Farewell to Hollywood's Great White House Romance (2016)
Context: Nancy Reagan became first lady during the height of the feminist movement, and women who were battling for their rights in a male-dominated world saw her as an anachronism. Reagan said her life began when she met her husband. The adoring look she focused on her Ronnie when they were in public became known as "the gaze," adding to the caricature of her as a rich Hollywood socialite who did not understand the concerns of a generation of women coming into their own as professionals and seeking equality.
What her detractors failed to understand (and I was among them) was the substantive role she played behind the scenes at the White House in keeping her husband's presidency on track. She took the long view in looking after his legacy, intervening through favored surrogates to keep conservative ideologues from driving the agenda. Her insistence that no president could be considered great without reaching out to Soviet leaders trumped resistance from the right wing of the GOP.
She was fiercely protective of her husband's image, less so of her own, and she paid the price. When some of her interventions became known, particularly in the personnel department, she was cast as Lady Macbeth — even though the firings she engineered won praise. … Years later, with the benefit of hindsight and after watching Hillary Clinton's failed effort to achieve health-care reform, I came to believe Nancy Reagan deserved a fairer assessment. I wrote an op-ed piece that appeared in The Washington Post on Jan. 8, 1995, with the headline "Nancy with the centrist face: Derided as an elitist, Mrs. Reagan's impact was unequaled." I made the point that unlike Clinton, who took an office in the West Wing and was upfront about wanting to be a player, Reagan operated undercover, usually through a surrogate, and that she was a force for good. She rarely left fingerprints, but she got the job done, and her job was to play up her husband's strengths and cover for his weaknesses. She did both very well.
The piece concluded with this line: "She is without doubt an effective First Lady, and she may yet win our hearts." Soon after I received a handwritten note from Mrs. Reagan saying, "I don't really know how to say this but when something very nice comes from an unexpected source, it's really appreciated — and if you see me in a different light now, I'm happy. I can only hope one day 'to win the heart.' " Later that same year, she cooperated with a NEWSWEEK cover about her reconciliation with daughter Patti Davis, and how the president's Alzheimer's disease had brought the family together after literally decades of turmoil. Another handwritten note arrived shortly after with the lighthearted comment, "We've got to stop meeting like this!" After sharing her thoughts and emotions on her family's difficult times, Reagan said, "Hopefully I'm close to 'winning the heart.' "
In looking back at these notes, I realize how much it meant to her to gain a measure of affection after being treated so harshly in the public eye.
Quotes about tracking
page 5
Go Rin No Sho (1645)
Context: Fourthly the Wind book. This book is not concerned with my Ichi school but with other schools of strategy. By Wind I mean old traditions, present-day traditions, and family traditions of strategy. Thus I clearly explain the strategies of the world. This is tradition. It is difficult to know yourself if you do not know others. To all Ways there are side-tracks. If you study a Way daily, and your spirit diverges, you may think you are obeying a good way, but objectively it is not the true Way. If you are following the true Way and diverge a little, this will later become a large divergence. You must realise this. Other strategies have come to be thought of as mere sword-fencing, and it is not unreasonable that this should be so. The benefit of my strategy, although it includes sword-fencing, lies in a separate principle. I have explained what is commonly meant by strategy in other schools in the Wind book.
"Anarchist's Progress" in The American Mercury (1927); § III : To Abolish Crime or to Monopolize It? http://www.mises.org/daily/2714
Context: Once, I remember, I ran across the case of a boy who had been sentenced to prison, a poor, scared little brat, who had intended something no worse than mischief, and it turned out to be a crime. The judge said he disliked to sentence the lad; it seemed the wrong thing to do; but the law left him no option. I was struck by this. The judge, then, was doing something as an official that he would not dream of doing as a man; and he could do it without any sense of responsibility, or discomfort, simply because he was acting as an official and not as a man. On this principle of action, it seemed to me that one could commit almost any kind of crime without getting into trouble with one's conscience.
Clearly, a great crime had been committed against this boy; yet nobody who had had a hand in it — the judge, the jury, the prosecutor, the complaining witness, the policemen and jailers — felt any responsibility about it, because they were not acting as men, but as officials. Clearly, too, the public did not regard them as criminals, but rather as upright and conscientious men.
