Siddhartha (1922)
Context: Everything that is thought and expressed in words is one-sided, only half the truth; it all lacks totality, completeness, unity. When the Illustrious Buddha taught about the world, he had to divide it into Samsara and Nirvana, illusion and truth, into suffering and salvation. One cannot do otherwise, there is no other method for those who teach. But the world itself, being in and around us, is never one-sided. Never is a man or a deed wholly Samsara or wholly Nirvana; never is a man wholly a saint or a sinner. This only seems so because we suffer the illusion that time is something real.
Hermann Hesse: Man
Hermann Hesse was German writer. Explore interesting quotes on man.
Siddhartha (1922)
Context: Wisdom is not communicable. The wisdom which a wise man tries to communicate always sounds foolish... Knowledge can be communicated, but not wisdom. One can find it, live it, do wonders through it, but one cannot communicate and teach it.
H. Rosner, trans. (Bantam: 1971), p. 82
Siddhartha (1922)
Gertrude (1910)
Context: That life is difficult, I have often bitterly realized. I now had further cause for serious reflection. Right up to the present I have never lost the feeling of contradiction that lies behind all knowledge. My life has been miserable and difficult, and yet to others, and sometimes to myself, it has seemed rich and wonderful. Man's life seems to me like a long, weary night that would be intolerable if there were not occasionally flashes of light, the sudden brightness of which is so comforting and wonderful, that the moments of their appearance cancel out and justify the years of darkness.
Steppenwolf (1927)
Context: “It is not a good thing when man overstrains his reason and tries to reduce to rational order matters that are no susceptible of rational treatment. Then there are ideals such as those of the Americans or Bolsheviks. Both are extraordinarily rational, and both lead to a frightful oppression and impoverishment of life, because they simplify it so crudely. The likeness of man, once a high ideal, is in process of becoming a machinemade article. It is for madmen like us, perhaps, to ennoble it again.”
Source: Demian (1919), p. 9 Prologue
Context: I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams — like the lives of all men who stop deceiving themselves.
Each man's life represents the road toward himself, and attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that — one in an awkward, the other in a more intelligent way, each as best he can.
Source: Demian (1919), p. 9. Prologue
Context: Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him — for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood. Yet, what a real living human being is made of seems to be less understood today than at any time before, and men — each one of whom represents a unique and valuable experiment on the part of nature — are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, story telling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.
Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story.
Source: Steppenwolf (1927), p. 154
Steppenwolf (1927)
Source: Steppenwolf (1927), pp. 51-52
H. Rosner, trans. (Bantam: 1971), p. 35
Siddhartha (1922)
“Each man had only one genuine vocation — to find the way to himself”
Source: Demian (1919), p. 193
The Glass Bead Game (1943)
“A man cannot live intensely except at the cost of the self”
Steppenwolf (1927)
Source: Siddhartha (1922), p. 29
Variant translation: I am beginning to believe that this knowledge has no worse enemy than the desire to know learning.
Source: Demian (1919), p. 169
Narcissus and Goldmund (1930)
Source: Gertrude (1910), p. 88