Quotes about hiccups

Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare. <br class="br">À travers chants, ch. 8 http://www.hberlioz.com/Writings/ATC08.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 69.

Music, Way, Nature, Bird

“Today summoned painfully to earth by a short fat English magician with a dangerous stammer*.
*Dangerous because any verbal hiccup while giving me my orders would break my bonds and uncage my savage wrath. Ooh, gave myself a bit of a shiver writing that. That's literary talent.”

Jonathan Stroud (1970) British writer of fantasy fiction

The Bartimaeus Trilogy Official Website, Bart's Journal

“There is a literature that does not reach the voracious mass. It is the work of creators... Every page must explode, either by profound heavy seriousness, the whirlwind, poetic frenzy, the new, the eternal, the crushing joke, enthusiasm for principles, or by the way in which it is printed. On the one hand a tottering world in flight, betrothed to the glockenspiel of hell, on the other hand: new men. Rough, bouncing, riding on hiccups. Behind them a crippled world and literary quacks with a mania for improvement.”

Tristan Tzara (1896–1963) Romanian and French avant-garde poet, essayist and performance artist

1910s, Dada Manifesto', 1918

Men, World, Way, Literature

“You spend months and months listening to the music, absorbing, practicing, working with real musicians who worked with them and getting as much of that as you can. And then the day you start shooting, you have to throw it all away. Because, they had no self-consciousness. They were natural performers and at that time, it wasn't about how you could synthesize a voice and make it appealing, it was about the natural little hiccups and the way you related a story or wrote the soul in the words you wrote. And 90% of your popularity was your performance and your interpretation of your own song. So, once we learned it all you just have to just kind of hope it all sunk in somewhere and just let it all go, cause they just had incredible confidence.”

Reese Witherspoon (1976) American film actress and producer

On making Walk the Line <br class="br"> IGN Interview with Reese Witherspoon http://movies.ign.com/articles/666/666865p1.html (November 15, 2005).

Hope, Music, Way, Soul

“Tragedy is all about losing. And humor is all about gaining perspective. Humour returns our gladness. And with gladness comes generosity. Humor returns us to the light and makes us light—it kills grudges, buries bodies–buries revenge—buries blame and guilt—fear and dread. Laughter, like hiccups and sneezes and farts and burps, relieves us of severity.”

Giannina Braschi (1953) Puerto Rican writer

On the healing effects of humor in “52 WEEKS / 52 INTERVIEWS: WEEK 34: GIANNINA BRASCHI” http://monkeybicycle.net/52-weeks-52-interviews-week-34-giannina-braschi/ (Monkey Bicycle)

Light, Revenge, Fear, Making love