Quotes from work
Hainish Cycle

The Hainish Cycle consists of a number of science fiction novels and stories by Ursula K. Le Guin. It is set in an alternate history/future history in which civilizations of human beings on planets orbiting a number of nearby stars, including Terra , are contacting each other for the first time and establishing diplomatic relations, setting up a confederacy under the guidance of the oldest of the human worlds, peaceful Hain. In this history, human beings did not evolve on Earth but were the result of interstellar colonies planted by Hain long ago, which was followed by a long period when interstellar travel ceased. Some of the races have new genetic traits, a result of ancient Hainish experiments in genetic engineering, including people who can dream while awake, and a world of androgynous people who only come into active sexuality once a month, not knowing which sex will manifest in them. In keeping with Le Guin's style, she uses varied social and environmental settings to explore the anthropological and sociological outcomes of human evolution in those diverse environments.


Ursula K. Le Guin photo
Ursula K. Le Guin photo

“Men who fight wars in Winter don’t live till Spring.”

Source: Hainish Cycle, Planet of Exile (1966), Chapter 4 (The Tall Young Men)

Ursula K. Le Guin photo

“A man who doesn’t detest a bad government is a fool. And if there were such a thing as a good government on earth, it would be a great joy to serve it.”

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 15 “To the Ice” (p. 213)

Ursula K. Le Guin photo
Ursula K. Le Guin photo

““The mission I am on overrides all personal debts and loyalties.”
“If so,” said the stranger with fierce certainty, “it is an immoral mission.””

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 8 “Another Way into Orgoreyn” (p. 104)

Ursula K. Le Guin photo

“When action grows unprofitable, gather information; when information grows unprofitable, sleep.”

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 3 “The Mad King” (p. 42)

Ursula K. Le Guin photo
Ursula K. Le Guin photo
Ursula K. Le Guin photo
Ursula K. Le Guin photo

“Truth, as ever, avoids the stranger.”

Source: Hainish Cycle, City of Illusions (1967), Chapter 1

Ursula K. Le Guin photo
Ursula K. Le Guin photo

“He detested them for forcing helplessness upon him.”

Source: Hainish Cycle, Planet of Exile (1966), Chapter 9 (The Guerillas)

Ursula K. Le Guin photo

“Light is the left hand of darkness
and darkness the right hand of light.
Two are one, life and death, lying
together like lovers in kemmer,
like hands joined together,
like the end and the way.”

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 16 “Between Drumner and Dremegole” (p. 233)

Ursula K. Le Guin photo
Ursula K. Le Guin photo

“Mr. Ai, we’ve seen the same events with different eyes; I wrongly thought they’d seem the same to us.”

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 14 “The Escape” (p. 197)

Ursula K. Le Guin photo
Ursula K. Le Guin photo
Ursula K. Le Guin photo

“Excess is excrement.”

Source: Hainish Cycle, The Dispossessed (1974), Chapter 4 (p. 98)

Ursula K. Le Guin photo

“It is a position, a posture in the dance.”

Source: Hainish Cycle, The Telling (2000), Ch. 4, §3 (pp. 90–91)
Context: One of the historians of Darranda said: To learn a belief without belief is to sing a song without the tune.
A yielding, an obedience, a willingness to accept these notes as the right notes, this pattern as the true pattern, is the essential gesture of performance, translation, and understanding. The gesture need not be permanent, a lasting posture of the mind or heart, yet it is not false. It is more than the suspension of disbelief needed to watch a play, yet less than the conversion. It is a position, a posture in the dance.

Ursula K. Le Guin photo

“One of the historians of Darranda said: To learn a belief without belief is to sing a song without the tune.”

Source: Hainish Cycle, The Telling (2000), Ch. 4, §3 (pp. 90–91)
Context: One of the historians of Darranda said: To learn a belief without belief is to sing a song without the tune.
A yielding, an obedience, a willingness to accept these notes as the right notes, this pattern as the true pattern, is the essential gesture of performance, translation, and understanding. The gesture need not be permanent, a lasting posture of the mind or heart, yet it is not false. It is more than the suspension of disbelief needed to watch a play, yet less than the conversion. It is a position, a posture in the dance.