Quotes about tambourine

A collection of quotes on the topic of tambourine, going, difference, man.

Quotes about tambourine

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

Love, Music, Feeling, Star

“I shook my tambourine the whole time, because it helped me remember that even though I was going through different neighborhoods, I was still me.”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Source: Extremely Loud and Incredibly Close

Time, Help

“The tambourine jingle-jangles.
The medium roams and rambles.
Not taken in,
I break the circle.
I want this man
To go away now.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Dreaming (1982)

“The movie stars Michelle Pfeiffer as LouAnne Johnson… [h]er teaching methods are inventive. She bribes them with candy bars and free trips to amusement parks, and involves them in the words of that important poet, Bob Dylan (the Tambourine Man might have been a drug dealer!). Soon they're in the school library, finding connections between Bob Dylan and Dylan Thomas… [w]hat, exactly, will these disadvantaged inner-city kids accomplish by being bribed with candy bars and the "relevancy" of Bob Dylan? Can they read and write? Can they compete in the job market? An educational system that has brought them to the point we observe in the first classroom scene has already failed them so miserably that all of Miss Johnson's karate lessons are not going to be much help.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of http://www.rogerebert.com/reviews/dangerous-minds-1995 Dangerous Minds (11 August 1995) <br class="br">Reviews, One-and-a-half star reviews

Education, School, Star, Reading

“The capacity for self-deception, rarely acknowledged or understood by those who offer us supernatural answers to our problems, is huge: as easy as it is to make a medium’s cold-reading statements ‘fit’ our own situation and come to believe that he must have some paranormal insight, it is hardly any more difficult for a would-be psychic with an average ego, upon hearing frequently positive feedback, to believe over time that he must be blessed with a special gift. It’s harder to think you’re doing it for real when you’re tossing tambourines in the dark or have ready-made ectoplasm stuffed into your mouth or bottom.”

Derren Brown (1971) British illusionist

Books, Harry Houdini on Deception (foreword) (2009)

Problem, Thinking, Time, Reading

“Do you see that kitten chasing so prettily her own tail? If you could look with her eyes, you might see her surrounded with hundreds of figures performing complex dramas, with tragic and comic issues, long conversations, many characters, many ups and downs of fate, — and meantime it is only puss and her tail. How long before our masquerade will end its noise of tambourines, laughter, and shouting, and we shall find it was a solitary performance?”

Ralph Waldo Emerson book Experience

1840s, Essays: Second Series (1844), Experience

Fate, Laughter

“Séances date back to the 1800s after three sisters by the name of Fox claimed to be able to contact the dead. They toured America with their demonstrations and attracted the rich and famous and by the end of the century séances had taken off all over the western world. Spirits were manifested, tambourines flew, ectoplasm impossibly erupted from entranced mediums. Then, after forty years of this, rather embarrassed by what they’d started, one of the sisters, Margaret Fox, confessed that they were frauds. The miracles which had started it all off had been a scam. But her confession made very little difference and spiritualism continues to appeal to many people today.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Derren Brown: Séance (2004)

People, World, Fraud, Sister

“The subtlety of Brazilian rhythms comes from the type of instruments used. Afro-Cuban music has a scraper called the güiro which is played with a solid stick producing a loud scraping noise. This same instrument is paralleled in Braziliam music with the reco-reco, the difference being that the reco-reco is much smaller, less resonant, and played with something like a brush. The cabasa is a gourd wrapped in beads that is incapable of extremely loud noise. The same is true of the chocalho or cylinder, and the tambourine. A regular set of drums contrasts this. The result is a light rhythm that, unlike the conga, bongos and timbales of Afro-Cuban music, does not engulf the listener but permeates him. To this is usually added the guitar (unamplified) played finger-style, which completes the subtlety.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From "Clare Fischer on Bossa Nova" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#3f6344g3cshffpj in Downbeat (November 8, 1962), p. 23

Music, Light

“When you've shouted "Rule Brittania": when you've sung "God Save the Queen,"
When you've finished killing Kruger with your mouth,
Will you kindly drop a shilling in my little tambourine
For a gentleman in khaki headed South?”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Absent-Minded Beggar (1899)

God

“Ted, I noted, was very busy - at the pumps, at the glasses behind, the bottles below, the merrily ringing till, like a percussion-player in some modern work who dashes with confidence from xylophone to glockenspiel to triangle to wind-machine to big drum to tambourine.”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Confidence, Business

“Hey, Mr. Tambourine Man, play a song for me.
In the jingle-jangle morning, I'll come following you.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), Mr. Tambourine Man
Context: Hey, Mr. Tambourine Man, play a song for me.
I'm not sleepy and there is no place I'm going to.
Hey, Mr. Tambourine Man, play a song for me.
In the jingle-jangle morning, I'll come following you.