Quotes about castle
            
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                                        Lecture IV, pp. 114-115 
The Duties of Women  (1881)
                                    
 
                            
                        
                        
                        
                                        
                                        I Wanna Learn a Love Song 
Song lyrics, Verities & Balderdash (1974)
                                    
 
                            
                        
                        
                        Ode to the Castle of Mey, recorded in the visitors' book at the Castle of Mey, in Caithness, during a visit to the Queen Mother, 1993. http://news.bbc.co.uk/1/hi/entertainment/3049709.stm
 
                            
                        
                        
                        
                                        
                                        and you pretend to be asleep. You press A button rhythmically, to control your breath, to keep even. 
Letter to Nintendo, pg 40. 
Overqualified
                                    
 
                            
                        
                        
                        
                                
                                    “The mistletoe hung in the castle hall,
The holly-branch shone on the old oak wall.”
                                
                                
                                
                                
                            
The Mistletoe Bough, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles
                                        
                                        Preface 
Medieval castles (2005)
                                    
 
                            
                        
                        
                        “Building castles in the air, 36 and making yourself a laughing-stock.”
Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 31.
 
                            
                        
                        
                        
                                        
                                        (original Dutch, citaat van Schelfhout, uit zijn brief:) Hierbij 3 teekeningen die ik voor UE. Vervaardigd hebt, het zal mij genoegelijk zijn, indien dezelve aan uwe verwachting  en aan het [doel], waar voor zie dienen moeten [voor het maken van een schilderij], zullen beantwoorden. De 2 landschapjes zijn gedachten, maar het gene dat het maanlicht voorsteld, is het kasteel te Doorenwaart in Gelderland. Ik heb ook van dat zelve onderwerp een schilderij geschilderd waar van ik veel genoege gehad heb te Amsterdam [aangekocht door A. B. Roothaan aldaar]
Quote of Schelfhout in his letter to , 2 Dec. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 49
                                    
 
                            
                        
                        
                        “It is a strong castle, and strongly guarded; but there is no impossibility to brave men.”
Quentin Durward (1823), Ch. 3.
 
                            
                        
                        
                        Quoted in "A Shameful Act: The Armenian Genocide and the Question of Turkish Responsibility" - by Taner Akcam - History - 2007 - Page 115.
 
                            
                        
                        
                        "Averroës' Search" (1949)
Source: Medieval castles (2005), Ch. 2 : The Castle as Fortress : The Castle and Siege Warfare
 
                            
                        
                        
                        
                                        
                                        By this, we are then told, "he meant Death." (p. 158) 
Source: The Four Men: A Farrago (1911), pp. 157–8
                                    
 
                            
                        
                        
                        
                                        
                                        Memorandum from approximately the beginning of 1576. 
Conyers Read, Lord Burghley and Queen Elizabeth (London: Jonathan Cape, 1960), p. 166.
                                    
Source: Medieval castles (2005), Ch. 5 : Impact and Consequences : The Afterlife of the Castle
Source: Medieval castles (2005), Ch. 2 : The Castle as Fortress : The Castle and Siege Warfare
Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles
Richard D'Aveni, in: "The Mavericks," Fortune, June 1995.
 
                            
                        
                        
                        
                                        
                                        Philip Larkin  http://www.timesonline.co.uk/tol/comment/obituaries/article3827144.ece 
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                                        You interview (2006) 
Context: I live in Victorian Gothic castle in Killiney that I was so bold as to rename Manderley, because Daphne du Maurier 's Rebecca is one of my favourite books.... People have this image of me as an ethereal Lady of Shalott, floating across the battlements, but it's a very small castle as castles go — with no big ballrooms... I don't write my music in my home, only in the studio; I want as normal life as possible at home, with dinner parties and entertaining.
                                    
 
                            
                        
                        
                        
                                        
