Quotes about mandarin (14 quotes) | Quotes of famous people

“At the mention of the name and offence of this degraded being a great sound went up from the entire multitude – a universal cry of execration, not greatly dissimilar from that which may be frequently heard in the crowded Temple of Impartiality when the one whose duty it is to take up, at a venture, the folded papers, announces that the sublime Emperor, or some mandarin of exalted rank, has been so fortunate as to hold the winning number in the Annual State Lottery.”

Ernest Bramah book The Wallet of Kai Lung

The Vision of Yin, the Son of Yat Huang
The Wallet of Kai Lung (1900)

Universe , Cry

“Speaking biologically, fruit in a slightly shriveled state is holding its respiration and energy consumption down to the lowest possible level. It is like a person in meditation: his metabolism, respiration, and calorie consumption reach an extremely low level. Even if he fasts, the energy within the body will be conserved. In the same way, when mandarin oranges grow wrinkled, when fruit shrivels, when vegetables wilt, they are in the state that will preserve their food value for the longest possible time.”

Masanobu Fukuoka book The One-Straw Revolution

Source: The One-Straw Revolution (1975), Chapter 3, p. 88

Food , Way , Time , Personality

“I was on a plane, and the steward was coming down the aisle. "Asian chicken salad… Asian chicken salad… Asian chicken salad…" And he gets to me and he's like, "… chicken salad!" What does he think I'm gonna do? "Dis is not de salad of my people! In my homeland, dey use mandarin orange slices… and crispy wonton crunches!"”

Margaret Cho (1968) American stand-up comedian

From Her Tours and CDs, Revolution Tour

People , Thinking

“The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian … and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music … a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

Art , Music , Thinking , Dead

“I think there are three possible scenarios for the future of Chinese writing, in all of which the government plays a major role. In the first, and at present apparently the least likely scenario, the government abandons its hostility to an expanded role for Pinyin and instead fosters a climate of digraphia and biliteracy in which those who can do so become literate in both characters and Pinyin, and those who cannot are at least literate in Pinyin. This is essentially a reversion to the Latinization movement of the 1930s and 1940s, when Mao Zedong and other high Communist Party officials like Xu Teli, the commissioner of education in Yan'an, lent their prestigious support to the New Writing. Such a change within the governing bureaucracy would in all likelihood result in an explosion of activity that might end in Pinyin ascendancy in use over characters in less than a generation.
In the second scenario the government adopts a policy of benign indifference that involves abandoning its hostility toward Pinyin but without actively supporting it, leaving it up to the rival protagonists of the two systems to contest for supremacy among themselves. This is likely to result in a somewhat longer struggle.
In the third scenario the government continues its present policy of repression, resulting in a much more protracted struggle (though surely not as long as the fascinating parallel struggle between Latin and Italian in Italy, where it took 500 [! ] years after Dante’s start in 1292 for academics, the last holdouts, to finally abandon their long resistance and start using Italian in university lectures).47 In this long struggle, PCs and mobile phones and other innovations still to come will undoubtedly allow more and more advocates of writing reform to escape the stranglehold of officialdom, to the point where (in a century or so?) characters are finally relegated to the status of Latin in the West.
My own view is that this is actually the least likely scenario, the most probable one being that the Chinese pragmatism that has manifested itself so strongly in economics will extend further into writing, and that, perhaps sooner rather than later, given the success of the promotion of Mandarin, some influential Party bureaucrats will finally arrive at the conclusion that the "some day in the future" anticipated by Mao has arrived, and that wholehearted Party support should now be unleashed for his anticipated "basic reform."”

John DeFrancis (1911–2009) American linguist

In any case it is basically all a matter of time. And the decisive factor that will seal the ultimate fate of Chinese characters is the new reality, noted by a perceptive observer, that "the PC is mightier than the Pen."
"The Prospects for Chinese Writing Reform" (2006, p. 20-21) http://sino-platonic.org/complete/spp171_chinese_writing_reform.pdf
"The Prospects for Chinese Writing Reform" (2006)

Hostility , Fate , Education , Support

“When Ling was communicating to any person the signs by which messengers might find him, he was compelled to add, "the neighbourhood in which this contemptible person resides is that officially known as 'the mean quarter favoured by the lower class of those who murder by treachery'," and for this reason he was not always treated with the regard to which his attainments entitled him, or which he would have unquestionably received had he been able to describe himself as of "the partly-drained and uninfected area reserved to Mandarins and their friends."”

