Quotes about castle
page 3

“Thoughtfully, just as Jabscreen owners everywhere were running out of apps to compare – and, by extension, anything to talk about – the nice droids at Apple Castle gifted them a whole new branch of conversation: the launch of the Jabscreen 4, which apparently is miles better than a regular Jabscreen, although no one can really explain why. Its most impressive feature is this: simply by existing, it suddenly makes your existing Olde Worlde vanilla Jabscreen seem rubbish. How can you enjoy sliding the little icons around on your Jabscreen 3 when you know that if you had a Jabscreen 4, those very same icons would be slightly sharper? The answer is you can't.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

Guardian columns

World

“The making of a true Home is really our peculiar and inalienable right; a right which no man can take from us, for a man can no more make a Home than a drone can make a hive. He can build a castle or a palace, but, poor creature! be he wise as Solomon and rich as Croesus, he cannot turn into a Home. No masculine mortal can do that. It is a woman, and only a woman; a woman all by herself if she likes, and without any man to help her, who can turn a House into a Home.”

Frances Power Cobbe (1822–1904) Irish writer, social reformer, anti-vivisection activist and leading suffragette

Lecture IV, pp. 114-115
The Duties of Women (1881)

Home, Help, Housing

“She was married for seven years
to a concrete castle king.
She said she wanted to learn to play the guitar
and to hear her children sing.
So I'd show up about once a week
in my faded tight-legged jeans
with a backlog full of hobo stories
and dilapidated dreams.”

Harry Chapin (1942–1981) American musician

I Wanna Learn a Love Song
Song lyrics, Verities & Balderdash (1974)

Children, Dreams, Learning, Singing

“Composed for renown am I, a verse heard
on the stone-doored isle in the four-quartered fort.
Tranquillity and obscurity mingled
shiny wine their drink before their retinue.
Three fulnesses of Prydwen we went upon the main,
Save for seven none came up from Castle Rigor.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Spoils of Annwn

Drink, Wine

“Although we must leave you,
Fair Castle of Mey,
We shall never forget,
Nor will never repay,
A meal of such splendour,
Repast of such zest,
It will take us to Sunday,
Just to digest.
To leafy Balmoral,
We are now on our way,
But our hearts will remain
At the Castle of Mey.
With your gardens and ranges,
And all your good cheer,
We will be back again soon
So roll on next year.”

Isabel II do Reino Unido (1926–2022) queen of the UK, Canada, Australia, and New Zealand, and head of the Commonwealth of Nations

Ode to the Castle of Mey, recorded in the visitors' book at the Castle of Mey, in Caithness, during a visit to the Queen Mother, 1993. http://news.bbc.co.uk/1/hi/entertainment/3049709.stm

Way, Heart, Forgetting

“We need a new Mario game where you rescue the princess in the first ten minutes, and for the rest of the game you try to push down that sick feeling in your stomach telling you she's "damaged goods," a concept detailed again and again in the profoundly sex-negative instruction booklet, and when Luigi makes a crack about her and Bowser, you break his nose and immediately regret it. Peach asks you, in the quiet of her mushroom castle bedroom, "Do you still love me?"”

Joey Comeau book Overqualified

and you pretend to be asleep. You press A button rhythmically, to control your breath, to keep even.
Letter to Nintendo, pg 40.
Overqualified

Love, Sex, Feeling, Game

“The mistletoe hung in the castle hall,
The holly-branch shone on the old oak wall.”

Thomas Haynes Bayly (1797–1839) English poet, songwriter, dramatist, and writer

The Mistletoe Bough, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Wherever they went, William and his Norman lieutenants built castles. About 170 great vassals came to England with William. When the king rewarded his followers with grants of land, they also assumed the responsibility for its defense, so each built one or more castles. William and his men had several reasons for building castles. As hostile invaders they had to fortify their dwellings and camps in order to hold the territory and provide security for themselves. Their castles also secured borders and coastlines against other invaders and controlled the movement of people and goods at key transportation centers such as fords, bridges, and passes and along major roads.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

Men, Hostility, People

“The castle was far more than a walled and turreted fortress; it was an instrument of social control and the symbol of power, authority, and wealth.”

Marilyn Stokstad (1929–2016) art historian

Preface
Medieval castles (2005)

Wealth

“Building castles in the air, 36 and making yourself a laughing-stock.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 31.

