Quotes about colloquy

A collection of quotes on the topic of colloquy, likeness, mean, meaning.

Quotes about colloquy

Pope Paul VI photo
Sorley MacLean photo
Gregory Benford photo
Colin Wilson photo
Vladimir Putin photo

“It's extremely dangerous trying to resolve political problems outside the framework of the law — first the ‘Rose Revolution', then they'll think up something like blue. [word play here: "rose" having the colloquial sense of "lesbian" in modern Russian, and "blue" meaning "gay"]”

Vladimir Putin (1952) President of Russia, former Prime Minister

On the "Orange Revolution" in Ukraine and the "Rose Revolution" in Georgia, News conference http://business.timesonline.co.uk/tol/business/markets/russia/article405454.ece, (23 December 2004).
On Ukraine

Ernest Barnes photo
Thornton Wilder photo
Robert A. Heinlein photo
Richard Dawkins photo
Chen Shui-bian photo

“Is A-bian wrong? (Chen is colloquially referred to as A-Bian)”

Chen Shui-bian (1950) Taiwanese politician

http://www.kmdn.gov.tw/shownews.asp?newsid=26668 http://www7.www.gov.tw/todaytw/2007/relations/ch01/4-1-02-0.html
Pet Phrases

Sri Aurobindo photo

“Scientific language that is correct and serious so far as teachers and students are concerned must follow these stylistic norms:
# Be as verbally explicit and universal as possible…. The effect is to make `proper' scientific statements seem to talk only about an unchanging universal realm….
# Avoid colloquial forms of language and use, even in speech, forms close to those of written language. Certain words mark language as colloquial…, as does use of first and second person…
# Use technical terms in place of colloquial synonyms or paraphrases….
# Avoid personification and use of specifically or usually human attributes or qualities…, human agents or actors, and human types of action or process…
# Avoid metaphoric and figurative language, especially those using emotional, colorful, or value laden words, hyperboles and exaggeration, irony, and humorous or comic expressions.
# Be serious and dignified in all expression of scientific content. Avoid sensationalism.
# Avoid personalities and reference to individual human beings and their actions, including (for the most part) historical figures and events….
# Avoid reference to fiction or fantasy.
# Use causal forms of explanation and avoid narrative and dramatic accounts…. Similarly forbidden are dramatic forms, including dialogue, the development of suspense or mystery, the element of surprise, dramatic action, and so on.”

Jay Lemke (1946) American academic

Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).

Dafydd ap Gwilym photo

“Welcome, with your lovely greenwood choir, summery month of May for which I long! Like a potent knight, an amorous boon, the green-entangled lord of the wildwood, comrade of love and of the birds, whom lovers remember, and their friend, herald of nine score trysts, fond of exalted colloquies.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Hawddamor, glwysgor glasgoed,
Fis Mai haf, canys mau hoed.
Cadarn farchog serchog sâl,
Cadwynwyrdd feistr coed anial;
Cyfaill cariad ac adar,
Cof y serchogion a'u câr;
Cennad nawugain cynnadl,
Caredig urddedig ddadl.
"Mis Mai a Mis Ionawr" (To May and January), line 1; translation from Kenneth Hurlstone Jackson (ed. and trans.) A Celtic Miscellany (Harmondsworth: Penguin, [1951] 1975) p. 75.

Woodrow Wilson photo
John Stuart Mill photo

“I have never known any man who could do such ample justice to his best thoughts in colloquial discussion. His perfect command over his great mental resources, the terseness and expressiveness of his language and the moral earnestness as well as intellectual force of his delivery, made him one of the most striking of all argumentative conversers: and he was full of anecdote, a hearty laugher, and, when with people whom he liked, a most lively and amusing companion. It was not solely, or even chiefly, in diffusing his merely intellectual convictions that his power showed itself: it was still more through the influence of a quality, of which I have only since learnt to appreciate the extreme rarity: that exalted public spirit, and regard above all things to the good of the whole, which warmed into life and activity every germ of similar virtue that existed in the minds he came in contact with: the desire he made them feel for his approbation, the shame at his disapproval; the moral support which his conversation and his very existence gave to those who were aiming to the same objects, and the encouragement he afforded to the fainthearted or desponding among them, by the firm confidence which (though the reverse of sanguine as to the results to be expected in any one particular case) he always felt in the power of reason, the general progress of improvement, and the good which individuals could do by judicious effort.”

Source: https://archive.org/details/autobiography01mill/page/101/mode/1up pp. 101-102

Gu Hongming photo
James Boswell photo
Alfred Tarski photo
Samuel Taylor Coleridge photo

“His rapid descents from the hyper-tragic to the infra-colloquial, though sometimes productive of great effect, are often unreasonable. To see him act, is like reading Shakespeare by flashes of lightning.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

17 April 1823.
Table Talk (1821–1834)
Context: Kean is original; but he copies from himself. His rapid descents from the hyper-tragic to the infra-colloquial, though sometimes productive of great effect, are often unreasonable. To see him act, is like reading Shakespeare by flashes of lightning. I do not think him thorough-bred gentleman enough to play Othello.

“…I have discovered that plays are easier to write than novels if the writer has a certain verbal facility, a certain capacity for the colloquial, an ear for the secret cadences of the spoken word. A play can be written with more ease than a novel…”

Luis Rafael Sánchez (1936) Puerto Rican playwright and novelist

On plays versus novels in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)