Quotes about jaw (118 quotes, page 2) | Quotes of famous people

“Five years ago I spent two and a half months in Berlin, and every day I visited the museum to have at least a brief look at this divine masterpiece [a portrait of the soldier of fortune, Alessandro del Borro, then attributed to Diego Velazquez, and later to an unknown master], and every day my soul sang in response to it stronger and stronger. I was very sick then, and that genius alone reconciled me to my life when there was so much suffering in it. Looking at his creation, at these lines, at these half-tones (remember that shadowed jaw against the background or the column against the dress), at all this charm of the art, at this grand style, I started to want to live again, to see it again and again, to live on by painting and perhaps by painting alone.”

Marianne von Werefkin (1860–1938) expressionist painter

Quote in Werefkin's Letter to Igor Grabar on August 10, 1895; Department of Manuscripts of the State Tretyakov Gallery, Fund 106. Item 3242
1895 - 1905

Life , Art , Soul , Suffering

“The reason why we know so little of Jesus Christ, as our savior, atonement, and justification, why we are so destitute of that faith in him, which alone can change, rectify, and redeem our souls, why we live starving in the coldness and deadness of a formal, historical, hearsay-religion, is this; we are strangers to our own inward misery and wants, we know not that we lie in the jaws of death and hell; we keep all things quiet within us, partly by outward forms, and modes of religion and morality, and partly by the comforts, cares and delights of this world.”

William Law (1686–1761) English cleric, nonjuror and theological writer

The Grounds and Reasons of Christian Regeneration (1739)
Context: The reason why we know so little of Jesus Christ, as our savior, atonement, and justification, why we are so destitute of that faith in him, which alone can change, rectify, and redeem our souls, why we live starving in the coldness and deadness of a formal, historical, hearsay-religion, is this; we are strangers to our own inward misery and wants, we know not that we lie in the jaws of death and hell; we keep all things quiet within us, partly by outward forms, and modes of religion and morality, and partly by the comforts, cares and delights of this world. Hence it is that we consent to receive a savior, as we consent to admit of the four gospels, because only four are received by the church. We believe in a savior, not because we feel an absolute want of one, but because we have been told there is one, and that it would be a rebellion against God to reject him. We believe in Christ as our atonement, just as we believe, that he cast seven devils out of Mary Magdalene, and so are no more helped, delivered, and justified by believing that he is our atonement, than by believing that he cured Mary Magdalene.

Death , Lie , World , Faith

“Storm'd at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro' the jaws of Death
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.”

Alfred, Lord Tennyson The Charge of the Light Brigade

St. 5
The Charge of the Light Brigade (1854)

Death , Hell , Horse

“In the jaws of death.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

Second Week, First Day, Part iv. Compare: "Out of the jaws of death", William Shakespeare, Twelfth Night, Act iii. Sc. 4.
La Seconde Semaine (1584)

Death

“I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1840s, Narrative of the Life of Frederick Douglass, An American Slave (1845), Ch. 2
Context: I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.

Singing , Joy , Cry , Happiness

“It'll make your jaw drop.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

On the first NeXT Computer, as quoted in The New York Times (8 November 1989)
1980s

“Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley'd and thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.”

Alfred, Lord Tennyson The Charge of the Light Brigade

St. 3
The Charge of the Light Brigade (1854)

Death , Hell

“Pasteur himself was absolutely fearless. Anxious to secure a sample of saliva straight from the jaws of a rabid dog, I once saw him with the glass tube held between his lips draw a few drops of the deadly saliva from the mouth of a rabid bull-dog, held on the table by two assistants, their hands protected by leather gloves.”

Axel Munthe (1857–1949) Swedish physician

Drawing , Dogs

“Pasteur himself was absolutely fearless. Anxious to secure a sample of saliva straight from the jaws of a rabid dog, I once saw him with the glass tube held between his lips draw a few drops of the deadly saliva from the mouth of a rabid bull-dog, held on the table by two assistants, their hands protected by leather gloves.”