“Here are 3 drawings that I have made for You. It will be satisfactory, if it will meet your expectation and what it is for [to make a painting]. The two landscapes are thoughts, but the one that suggests the moonlight is the castle at Doorenwaart in Gelderland. I also painted a painting of that subject which I enjoyed a lot in Amsterdam [because, purchased there by A. B. Roothaan there] (translation from original Dutch: Fons Heijnsbroek)”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

(original Dutch, citaat van Schelfhout, uit zijn brief:) Hierbij 3 teekeningen die ik voor UE. Vervaardigd hebt, het zal mij genoegelijk zijn, indien dezelve aan uwe verwachting en aan het [doel], waar voor zie dienen moeten [voor het maken van een schilderij], zullen beantwoorden. De 2 landschapjes zijn gedachten, maar het gene dat het maanlicht voorsteld, is het kasteel te Doorenwaart in Gelderland. Ik heb ook van dat zelve onderwerp een schilderij geschilderd waar van ik veel genoege gehad heb te Amsterdam [aangekocht door A. B. Roothaan aldaar]
Quote of Schelfhout in his letter to , 2 Dec. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 49

Drawing, Painting

“It is a strong castle, and strongly guarded; but there is no impossibility to brave men.”

Walter Scott book Quentin Durward

Quentin Durward (1823), Ch. 3.

Men, Strong

“How could a person forget about the plains, the meadows, watered with the blood of our forefathers; abandon those places where Turkish raiders had hidden their steeds for a full four hundred years, with our mosques, our tombs, our dervish retreats, our bridges and our castles, to leave them to our slaves, to be driven out of Rumelia to Anatolia: this was beyond a person’s endurance. I am prepared to gladly sacrifice the remaining years of my life to take revenge on the Bulgarians, the Greeks, and the Montenegrans.”

İsmail Enver (1881–1922) Turkish military officer and a leader of the Young Turk revolution

Quoted in "A Shameful Act: The Armenian Genocide and the Question of Turkish Responsibility" - by Taner Akcam - History - 2007 - Page 115.

Life, Revenge, Water, Personality

“Besides, time, which despoils castles, enriches verses... Time broadens the scope of verses and I know of some which, like music, are everything for all men.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"Averroës' Search" (1949)

Men, Music, Time

“Warfare had become endemic in eleventh- and twelfth-century Europe. Castle building used up the resources of the land as every landholder from the king and great nobles to the small landholders fortified their dwellings. Constant skirmishing, brigandage, and open warfare at home and abroad meant that people poured vast resources into training and equipping warriors and building castles and siege machines. The motte and bailey castle with its great tower, as the keep or donjon is called in medieval documents, was admirably suited as a defense against local skirmishes.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 2 : The Castle as Fortress : The Castle and Siege Warfare

People, Home, Training

“There is nothing at all that remains: nor any house; nor any castle, however strong; nor any love, however tender and sound; nor any comradeship among men, however hardy. Nothing remains but the things of which I will not speak, because we have spoken enough of them already during these four days. But I who am old will give you advice, which is this—to consider chiefly from now onwards those permanent things which are, as it were, the shores of this age and the harbours of our glittering and pleasant but dangerous and wholly changeful sea.”

Hilaire Belloc (1870–1953) writer

By this, we are then told, "he meant Death." (p. 158)
Source: The Four Men: A Farrago (1911), pp. 157–8

Love, Men, Age, Strong

“The Queen of England has more cause to procure the preservation of the Low Countries in their ancient estate in the obedience of the house of Burgundy than any other place hath…Now if the Low Countries should either be subdued to the Spaniards or possessed by the French, England cannot continue this manner of league. For if the Spaniard shall possess this country by conquest, as otherwise they cannot, then must they also govern it as conquers—that is build in every country and special towns, forts and castles which must be kept and guarded with Spaniards…To maintain these the King must continue great taxes…and there will be no reason to stop him but he will set what tax he listeth upon the commodities of England and so shall England wax poor to make him rich. And then England will have no remedy.”

William Cecil, 1st Baron Burghley (1520–1598) English statesman

Memorandum from approximately the beginning of 1576.
Conyers Read, Lord Burghley and Queen Elizabeth (London: Jonathan Cape, 1960), p. 166.

Housing, Country

“In the game of Dawn Card-Castles, fifty-two playing cards are stacked up into a castle in a draught-free space: the player can determine the dreams of the next night if he awakes before the castle collapses. Those players who wish to dream of Romance build their castle with the seven of hearts.”

