Amy Tan Quotes

Amy Tan is an American writer whose works explore mother-daughter relationships and the Chinese American experience. Her novel The Joy Luck Club was adapted into a film in 1993 by director Wayne Wang.

Tan has written several other novels, including The Kitchen God's Wife, The Hundred Secret Senses, The Bonesetter's Daughter, Saving Fish from Drowning, and The Valley of Amazement. She also wrote a collection of non-fiction essays entitled The Opposite of Fate: A Book of Musings. In addition to these, Tan has written two children's books: The Moon Lady and Sagwa, the Chinese Siamese Cat , which was turned into an animated series that aired on PBS.

Though she has won several awards for her work, Tan has also received substantial criticism for her "complicity in perpetuating racial stereotypes and misrepresentations as well as gross inaccuracies in recalling details of the Chinese cultural heritage". This, along with her frequently negative depiction of Chinese culture in her work, has led several writers and scholars to accuse Tan of pandering to Western presumptions and prejudices about Chinese people.

✵ 19. February 1952   •   Other names Amy Tanová
Amy Tan photo

Works

Amy Tan: 89   quotes 4   likes

Famous Amy Tan Quotes

“Too many good things all seem the same after a while.”

Source: The Joy Luck Club

“I had on a beautiful red dress, but what I saw was even more valuable. I was strong. I was pure. I had genuine thoughts inside that no one could see, that no one could ever take away from me. I was like the wind.
-Lindo”

American Acheivement interview (1996)
Source: The Joy Luck Club
Context: Reading for me was a refuge. I could escape from everything that was miserable in my life and I could be anyone I wanted to be in a story, through a character. It was almost sinful how much I liked it. That's how I felt about it. If my parents knew how much I loved it, I thought they would take it away from me. I think I was also blessed with a very wild imagination because I can remember, when I was at an age before I could read, that I could imagine things that weren't real and whatever my imagination saw is what I actually saw. Some people would say that was psychosis but I prefer to say it was the beginning of a writer's imagination. If I believed that insects had eyes and mouths and noses and could talk, that's what they did. If I thought I could see devils dancing out of the ground, that's what I saw. If I thought lightning had eyes and would follow me and strike me down, that's what would happen. And I think I needed an outlet for all that imagination, so I found it in books.

“Whenever I'm with my mother, I feel as though I have to spend the whole time avoiding land mines.”

Source: The Kitchen God's Wife (1991), p. 9
Source: The Hundred Secret Senses

Amy Tan Quotes about thinking

Amy Tan Quotes about love

“Isn't hate merely the result of wounded love?”

Source: The Joy Luck Club

“I don't see myself, for example, writing about cultural dichotomies, but about human connections. All of us go through angst and identity crises. And even when you write in a specific context, you still tap into that subtext of emotions that we all feel about love and hope, and mothers and obligations and responsibilities.”

SALON Interview (1995)
Context: Other Asian-American writers just shudder when they are compared to me; it really denigrates the uniqueness of their own work. I find it happening less here partly because people are more aware now of the flaws of political correctness — that literature has to do something to educate people. I don't see myself, for example, writing about cultural dichotomies, but about human connections. All of us go through angst and identity crises. And even when you write in a specific context, you still tap into that subtext of emotions that we all feel about love and hope, and mothers and obligations and responsibilities.

Amy Tan: Trending quotes

Amy Tan Quotes

“Everyone must dream. We dream to give ourselves hope. To stop dreaming — well, that’s like saying you can never change your fate. Isn’t that true?”

Variant: Everyone must dream. We dream to give ourselves hope. To stop dreaming — well, that’s like saying you can never change your fate. Isn’t that true?
Source: The Hundred Secret Senses (1995)

“Yin people is the term Kwan uses, because "ghosts" is politically incorrect.”

SALON Interview (1995)
Context: I've long thought about how life is influenced by death, how it influences what you believe in and what you look for. Yes, I think I was pushed in a way to write this book by certain spirits — the yin people — in my life. They've always been there, I wouldn't say to help, but to kick me in the ass to write.... Yin people is the term Kwan uses, because "ghosts" is politically incorrect. People have such terrible assumptions about ghosts — you know, phantoms that haunt you, that make you scared, that turn the house upside down. Yin people are not in our living presence but are around, and kind of guide you to insights. Like in Las Vegas when the bells go off, telling you you've hit the jackpot. Yin people ring the bells, saying, "Pay attention." And you say, "Oh, I see now." Yet I'm a fairly skeptical person. I'm educated, I'm reasonably sane, and I know that this subject is fodder for ridicule.... To write the book, I had to put that aside. As with any book. I go through the anxiety, "What will people think of me for writing something like this?" But ultimately, I have to write what I have to write about, including the question of life continuing beyond our ordinary senses.

“I have always known a thing before it happens.”

The Joy Luck Club (1989), Ch. 14, pg. 243

“My sister Kwan believes she has yin eyes.”

The Hundred Secret Senses (1995)
Context: My sister Kwan believes she has yin eyes. She sees those who have died and now dwell in the World of Yin, ghosts who leave the mists just to visit her kitchen on Balboa Street in San Francisco.
"Libby-ah," she'll say to me. "Guess who I see yesterday, you guess." And I don't have to guess that she's talking about someone dead.

“Yin people ring the bells, saying, "Pay attention." And you say, "Oh, I see now." Yet I'm a fairly skeptical person. I'm educated, I'm reasonably sane, and I know that this subject is fodder for ridicule. … To write the book, I had to put that aside. As with any book. I go through the anxiety, "What will people think of me for writing something like this?" But ultimately, I have to write what I have to write about, including the question of life continuing beyond our ordinary senses.”

SALON Interview (1995)
Context: I've long thought about how life is influenced by death, how it influences what you believe in and what you look for. Yes, I think I was pushed in a way to write this book by certain spirits — the yin people — in my life. They've always been there, I wouldn't say to help, but to kick me in the ass to write.... Yin people is the term Kwan uses, because "ghosts" is politically incorrect. People have such terrible assumptions about ghosts — you know, phantoms that haunt you, that make you scared, that turn the house upside down. Yin people are not in our living presence but are around, and kind of guide you to insights. Like in Las Vegas when the bells go off, telling you you've hit the jackpot. Yin people ring the bells, saying, "Pay attention." And you say, "Oh, I see now." Yet I'm a fairly skeptical person. I'm educated, I'm reasonably sane, and I know that this subject is fodder for ridicule.... To write the book, I had to put that aside. As with any book. I go through the anxiety, "What will people think of me for writing something like this?" But ultimately, I have to write what I have to write about, including the question of life continuing beyond our ordinary senses.

“I won't be what I'm not.
-Jing-mei”

Source: The Joy Luck Club

“Your life is what you see in front of you.
-An-mei”

Source: The Joy Luck Club

“What is the past but what we choose to remember?”

Variant: After all, Bao Bomu says, what is the past but what we choose to remember?
Source: The Bonesetter's Daughter

“Chaos is the penance for leisure.”

Source: The Bonesetter's Daughter

“I was no longer scared. I could see what was inside me.”

Source: The Joy Luck Club (1989), Ch. 3, pg. 59

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