Axel Munthe (1857–1949) Swedish physician

Drawing , Dogs

“I have seen a mother mouse in a moment of peril flee from her home among the falling pieces of a cord-wood pile, and disappear under the roots of a neighbouring oak. I have seen her a little later, recovered from her initial dismay, making her way back again, clambering along among the tangled timbers, stopping now and then to look and listen, her eyes wild and anxious, and her whole little body quaking with excitement. I have seen her go among the ruins of her dwelling, take a poor little squeaking young one in her mouth, and hurry away with it to the gloomy refuge in the roots of the oak. I have watched her return again and again, each time taking in her careful teeth the tiny body of a babe, until five mouthfuls of precious pink were safely lodged within the fortress of the oak. And I could as soon believe that woman, when she saves her children from some fearful harm, is a soulless machine as think that that brave little woodmother, out there alone under the trees, snatching her darlings from the jaws of death, was a heroine without sense or feeling.”

J. Howard Moore (1862–1916)

"The Common-Sense View", pp. 184–185
The Universal Kinship (1906), The Psychical Kinship

Home , Tree , Time , Making love

“Swati Tirunal, now thirteen… took up a book of mathematics and selecting the forty seventh proposition of Euclid sketched the figure on a country slate but what astonished me most was his telling us in English that Geometry was derived from the Sanskrit, which as Jaw metor (Jyamiti) to measure the earth and that many of our mathematical terms were also derived from the same source such as hexagon, heptagon, octagon… This promising boy is now, I conclude, sovereign of the finest country in India for he was to succeed to the Musnud (throne) the moment he had attained his 16th year.”

Swathi Thirunal Rama Varma (1813–1846) Maharajah of Travencore

Colonel Welsh, in "The Monarch musician"
About Swathi Thirunal

Books , Mathematics , Boy , Country

“This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.
[...]
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
[http://aduni.org/~heather/occs/honors/Notesonpoem.htm#fiftysevensixty In this last of meeting places
We grope together
And avoid speech
]Gathered on this beach of the tumid river
[http://aduni.org/~heather/occs/honors/Notesonpoem.htm#sixtyonesixtytwo Sightless, unless
The eyes reappear]
[http://aduni.org/~heather/occs/honors/Notesonpoem.htm#sixtyfoursixtythree As the perpetual star
Multifoliate rose]
Of death's twilight kingdom
The hope only
Of empty men.”

T.S. Eliot book The Hollow Men

The Hollow Men (1925)

Dead , Star , Hope , Death

“The real hero of Jaws is the mayor. A gigantic fish is eating all your constituents and he decides to keep the beaches open. OK, in that instance he was actually wrong. But in principle, we need more politicians like the mayor - we are often the only obstacle against all the nonsense which is really a massive conspiracy against the taxpayer.”

Boris Johnson (1964) British politician, historian and journalist

Speech given by Johnson at Lloyd's of London in 2006, quoted in * 2007-07-18

Boris Johnson inspired by Jaws mayor

Graeme Wilson and George Jones

The Telegraph

https://www.telegraph.co.uk/news/uknews/1557765/Boris-Johnson-inspired-by-Jaws-mayor.html
2000s, 2006

Fish

“Should I say, that the river (in this place) from shore to shore, and perhaps near half a mile above and below me, appeared to be one solid bank of fish, of various kinds, pushing through this narrow pass of San Juan's into the little lake, on their return down the river, and that the alligators were in such incredible numbers, and so close from shore to shore, that it would have easy to have walked across on their heads, had the animals been harmless? What expressions can sufficiently declare the shocking scene that for some minutes continued, whilst this mighty army of fish were forcing the pass? During this attempt, thousands, I may say hundreds of thousands, of them were caught and swallowed by the devouring alligators. I have seen an alligator take up out of the water several great fish at a time, and just squeeze them betwixt his jaws, while the tails of the great trout flapped about his eyes and lips, ere he had swallowed them. The horrid noise of their closing jaws, their plunging amidst the broken banks of fish, and rising with their prey some feet upright above the water, the floods of water and blood rushing out of their mouths, and the clouds of vapor issuing from their wide nostrils, were truly frightful.”

William Bartram (1739–1823) American naturalist

[Van Doren, Mark, The travels of William Bartram, An American Bookshelf, volume 3, 118–119, 1928, New York, Macy-Masius, https://babel.hathitrust.org/cgi/pt?id=uc1.$b281934&view=1up&seq=124]
Travels of William Bartram (1791)

Time , Animals , Water , Appearance