Quotes about column
page 2

Stephen M. Walt photo

“Christmas turns things last end foremost. The people whom the world arranges last in its procession — the weary, the poor, the foolish, the lame, the halt, the blind — these are the ones who come at the very head of the column in the consideration of the Little Child who leads.”

Halford E. Luccock (1885–1960) American Methodist minister

Source: Fares, Please! (1915), Everything Upside Down, p. 187
Context: Christmas turns things last end foremost. The people whom the world arranges last in its procession — the weary, the poor, the foolish, the lame, the halt, the blind — these are the ones who come at the very head of the column in the consideration of the Little Child who leads. The last, the least, the lost — how often those words were on Jesus's lips — the three great objects of his passion! It is not the world's idea of correct form. … most of us unconsciously arrange our acquaintances or possible acquaintances in the order of what advantage they may be to us. Jesus reverses the whole scheme as a perversion and sets up a new basis of classification. His question is not, What can this man do for me? but What can I do for him? The most important person for us to know, he tells us both by word and example, is the one who needs us most. "The first shall be last and the last shall be first."

Alfred George Gardiner photo
Henri de Toulouse-Lautrec photo

“The Mirlitons in the Place Vendôme, opposite the column! What a crush! A lot of people, a lot of women, and a lot of nonsense! It's a crush made up of gloved hands manipulating tortoiseshell or gold lorgnettes; but it's a crush all the same!”

Henri de Toulouse-Lautrec (1864–1901) French painter

Lautrec visited in the Spring of 1885 several exhibitions in Paris, he made a note of his impressions. His spontaneous criticisms were irreverent, with a certain irony. 'Le Mirliton', a Paris cabaret, was opened in 1885 by Aristide Bruant
Source: 1885-1895, T-Lautrec, by Henri Perruchot, p. 83 - from a note of his impressions

James Braid photo
Chauncey Depew photo

“A witty illustration or an apt story will accomplish more than columns of argument.”

Chauncey Depew (1834–1928) American politician

My Memories of Eighty Years (1922), p. 318

Ernest Flagg photo
Albert Gleizes photo
Ferdinand Hodler photo
Ted Nugent photo
Corneliu Zelea Codreanu photo
Kent Hovind photo
Marianne von Werefkin photo
Louis Bromfield photo
Barbara Hepworth photo
Naum Gabo photo
Ferdinand Hodler photo
P. J. O'Rourke photo
Daniel Webster photo

“We wish that this column, rising towards heaven among the pointed spires of so many temples dedicated to God, may contribute also to produce, in all minds, a pious feeling of dependence and gratitude.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Source: Address on Laying the Cornerstone of the Bunker Hill Monument (1825), p. 62
Context: We wish that this column, rising towards heaven among the pointed spires of so many temples dedicated to God, may contribute also to produce, in all minds, a pious feeling of dependence and gratitude. We wish, finally, that the last object to the sight of him who leaves his native shore, and the first to gladden his who revisits it, may be something which shall remind him of the liberty and the glory of his country. Let it rise! let it rise, till it meet the sun in his coming; let the earliest light of the morning gild it, and the parting day linger and play on its summit!

Charles Lyell photo

“So, it was argued, the Mediterranean had once opened a passage for itself by the Columns of Hercules into the Atlantic, and perhaps the abundance of sea-shells in Africa, near the Temple of Jupiter Ammon, might also be the deposit of some former inland sea, which had at length forced a passage and escaped.”

(1832) Vol.1 Chpt.2, p. 20
Principles of Geology (1832), Vol. 1
Context: Strabo,... enters largely, in the Second Book of his Geography, into the opinions of Eratosthenes and other Greeks on one of the most difficult problems in geology, viz., by what causes marine shells came to be plentifully buried in the earth at such great elevations and distances from the sea. He notices, amongst others, the explanation of Xanthus the Lyclian, who said that the seas had once been more extensive, and that they had afterwards been partially dried up, as in his own time many lakes, rivers, and wells in Asia had failed during a season of drought. Treating this conjecture with merited disregard, Strabo passes on to the hypothesis of Strato, the natural philosopher, who had observed that the quantity of mud brought down by rivers into the Euxine was so great, that its bed must be gradually raised, while the rivers still continued to pour in an undiminished quantity of water. He therefore conceived that, originally, when the Euxine was an inland sea, its level had by this means become so much elevated that it burst its barrier near Byzantium, and formed a communication with the Propontis, and this partial drainage had already, he supposed, converted the left side into marshy ground, and that, at last, the whole would be choked up with soil. So, it was argued, the Mediterranean had once opened a passage for itself by the Columns of Hercules into the Atlantic, and perhaps the abundance of sea-shells in Africa, near the Temple of Jupiter Ammon, might also be the deposit of some former inland sea, which had at length forced a passage and escaped.