                                        From Critique of Everyday Life: Volume 1 (1947/1991) 
Context: Everything great and splendid is founded on power and wealth. They are the basis of beauty. This is why the rebel and the anarchic protester who decries all of history and all the works of past centuries because he sees in them only the skills and the threat of domination is making a mistake. He sees alienated forms, but not the greatness within. The rebel can only see to the end of his own ‘private’ consciousness, which he levels against everything human, confusing the oppressors with the oppressed masses, who were nevertheless the basis and the meaning of history and past works. Castles, palaces, cathedrals, fortresses, all speak in their various ways of the greatness and the strength of the people who built them and against whom they were built. This real greatness shines through the fake grandeur of rulers and endows these buildings with a lasting ‘beauty’. The bourgeoisie is alone in having given its buildings a single, over-obvious meaning, impoverished, deprived of reality: that meaning is abstract wealth and brutal domination; that is why it has succeeded in producing perfect ugliness and perfect vulgarity. The man who denigrates the past, and who nearly always denigrates the present and the future as well, cannot understand this dialectic of art, this dual character of works and of history. He does not even sense it. Protesting against bourgeois stupidity and oppression, the anarchic individualist is enclosed in ‘private’ consciousness, itself a product of the bourgeois era, and no longer understands human power and the community upon which that power is founded. The historical forms of this community, from the village to the nation, escape him. He is, and only wants to be, a human atom (in the scientifically archaic sense of the word, where ‘atom’ meant the lowest isolatable reality). By following alienation to its very extremes he is merely playing into the hands of the bourgeoisie. Embryonic and unconscious, this kind of anarchism is very widespread. There is a kind of revolt, a kind of criticism of life, that implies and results in the acceptance of this life as the only one possible. As a direct consequence this attitude precludes any understanding of what is humanly possible.
                                    
 
                            
                        
                        
                        
                                        
                                        Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 108. 
Context: There are two ways of defending a castle; one by shutting yourself up in it, and guarding every loop-hole; the other by making it an open centre of operations from which all the surrounding country may be subdued. Is not the last the truest safety? Jesus was never guarding Himself, but always invading the lives of others with His holiness. There never was such an open life as His; and yet the force with which His character and love flowed out upon the world kept back, more strongly than any granite wall of prudent caution could have done, the world from pressing in on Him. His life was like an open stream which keeps the sea from flowing up into it by the eager force with which it flows down into the sea. He was so anxious that the world should be saved that therein was His salvation from the world. He labored so to make the world pure that He never even had to try to be pure Himself.
                                    
 
                            
                        
                        
                        “We think our castles of sand are the ramparts of the universe.”
                                        
                                        Source: The Power-House (1916), Ch. 3 "Tells of a Midsummer Night" 
Context: When all is said, we are ruled by the amateurs and the second-rate. The methods of our departments would bring any private firm to bankruptcy. The methods of Parliament — pardon me — would disgrace any board of directors. Our rulers pretend to buy expert knowledge, but they never pay the price for it that a business man would pay, and if they get it they have not the courage to use it. Where is the inducement for a man of genius to sell his brains to our insipid governors?
And yet knowledge is the only power — now as ever. A little mechanical device will wreck your navies. A new chemical combination will upset every rule of war. It is the same with our commerce. One or two minute changes might sink Britain to the level of Ecuador, or give China the key of the world's wealth. And yet we never dream that these things are possible. We think our castles of sand are the ramparts of the universe.
                                    
 
                            
                        
                        
                        
                                        
                                        “My Own Four Walls” (c. 1825) 
1820s
                                    
 
                            
                        
                        
                        
                                        
                                        "Conclusion", pp. 324–325 
The Universal Kinship (1906), The Ethical Kinship
                                    
 
                            
                        
                        
                        
                                        
                                        The test, if he is a pure fool, shall come to Parsifal first in the Temple of the Graal! This point cannot be worked out further here. 
II. Main Part : The Unveiling of the Secret. 
Parsifal and the Secret of the Graal Unveiled (1914)
                                    
 
                            
                        
                        
                        
                                        
                                        Thus, at least, venerable and philanthropic old men now in their honoured graves used to talk to me when I was a boy. But since then I have grown up and have discovered that these philanthropic old men were telling lies. What has really happened is exactly the opposite of what they said would happen. They said that I should lose my ideals and begin to believe in the methods of practical politicians. Now, I have not lost my ideals in the least; my faith in fundamentals is exactly what it always was. What I have lost is my old childlike faith in practical politics. 
 "The Ethics of Elfland" https://www.ccel.org/ccel/chesterton/orthodoxy.vii.html in Delphi Works of G. K. Chesterton
                                    
 
                            
                        
                        
                        
                                        
                                        Words (between the lines of age) 
Song lyrics, Harvest (1972)
                                    
 
                            
                        
                        
                        
                                        
                                        Speech to a meeting of the Anti-Slavery Society held at Freemasons' Tavern (25 June 1824), quoted in Report of the Committee of the Society for the Mitigation and Gradual Abolition of Slavery Throughout the British Dominions, Volume I (1824), p. 77 
1820s
                                    
 
                            
                        
                        
                        Escolios a un Texto Implicito (1977), Volume One
 
                            
                        
                        
                        “A king fortifies himself with a castle, a gentleman with a desk.”
Source: A Gentleman In Moscow
 
                             
                             
                             
                            