The idea came to me then, vaguely but unmistakably, that if the primary intention of government was not to abolish crime but merely to monopolize crime, no better device could be found for doing it than the inculcation of precisely this frame of mind in the officials and in the public; for the effect of this was to exempt both from any allegiance to those sanctions of humanity or decency which anyone of either class, acting as an individual, would have felt himself bound to respect — nay, would have wished to respect. This idea was vague at the moment, as I say, and I did not work it out for some years, but I think I never quite lost track of it from that time.
“What I want, I think, is the sentimental, but the sentimental reached by no easy beaten track”
Letter 60, to Robert Trevelyan, 28 October 1905
Selected Letters (1983-1985)
Context: You can gather however that I know I am not a real artist, and at the same time am fearfully serious over my work and willing to sweat at atmosphere if it helps me wo what I want. What I want, I think, is the sentimental, but the sentimental reached by no easy beaten track—I cannot explain myself properly, for you must remember (I forget it myself) that though 'clever' I have a small and cloudy brain, and cannot clear it by talking or reading philosophy.
Bewilderness: New York (audio CD, 2002)
The Opening to the Future http://www.justice.gov/sites/default/files/ag/legacy/2011/01/20/06-08-1964.pdf (1964)
Context: To say that the future will be different from the present is, to scientists, hopelessly self-evident. I observe regretfully that in politics, however, it can be heresy. It can be denounced as radicalism, or branded as subversion. There are people in every time and every land who want to stop history in its tracks. They fear the future, mistrust the present, and invoke the security of a comfortable past which, in fact, never existed. It hardly seems necessary to point out in California - of all States -- that change, although it involves risks, is the law of life.
"Watch It Crash" from "Somewhere in the Between" (2007) http://risc.perix.co.uk/lyrics/sm/sitb/05/
Stephen Fry, talking about his work with Kate on 50 Words for Snow, and the credits on the album.
2010s, The Kate Bush Story (2014)
Context: I was called by my agent, who said "Would you like to record a track with Kate Bush?" To which there is only F-ing one possible answer. Unless its me singing. I said, "She does know I can't sing?" "No-no-no, it would be voicing, saying words for snow. … I still can't believe it says "Kate Bush-Stephen Fry."
Source: The Life of Poetry (1949), p. 150
Context: The continuity of film, in which the writer deals with a track of images moving at a given rate of speed, and a separate sound-track which is joined arbitrarily to the image-track, is closer to the continuity of poetry than anything else in art. But the heaviness of the collective work on a commercial film, the repressive codes and sanctions, unspoken and spoken, the company-town feeling raised to its highest, richest, most obsessive-compulsive level in Hollywood, puts the process at the end of any creative spectrum farthest from the making of a poem.
At the same time, almost anything that can be said to make the difficulties of poetry dissolve for the reader, or even to make the reader want to deal with those "difficulties," can be said in terms of film. These images are like the action sequences of a well-made movie — a good thriller will use the excitement of timing, of action let in from several approaches, of crisis prepared for emotionally and intellectually, so that you can look back and recognize the way of its arrival; or, better, feel it coming until the moment of proof arrives, meeting your memory and your recognition.
The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.
https://twitter.com/chetfaliszek/status/980861065989783552 (2 April 2018).
Context: I recently posted about Oculus/Facebook and their data collection. Let me go more in depth and this isn’t just about today this is about the future of XR. At the heart of the matter are these points where their and actions differ from other XR companies.
FB tracks and stores all device movement and location. They also have wording to allow them to track all communication and interaction with their services. They have been caught capturing call and sms data on android phones through their FB app using similar language.
FB doesn’t have a Hardware guy in charge of Oculus Hardware – instead, they have Boz – an ad guy, a data guy who recently made thoughts on your value as a FB user very clear. And if you are still confused, FB isn’t a social media company, it is a data tracking company.
Why care that they track this data? Think the future, not just today. When there are XR apps and devices that you use regularly outside your home. Where natural feature tracking means cameras and microphones strapped to your head recording and saving everything.
...
So it isn’t just Facebook and what they will do with this data, but this data’s existence is a threat to our privacy and freedom.
The good are befriended even by weakness and defect. As no man had ever a point of pride that was not injurious to him, so no man had ever a defect that was not somewhere made useful to him.