Ernest Bramah book The Wallet of Kai Lung

The Transmutation of Ling
The Wallet of Kai Lung (1900)

Communication , Personality

“Far from participating in a current literary scene agog with vogue and hyperbole, the LRB has kept what is widely perceived as a mandarin aloofness from it. Complicity with the institutions of literature, whether patrons or advertisers, is scarcely a charge that can be made against the paper.”

Perry Anderson (1938) British historian

Debts 1. "The London Review of Books" (1996; 2005)
Ref: en.wikiquote.org - Perry Anderson / Quotes / Spectrum: From Right to Left in the World of Ideas (2005)
Spectrum: From Right to Left in the World of Ideas (2005), Debts 1. "The London Review of Books" (1996; 2005)

Literature

“My hon. Friend is right in saying that the Bank of England has often operated against the interests of Labour Governments. That is due to the mandarins who run it. If the hon. Gentleman has such doubts about the running of a bank which theoretically is state-owned and state-controlled, what influence does he think will be possible in the case of an independent central bank dedicated to a course of Euro-monetarism?”

Jeremy Corbyn (1949) British Labour Party politician

Question http://hansard.millbanksystems.com/commons/1993/jan/14/treaty-on-european-union in the House of Commons (14 January 1993).
1990s

Thinking

“In China he had spoken good Mandarin, and in ten years this had become his first tongue. Here he found himself with a parish of Hokkien and Cantonese speakers and a few English people whose language he could hardly talk. His French, severed from its sources of nourishment, grown coarse through lack of use, halted and wavered, searching for the right word which Mandarin was always ready to supply.”

Anthony Burgess (1917–1993) English writer

Fiction, The Enemy in the Blanket (1958)

People , Search

“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 2: The Mandarin Dialect (p. 13)

Feeling

“In the depths of China there lives a mandarin who is richer than any king spoken of in fable or in history. You know nothing about him, not his name, his face or the silks that he wears. In order for you to inherit his limitless wealth, all you have to do is to ring the bell placed on a book by your side. In that remote corner of Mongolia, he will utter a single sigh. He will then be a corpse, and at your feet you will see gold beyond the dreams of avarice. Mortal reader, will you ring the bell?”

José Maria Eça de Queiroz book The Mandarin

No fundo da China existe um mandarim mais rico que todos os reis de que a fábula ou a história contam. Dele nada conheces, nem o nome, nem o semblante, nem a seda de que se veste. Para que tu herdes os seus cabedais infindáveis, basta que toques essa campainha, posta a teu lado, sobre um livro. Ele soltará apenas um suspiro, nesses confins da Mongólia. Será então um cadáver: e tu verás a teus pés mais ouro do que pode sonhar a ambição de um avaro. Tu, que me lês e és um homem mortal, tocarás tu a campainha?
O Mandarim ("The Mandarin", 1880), trans. Margaret Jull Costa, Ch. 1.

Books , Dreams , History , Wealth

“[Regarding politicians]... like any group of people selected for ambition and nothing else, they turn out to be a pretty bad lot. Like mandarins in China, colonial administrators in the British Empire, lawyers in old North America, or the reconstruction agencies after the Slaughter -- individually there are decent people who do some good, but as a class they’re amoral, vicious leeches with a good cover story.”

John Barnes book A Million Open Doors

A Million Open Doors (1992)

People

“I have only one real enemy in my life that I know about, and that is John Houseman. Everything begins and ends with that hostility behind the mandarin benevolence.”

Orson Welles (1915–1985) American actor, director, writer and producer

Quoted by Richard Meryman in Mank: The Wit, World, and Life of Herman Mankiewicz. New York: Morrow, 1978, page 255.

Life , Hostility

“The Mandarin style at its best yields the richest and most complete expression of the English language.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 3: The Challenge to the Mandarins (p. 17-18)
Context: The Mandarin style at its best yields the richest and most complete expression of the English language. It is the diction of Donne, Browne, Addison, Johnson, Gibbon, de Quincey, Landor, Carlyle and Ruskin as opposed to that of Bunyan, Dryden, Locke, Defoe, Cowper, Cobbett, Hazlitt, Southey and Newman. It is characterized by long sentences with many dependent clauses, by the use of the subjunctive and conditional, by exclamations and interjections, quotations, allusions, metaphors, long images, Latin terminology, subtlety and conceits. Its cardinal assumption is that neither the writer nor the reader is in a hurry, that both are possessed of a classical education and a private income. It is Ciceronian English.