George Marshall photo

“There has been considerable comment over the awarding of the Nobel Peace Prize to a soldier. I am afraid this does not seem as remarkable to me as it quite evidently appears to others. I know a great deal of the horrors and tragedies of war. … The cost of war in human lives is constantly spread before me, written neatly in many ledgers whose columns are gravestones. I am deeply moved to find some means or method of avoiding another calamity of war.”

George Marshall (1880–1959) US military leader, Army Chief of Staff

Essentials to Peace (1953)
Context: There has been considerable comment over the awarding of the Nobel Peace Prize to a soldier. I am afraid this does not seem as remarkable to me as it quite evidently appears to others. I know a great deal of the horrors and tragedies of war.... The cost of war in human lives is constantly spread before me, written neatly in many ledgers whose columns are gravestones. I am deeply moved to find some means or method of avoiding another calamity of war. Almost daily I hear from the wives, or mothers, or families of the fallen. The tragedy of the aftermath is almost constantly before me.

Marcin Malek photo

“"SINN"
We are the anthems, trumpets
long-maned waves and roaring seas
we are the heavy columns of clouds
and eager sharp granite fangs

we are the yellow sands
that marble moon, grey dust
a stone’s shadow as hard as tears
of river streams and famine time

we boundless days, empty nights
blood on the threshold, iris of guns
hangman's ropes and trenches –
of gaping hollow graves”

Marcin Malek (1975) Polish writer

Notes: Originally written in English. „Sinn”: In Gaelic means "We". Poem was created in response to an appeal of fellow Irishman, who ask to wrote something in kind of Arthur O'Shaughnessy's "Ode", maintaining similar styling. (footnote from page 42)

Among the things (2012), Page 42, verse I-III.

Koenraad Elst photo
Claude Louis Hector de Villars photo

“Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth, supports a column of air that weighs – what is it?”

Carl Andre (1935) American artist

14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth.. .I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas.. .I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969]
Source: Artists talks 1969 – 1977, p. 12

Thomas Young (scientist) photo

“Besides these improvements,… there are others,… which may… be interesting to those… engaged in those departments… Among these may be ranked, in the division of mechanics, properly so called, a simple demonstration of the law of the force by which a body revolves in an ellipsis; another of the properties of cycloidal pendulums; an examination of the mechanism of animal motions; a comparison of the measures and weights of different countries; and a convenient estimate of the effect of human labour: with respect to architecture, a simple method of drawing the outline of a column: an investigation of the best forms for arches; a determination of the curve which affords the greatest space for turning; considerations on the structure of the joints employed in carpentry, and on the firmness of wedges; and an easy mode of forming a kirb roof: for the purposes of machinery of different kinds, an arrangement of bars for obtaining rectilinear motion; an inquiry into the most eligible proportions of wheels and pinions; remarks on the friction of wheel work, and of balances; a mode of finding the form of a tooth for impelling a pallet without friction; a chronometer for measuring minute portions of time; a clock escapement; a calculation of the effect of temperature on steel springs; an easy determination of the best line of draught for a carriage; an investigation of the resistance to be overcome by a wheel or roller; and an estimation of the ultimate pressure produced by a blow.”

Thomas Young (scientist) (1773–1829) English polymath

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Arthur Seyss-Inquart photo
John Allen Paulos photo
Walter Cronkite photo

“Objective journalism and an opinion column are about as similar as the Bible and Playboy magazine.”

Walter Cronkite (1916–2009) American broadcast journalist

Free the Airwaves! (2002)