1840s, Essays: First Series (1841), Compensation
“So far as it goes, a small thing may give an analogy of great things, and show the tracks of knowledge.”
Dum taxat, rerum magnarum parva potest res
exemplare dare et vestigia notitiai.
Dum taxat, rerum magnarum parva potest res
exemplare dare et vestigia notitiae.
Book II, lines 123–124 (tr. Rouse)
De Rerum Natura (On the Nature of Things)
Ch. 27 http://www.resologist.net/talent27.htm
Wild Talents (1932)
Context: My general expression is that all human beings who can do anything; and dogs that track unseen quarry, and homing pigeons, and bird-charming snakes, and caterpillars who transform into butterflies, are magicians. … Considering modern data, it is likely that many of the fakirs of the past, who are now known as saints, did, or to some degree did, perform the miracles that have been attributed to them. Miracles, or stunts, that were in accord with the dominant power of the period were fostered, and miracles that conflicted with, or that did not contribute to, the glory of the Church, were discouraged, or were savagely suppressed. There could be no development of mechanical, chemical, or electric miracles —
And that, in the succeeding age of Materialism — or call it the Industrial Era — there is the same state of subservience to a dominant, so that young men are trained to the glory of the job, and dream and invent in fields that are likely to interest stockholders, and are schooled into thinking that all magics, except their own industrial magics, are fakes, superstitions, or newspaper yarns.
The Conspiracy Against the Human Race: A Contrivance of Horror (2010)
The Aquarian Conspiracy (1980), Chapter One, The Conspiracy
Jot down interesting expressions, forceful adjectives, little turns of phrase, that strike you as effective, as things you might one day be able to use yourself—in both languages.
Public Lecture (2018)
Source: Autobiography of a Brown Buffalo (1972), p. 78.
Fernando Alonso, Formula One world champion and rival
BBC SPORT: Thoughts on Schumacher (2006)
Graham Taylor, former manager of the English national football team ( Source http://news.bbc.co.uk/sport1/hi/football/world_cup_2006/teams/england/5108926.stm)
Hence there grew up, what has been rare in the history of the world, a kind of tolerance in the midst of cruelty, tyranny and rapine. Much of Christian life was contemptuously left alone and a race of Greeks was attracted to Constantinople which has all along made up, in some degree, the deficiencies of Turkish Islam in the element of mind!
Bulgarian Horrors and the Question of the East. (1876)
1870s
Source: [Gladstone, William Ewart, Bulgarian Horrors and the Question of the East, J Murray, London, 1876, http://www.archive.org/details/bulgarianhorrors00gladiala, 31, 2 September 2013]
On what sets him apart from others in his genre.
Online chat transcript http://www.jsonline.com/story/index.aspx?id=599285, Milwaukee Journal Sentinel (2007-05-01)
As quoted in "The Seed of Apple's Innovation" in BusinessWeek (12 October 2004)
2000s
Source: Mathematics and Humor: A Study of the Logic of Humor (1980), Chapter 2, “Axioms, Levels, and Iteration” (p. 27)
"Interview with Supreme Court Justice Ruth Bader Ginsburg", The Takeaway (16 September 2013) https://www.pri.org/stories/2013-09-16/transcript-interview-supreme-court-justice-ruth-bader-ginsburg
2010s
Interview in the documentary-film The Game Changers by Louie Psihoyos (2018).
1990s, Memoirs (1995)
Letter 60, to Robert Trevelyan, 28 October 1905
Selected Letters (1983-1985)
"Manifesto: The Mad Farmer Liberation Front" in Farming: A Hand Book (1970)
Poems
Source: Factfulness: Ten Reasons We're Wrong About the World and Why Things Are Better Than You Think
“You will win every race as long as you are the only runner on the track.”
Future Proofing You (2021)
https://southerntimesafrica.com/amantle-montsho-hangs-up-her-spikes/ Amantle Montsho hangs up her spikes, The Southern Times, 24 October 2021, Retrieved 16 November 2021
"Simply the Greatest" (2020)
https://www.mmegi.bw/sports/thank-you-amantle/news Thank You Amantle, Mmegi Online, Friday 15 October 2021, Retrieved 16 November 2021
"Simply the Greatest" (2020)