Peter Greenaway (1942) British film director

Drowning By Numbers

Dreams, Game, Heart, Night

“At the end of the Middle Ages, castles began to lose their military func tion, but not their psychological impact as a symbol of authority. Gun powder and cannons supported armies of mercenary troops, and the garrison forts built to house them adopted the crenellated walls of private aristocratic castles. By the sixteenth century, professional soldiers lived in barracks, a few officers and the governor had finer quarters, and kings and nobles merely directed the operations from distant palaces where battle ments had become purely symbolic decoration. The Battle of Crecy be tween France and England in 1346 is traditionally considered to be the first use of cannons on the battlefield. At first the noise and smoke cre ated by the explosion terrified horses and men, and wreaked more havoc than the projectiles. Early cannons could be more dangerous for the gun ners than for the enemy, but military engineers rapidly developed the weapons’ power and accuracy. A castle’s high walls and towers made easy targets for gunners whose power and accuracy reduced once formidable medieval buildings to rubble. Mining became more successful because the attackers could put explosives under the walls.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 5 : Impact and Consequences : The Afterlife of the Castle

Men, Age, Support, Distant

“Constant warfare, especially against the Muslims, gave rise to a new type of military man—one who combined the character and role of both monk and warrior. These knights, organized into military orders, served officially under the Pope but were essentially independent. Their grand master was both an abbot and a general. They lived under a modified Cistercian rule, and they took monastic vows of obedience, poverty, and chastity. As monks, in theory they owned nothing; for example, their horses and armor were loaned to them by the order. In practice they became a wealthy and often arrogant standing army. Having studied Byzantine and Muslim castles and warfare, they built huge castles that changed castle design in Europe.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 2 : The Castle as Fortress : The Castle and Siege Warfare

Study, Change, Horse

“By the time Henry II Plantagenet (r. 1154–89) was crowned king of England in 1154, baronial castles outnumbered royal castles. A tough, dynamic ruler, Henry began to rectify the situation at once. In the north, King Malcolm of Scotland surrendered to him, giving Henry significant castles in Scotland and in the border territory. Many older castles like Windsor were strengthened. At Dover the masonry great tower and fore building were built in the 1180s, and concentric walls with half-round towers were added by Richard the Lion Hearted seventeen years later.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

Time, Heart

“This is not an age of castles, moats, and armor, where people can sustain a competitive advantage for very long. This is an age that calls for cunning, speed, and enterprise.”

Richard D’Aveni (1953) American economist

Richard D'Aveni, in: "The Mavericks," Fortune, June 1995.

People, Age, Speed

“"Another situation generally exposed to ressentiment danger is the older generation's relation with the younger. The process of aging can only be fruitful and satisfactory if the important transitions are accompanied by free resignation, by the renunciation of the values proper to the preceding stage of life. Those spiritual and intellectual values which remain untouched by the process of aging, together with the values of the next stage of life, must compensate for what has been lost. Only if this happens can we cheerfully relive the values of our past in memory, without envy for the young to whom they are still accessible. If we cannot compensate, we avoid and flee the “tormenting” recollection of youth, thus blocking our possibilities of understanding younger people. At the same time we tend to negate the specific values of earlier stages. No wonder that youth always has a hard fight to sustain against the ressentiment of the older generation. Yet this source of ressentiment is also subject to an important historical variation. In the earliest stages of civilization, old age as such is so highly honored and respected for its experience that ressentiment has hardly any chance to develop. But education spreads through printing and other modern media and increasingly replaces the advantage of experience. Younger people displace the old from their positions and professions and push them into the defensive. As the pace of “progress” increases in all fields, and as the changes of fashion tend to affect even the higher domains (such as art and science), the old can no longer keep up with their juniors. “Novelty‟ becomes an ever greater value. This is doubly true when the generation as such is seized by an intense lust for life, and when the generations compete with each other instead of cooperating for the creation of works which outlast them. “Every cathedral,” Werner Sombart writes, “every monastery, every town hall, every castle of the Middle Ages bears testimony to the transcendence of the individual's span of life: its completion spans generations which thought that they lived for ever. Only when the individual cut himself loose from the community which outlasted him, did the duration of his personal life become his standard of happiness.” Therefore buildings are constructed ever more hastily—Sombart cites a number of examples. A corresponding phenomenon is the ever more rapid alternation of political regimes which goes hand in hand with the progression of the democratic movement. But every change of government, every parliamentary change of party domination leaves a remnant of absolute opposition against the values of the new ruling group. This opposition is spent in ressentiment the more the losing group feels unable to return to power. The “retired official” with his followers is a typical ressentiment figure. Even a man like Bismarck did not entirely escape from this danger."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Life, Happiness, People, Youth

“One musn’t be misled by the amiable, bumbling persona. He is a toughly intelligent man moving confidently in any kind of surroundings from Windsor Castle to Birdland.”

