Azar Nafisi Quotes

Azar Nafisi is an Iranian writer and professor of English literature. She has resided in the United States since 1997 and became an American citizen in 2008.Nafisi has been a visiting fellow and lecturer at the Foreign Policy Institute of Johns Hopkins University’s School of Advanced International Studies and served on the Board of Trustees of Freedom House. She is the niece of famous Iranian scholar, fiction writer and poet Saeed Nafisi. Azar Nafisi is best known for her 2003 book Reading Lolita in Tehran: A Memoir in Books, which remained on the New York Times Bestseller list for 117 weeks, and has won several literary awards, including the 2004 Non-fiction Book of the Year Award from Booksense.Since Reading Lolita in Tehran, Nafisi has written Things I've Been Silent About: Memories of a Prodigal Daughter and The Republic of Imagination: America in Three Books. Wikipedia  

✵ 1. December 1955   •   Other names آذر نفیسی
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Works

Azar Nafisi: 28   quotes 0   likes

Famous Azar Nafisi Quotes

“Art is as useful as bread.”

Source: Reading Lolita in Tehran

Azar Nafisi Quotes about reality

“Memories have ways of becoming independent of the reality they evoke. They can soften us against those we were deeply hurt by or they can make us resent those we once accepted and loved unconditionally.”

Source: Reading Lolita in Tehran (2003)
Context: As I trace the route to his apartment, the twists and turns, and pass once more the old tree opposite his house, I am struck by a sudden thought: memories have ways of becoming independent of the reality they evoke. They can soften us against those we were deeply hurt by or they can make us resent those we once accepted and loved unconditionally.

Azar Nafisi Quotes about people

Azar Nafisi Quotes

“The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable.”

Reading Lolita in Tehran (2003)
Context: I explained that most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable. I told my students I wanted them in their readings to consider in what ways these works unsettled them, made them a little uneasy, made them look around and consider the world, like Alice in Wonderland, through different eyes.

“If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel.”

Reading Lolita in Tehran (2003)
Context: A novel is not an allegory... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.

“Every great work of art … is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life.”

Reading Lolita in Tehran (2003)
Context: Every great work of art... is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life.

“Khatami is a symptom and not the cause of change in Iran.”

"Mutually Assured Misunderstanding" at PBS.org, Interviews for Frontline (April 23 and May 2, 2002) http://www.pbs.org/wgbh/pages/frontline//shows/tehran/axis/nafisi.html

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