Quotes about dock

A collection of quotes on the topic of dock, other, time, likeness.

Quotes about dock

Joachim Peiper photo
Andy Rooney photo
Jacobo Arbenz Guzmán photo
Susan Elizabeth Phillips photo
James Cameron photo

“When the ship docks, I'm getting off with you.
This is crazy.
I know it doesn't make any sense, that's why I trust it.”

James Cameron (1954) Canadian film director

Source: James Cameron's Titanic

Tom Robbins photo
Ann Brashares photo
Anthony Bourdain photo
George Washington Plunkitt photo
Robin Williams photo
Eleanor Farjeon photo

“Bugsby's reach is long as time,
His reach is wide as wind is,
He can pick you nettles in Greenwich Marsh
And docks in the East Indies.”

Eleanor Farjeon (1881–1965) English children's writer

Bugsby's Reach
More Nursery Rhymes of London Town (1917)

H. G. Wells photo
Hugh Macmillan, Baron Macmillan photo
Todd Snider photo
Julius Streicher photo
Samuel R. Delany photo
Nick Cave photo

“Another ship ready to dock… the rigging comes loose… like Jennifer's Veil.”

Nick Cave (1957) Australian musician

Song lyrics, Mutiny (1993), Jennifer's Veil

Alfred Denning, Baron Denning photo
Nelson Mandela photo
Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Oliver Wendell Holmes photo

“You think they are crusaders sent
From some infernal clime,
To pluck the eyes of sentiment
And dock the tail of Rhyme,
To crack the voice of Melody
And break the legs of Time.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Music Grinders; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Hans Frank photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Milton Friedman photo

“Whether it is in the slums of New Delhi or in the affluence of Las Vegas, it simply isn't fair that there should be any losers. Life is unfair — there is nothing fair about one man being born blind and another man being born with sight. There is nothing fair about one man being born of a wealthy parent and one of an impecunious parent. There is nothing fair about Muhammad Ali having been born with a skill that enables him to make millions of dollars one night. There is nothing fair about Marlene Dietrich having great legs that we all want to watch. There is nothing fair about any of that. But on the other hand, don't you think a lot of people who like to look at Marlene Dietrich's legs benefited from nature's unfairness in producing a Marlene Dietrich. What kind of a world would it be if everybody was an absolute identical duplicate of anybody else. You might as well destroy the whole world and just keep one specimen left for a museum. In the same way, it's unfair that Muhammad Ali should be a great fighter and should be able to earn millions. But would it not be even more unfair to the people who like to watch him if you said that in the pursuit of some abstract idea of equality we're not going to let Muhammad Ali get more for one nights fight than the lowest man on the totem pole can get for a days unskilled work on the docks. You can do that but the result of that would be to deny people the opportunity to watch Muhammad Ali. I doubt very much he would be willing to subject himself to the kind of fights he's gone through if he were to get the pay of an unskilled docker.”

Milton Friedman (1912–2006) American economist, statistician, and writer

From Created Equal, an episode of the PBS Free to Choose television series (1980, vol. 5 transcript) http://www.freetochoosemedia.org/broadcasts/freetochoose/detail_ftc1980_transcript.php?page=5.

Robert Hooke photo
Henry Temple, 3rd Viscount Palmerston photo

“It is quite clear that if by sudden attack by an Enemy landed in strength our Dock-yards were to be destroyed our Maritime Power would for more than half a century be paralysed, and our Colonies, our commerce, and the Subsistence of a large Part of our Population would be at the Mercy of our Enemy, who would be sure to shew us no Mercy—we should be reduced to the Rank of a third Rate Power if no worse happened to us. That such a Landing is in the present State of Things possible must be manifest. No Naval Force of ours can effectually prevent it. … One night is enough for the Passage to our Coast, and Twenty Thousand men might be landed at any Point before our Fleet knew that the Enemy was out of Harbour. There could be no security against the simultaneous Landing of 20,000 for Portsmouth 20,000 for Plymouth and 20,000 for Ireland our Troops would necessarily be scattered about the United Kingdom, and with Portsmouth and Plymouth as they now are those Two dock yards and all they contain would be entered and burnt before Twenty Thousand Men could be brought together to defend either of them. … if these defensive works are necessary, it is manifest that they ought to be made with the least possible delay; to spread their Completion over 20 or 30 years would be Folly unless we could come to an agreement with a chivalrous Antagonist, not to molest us till we could inform him we were quite ready to repel his attack—we are told that these works might, if money were forthcoming be finished possibly in three at latest in four years. Long enough this to be kept in a State of imperfect Defence.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Letter to Gladstone (15 December 1859), quoted in Philip Guedalla (ed.), Gladstone and Palmerston, being the Correspondence of Lord Palmerston with Mr. Gladstone 1851-1865 (London: Victor Gollancz, 1928), pp. 115-117.
1850s

Maurice Glasman, Baron Glasman photo
Otis Redding photo

“Sittin' in the mornin' sun,
I'll be sittin' when the evenin' comes.
Watchin' the ships roll in;
And I watch 'em roll away again.
Sittin' on the dock of the bay,
Watchin' the tide roll away.
Sittin' on the dock of the bay,
Wastin' time.”

Otis Redding (1941–1967) American singer, songwriter and record producer

(Sittin' On) The Dock of the Bay, co-written with Steve Cropper.
Song lyrics, The Dock of the Bay (1968)

Patrick Buchanan photo
Otis Redding photo
Joseph Conrad photo
Richard Henry Dana Jr. photo
W. S. Gilbert photo
Robert H. Jackson photo

“If we can cultivate in the world the idea that aggressive war-making is the way to the prisoner's dock rather than the way to honors, we will have accomplished something toward making the peace more secure.”

Robert H. Jackson (1892–1954) American judge

Opening Address to the International Military Tribunal at the Nuremberg Trials (10 November 1945)
Quotes from the Nuremberg Trials (1945-1946)

Robert H. Jackson photo

“The record is full of other examples of dissimulations and evasions. Even Schacht showed that he, too, had adopted the Nazi attitude that truth is any story which succeeds. Confronted on cross-examination with a long record of broken vows and false words, he declared in justification and I quote from the record: "I think you can score many more successes when you want to lead someone if you don't tell them the truth than if you tell them the truth." This was the philosophy of the National Socialists. When for years they have deceived the world, and masked falsehood with plausibilities, can anyone be surprised that they continue their habits of a lifetime in this dock? Credibility is one of the main issues of this Trial. Only those who have failed to learn the bitter lessons of the last decade can doubt that men who have always played on the unsuspecting credulity of generous opponents would not hesitate to do the same, now. It is against such a background that these defendants now ask this Tribunal to say that they are not guilty of planning, executing, or conspiring to commit this long list of crimes and wrongs. They stand before the record of this Trial as bloodstained Gloucester stood by the body of his slain king. He begged of the widow, as they beg of you: "Say I slew them not." And the Queen replied, "Then say they were not slain. But dead they are…"”

Robert H. Jackson (1892–1954) American judge

If you were to say of these men that they are not guilty, it would be as true to say that there has been no war, there are no slain, there has been no crime.
Summation for the Prosecution, July 26, 1946
Quotes from the Nuremberg Trials (1945-1946)

Marcel Pagnol photo
David Graeber photo
Patrick Kavanagh photo