Humphrey Lyttelton (1921–2008) English jazz trumpeter

Philip Larkin http://www.timesonline.co.uk/tol/comment/obituaries/article3827144.ece <br class="br">About

Confidence, Intelligence

“People have this image of me as an ethereal Lady of Shalott, floating across the battlements, but it's a very small castle as castles go — with no big ballrooms…”

Enya (1961) Irish singer, songwriter, and musician

You interview (2006)
Context: I live in Victorian Gothic castle in Killiney that I was so bold as to rename Manderley, because Daphne du Maurier 's Rebecca is one of my favourite books.... People have this image of me as an ethereal Lady of Shalott, floating across the battlements, but it's a very small castle as castles go — with no big ballrooms... I don't write my music in my home, only in the studio; I want as normal life as possible at home, with dinner parties and entertaining.

People

“Castles, palaces, cathedrals, fortresses, all speak in their various ways of the greatness and the strength of the people who built them and against whom they were built.”

Henri Lefebvre (1901–1991) French philosopher

From Critique of Everyday Life: Volume 1 (1947/1991)
Context: Everything great and splendid is founded on power and wealth. They are the basis of beauty. This is why the rebel and the anarchic protester who decries all of history and all the works of past centuries because he sees in them only the skills and the threat of domination is making a mistake. He sees alienated forms, but not the greatness within. The rebel can only see to the end of his own ‘private’ consciousness, which he levels against everything human, confusing the oppressors with the oppressed masses, who were nevertheless the basis and the meaning of history and past works. Castles, palaces, cathedrals, fortresses, all speak in their various ways of the greatness and the strength of the people who built them and against whom they were built. This real greatness shines through the fake grandeur of rulers and endows these buildings with a lasting ‘beauty’. The bourgeoisie is alone in having given its buildings a single, over-obvious meaning, impoverished, deprived of reality: that meaning is abstract wealth and brutal domination; that is why it has succeeded in producing perfect ugliness and perfect vulgarity. The man who denigrates the past, and who nearly always denigrates the present and the future as well, cannot understand this dialectic of art, this dual character of works and of history. He does not even sense it. Protesting against bourgeois stupidity and oppression, the anarchic individualist is enclosed in ‘private’ consciousness, itself a product of the bourgeois era, and no longer understands human power and the community upon which that power is founded. The historical forms of this community, from the village to the nation, escape him. He is, and only wants to be, a human atom (in the scientifically archaic sense of the word, where ‘atom’ meant the lowest isolatable reality). By following alienation to its very extremes he is merely playing into the hands of the bourgeoisie. Embryonic and unconscious, this kind of anarchism is very widespread. There is a kind of revolt, a kind of criticism of life, that implies and results in the acceptance of this life as the only one possible. As a direct consequence this attitude precludes any understanding of what is humanly possible.

People, Way

“There are two ways of defending a castle; one by shutting yourself up in it, and guarding every loop-hole; the other by making it an open centre of operations from which all the surrounding country may be subdued. Is not the last the truest safety? Jesus was never guarding Himself, but always invading the lives of others with His holiness.”

Phillips Brooks (1835–1893) American clergyman and author

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 108.
Context: There are two ways of defending a castle; one by shutting yourself up in it, and guarding every loop-hole; the other by making it an open centre of operations from which all the surrounding country may be subdued. Is not the last the truest safety? Jesus was never guarding Himself, but always invading the lives of others with His holiness. There never was such an open life as His; and yet the force with which His character and love flowed out upon the world kept back, more strongly than any granite wall of prudent caution could have done, the world from pressing in on Him. His life was like an open stream which keeps the sea from flowing up into it by the eager force with which it flows down into the sea. He was so anxious that the world should be saved that therein was His salvation from the world. He labored so to make the world pure that He never even had to try to be pure Himself.

Way, Country

“We think our castles of sand are the ramparts of the universe.”

