]ure science… is a form of play, in this sense.”

Jacob Bronowski

"The Imaginative Mind in Art" (1978)

Pleasure , Art , Sense , Freedom

“A fact is discovered, a theory is invented; is any theory ever deep enough for it to be truly called a creation? Most scientists would answer: no! Science, they would say, engages only part of the mind - the rational intellect - but creation must engage the whole mind. Science demands none of that ground swell of emotion, none of the rich bottom of personality, which fills out the work of art…
Creation consists in finding unity, finding likenesses, finding pattern…
Nature herself is chaos; she is full of infinite variety without order. But if you see her with inner vision, a creative mind (whether a poetic mind like Charles Baudelaire's or a scientific mind like Isaac Newton's), there comes a moment when many different aspects suddenly crystallize in a single unity. You have found a key; you have found a clue; you have found the path which organizes the material. You have found what Coleridge called "unity in variety."”

Jacob Bronowski

That is the moment of creation.
Source: The Creative Process, 1958, p. 97-98: As quoted in: S.P. Sector (‎1997). A Study of Issues Relating to the Patentability of Biotechnological Subject Matter. Footnote 51. https://www.ic.gc.ca/eic/site/ippd-dppi.nsf/eng/ip00201.html

Art , Nature , Science , Parting

“The belief that science destroys culture is sometimes supported by historical statements that the arts have flourished only when the sciences have been neglected. This thesis is… directly contrary to history… [I]n the great age of Greece, art and science penetrate one another more closely than in any modern age. …The example of these men in science as much as in art set the modern world afire in the Renaissance. And the type and symbol of Renaissance man… remains Leonardo da Vinci, painter, sculptor, mathematician, and engineer. No man has shown more strikingly the universality and the unity of the intellect.”

Jacob Bronowski

"Sense and Sensibility"
The Common Sense of Science (1951)

Men , Age , World , Art

“[I]magination… is the faculty… the common root from which science and literature… spring and grow and flourish together. …the great ages of science are the great ages of all the arts… [P]owerful minds have taken fire from one another… without asking… to tie their imagination to falling balls or a haunted island. …When Galileo was looking through his telescope at the moon, Shakespeare was writing The Tempest and all Europe was in ferment, from Johannes Kepler to Peter Paul Rubens, and from the first table of logarithms by John Napier to the Authorized version of the Bible.”

Jacob Bronowski

"The Reach of Imagination" (1967)

Age , Art , Imagination , Spring

“Science, like art, is not a copy of nature but a re-creation of her.”

Jacob Bronowski

Part 1: "The Creative Mind", §9 (p. 20)
Science and Human Values (1956, 1965)