John Buchan book The Power-House

Source: The Power-House (1916), Ch. 3 "Tells of a Midsummer Night"
Context: When all is said, we are ruled by the amateurs and the second-rate. The methods of our departments would bring any private firm to bankruptcy. The methods of Parliament — pardon me — would disgrace any board of directors. Our rulers pretend to buy expert knowledge, but they never pay the price for it that a business man would pay, and if they get it they have not the courage to use it. Where is the inducement for a man of genius to sell his brains to our insipid governors?
And yet knowledge is the only power — now as ever. A little mechanical device will wreck your navies. A new chemical combination will upset every rule of war. It is the same with our commerce. One or two minute changes might sink Britain to the level of Ecuador, or give China the key of the world's wealth. And yet we never dream that these things are possible. We think our castles of sand are the ramparts of the universe.

Thinking, Universe

“Not all his men may sever this,
It yields to friends', not monarchs', calls;
My whinstone house my castle is—
I have my own four walls.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

“My Own Four Walls” (c. 1825)
1820s

Housing

“In their phenomena of life the inhabitants of the earth display endless variety. They swim in the waters, soar in the skies, squeeze among the rocks, clamber among the trees, scamper over the plains, and glide among the grounds and grasses. Some are born for a summer, some for a century, and some flutter their little lives out in a day. They are black, white, blue, golden, all the colours of the spectrum. Some are wise and some are simple; some are large and some are microscopic; some live in castles and some in bluebells; some roam over continents and seas, and some doze their little day-dream away on a single dancing leaf. But they are all the children of a commion mother and the co-tenants of a common world. Why they are here in this world rather than some place else; why the world in which they find themselves is so full of the undesirable; and whether it would not have been better if the ball on which they ride and riot had been in the beginning sterilised, are problems too deep and baffling for the most of them. But since they are here, and since they are too proud or too superstitious to die, and are surrounded by such cold and wolfish immensities, what would seem more proper than for them to be kind to each other, and helpful, and dwell together as loving and forbearing members of One Great Family?”

J. Howard Moore (1862–1916)

"Conclusion", pp. 324–325
The Universal Kinship (1906), The Ethical Kinship

Love, Life, Children, World

“Gurnemanz is still not absolutely certain that Parsifal is pure and a fool, as he makes the decision to lead Parsifal to the castle of the Graal, for Gurnemanz sang after they both had walked a while: Now pay attention, and let me see, if you are a fool and if you are pure …!”

Theodor Reuss (1855–1923) German singer

The test, if he is a pure fool, shall come to Parsifal first in the Temple of the Graal! This point cannot be worked out further here.
II. Main Part : The Unveiling of the Secret.
Parsifal and the Secret of the Graal Unveiled (1914)

Making love, Fools, Decision

“When the business man rebukes the idealism of his office-boy, it is commonly in some such speech as this: “Ah, yes, when one is young, one has these ideals in the abstract and these castles in the air; but in middle age they all break up like clouds, and one comes down to a belief in practical politics, to using the machinery one has and getting on with the world as it is.””

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Thus, at least, venerable and philanthropic old men now in their honoured graves used to talk to me when I was a boy. But since then I have grown up and have discovered that these philanthropic old men were telling lies. What has really happened is exactly the opposite of what they said would happen. They said that I should lose my ideals and begin to believe in the methods of practical politicians. Now, I have not lost my ideals in the least; my faith in fundamentals is exactly what it always was. What I have lost is my old childlike faith in practical politics. <br class="br"> "The Ethics of Elfland" https://www.ccel.org/ccel/chesterton/orthodoxy.vii.html in Delphi Works of G. K. Chesterton

Age, World, Boy, Business

“If I was a junkman selling you cars,
Washing your windows and shining your stars,
Thinking your mind was my own in a dream
What would you wonder and how would it seem?
Living in castles a bit at a time
The King started laughing and talking in rhyme.
Singing words, words between the lines of age.
Words, words between the lines of age.”

Neil Young (1945) Canadian singer-songwriter

Words (between the lines of age)
Song lyrics, Harvest (1972)

Age, Dreams, Cars, Star

“It is surely delightful, Sir, to look forward to that period when a series of liberal and prudent measures shall have delivered islands, so highly favoured by the bounty of Providence, from the curse inflicted on them by the frantic rapacity of man. Then the peasant of the Antilles will no longer crawl in listless and trembling dejection round a plantation from whose fruits he must derive no advantage, and a hut whose door yields him no protection; but, when his cheerful and voluntary labour is performed, he will return with the firm step and erect brow of a British citizen from the field which is his freehold to the cottage which is his castle.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

Speech to a meeting of the Anti-Slavery Society held at Freemasons' Tavern (25 June 1824), quoted in Report of the Committee of the Society for the Mitigation and Gradual Abolition of Slavery Throughout the British Dominions, Volume I (1824), p. 77
1820s