Quotes about almanac

A collection of quotes on the topic of almanac, time, timing, books.

Quotes about almanac

“People are like almanacs, Bonnie - you never can find the information you're looking for, but the casual reading is well worth the trouble.”

Zelda Fitzgerald book Save Me the Waltz

Source: Save Me the Waltz

People, Reading

“Time to plant tears, says the almanac.
The grandmother sings to the marvelous stove
and the child draws another inscrutable house.”

Elizabeth Bishop (1911–1979) American poet

Source: The Complete Poems 1927-1979

Tear, Singing, Time, Drawing

“This poet is now, most of the time, an elder statesman like Baruch or Smuts, full of complacent wisdom and cast-iron whimsy. But of course there was always a good deal of this in the official rôle that Frost created for himself; one imagines Yeats saying about Frost, as Sarah Bernhardt said about Nijinsky: “I fear, I greatly fear, that I have just seen the greatest actor in the world.”
Sometimes it is this public figure, this official rôle — the Only Genuine Robert Frost in Captivity — that writes the poems, and not the poet himself; and then one gets a self-made man’s political editorials, full of cracker-box philosophizing, almanac joke-cracking — of a snake-oil salesman’s mysticism; one gets the public figure’s relishing consciousness of himself, an astonishing constriction of imagination and sympathy; one gets sentimentality and whimsicality; an arch complacency, a complacent archness; and one gets Homely Wisdom till the cows come home.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Other Frost”, pp. 30–31
Poetry and the Age (1953)

Wisdom, World, Fear, Home

“My wish [c. 1911].... of compiling a book (a kind of Almanac) in which all the contributions should be written by artists. I dreamt primarily of painters and musicians. The ruinous separation of the arts from each other, and of 'Art' from folk-art and from children's art, the distinction between 'Art' and 'Ethnography' [folk-art].... the solid walls erected between phenomena that in my eyes were so closely related, even identical: in a word, the potentialities for synthesis left me no peace. It may well seem strange today [1930] that for a long time I could not find any co-workers or any means to promote this idea..”

Wassily Kandinsky (1866–1944) Russian painter

as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 102
1920 - 1930

Children, Books, Peace, Art

“I am sure of one thing: many silent readers and young people full of energy will secretly be grateful to us, will be fired by enthusiasm for this book [the Blaue Reiter Almanac ] and will judge the world in accordance with it.”

Franz Marc (1880–1916) German painter

Quote in a letter to Kandinsky, (c. Dec. 1911), quoted in 'Vezin 150'; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 67
1911 - 1914

People, Books, World

“[Their] things [works of Die Brücke-artists] must be exhibited. But I think it is incorrect to immortalize them in the document [Almanac] of our modern art (and, this is what our book ought to be) or as a more or less decisive, leading factor. At any rate I am against large reproductions”

Wassily Kandinsky (1866–1944) Russian painter

of Die Brücke paintings in The Blaue Reiter Almanac
Quote from his letter to Franz Marc, 2 Febr. 1912, as cited in 'Lankheit 20'; quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 71
1910 - 1915

Books, Art, Thinking, Decision

“Two things are essential to the astrologer, namely, a bag of cowries and an almanac, When any one comes to consult him he quietly sits down, facing the sun, on a plank seat or mat, murmuring some mantrams or sacred verses, opens his bag of cowries and pours them on the floor. With his right hand he moves them slowly round and round, solemnly inciting meanwhile a stanza or two in praise of his guru or teacher and of his deity, invoking their help. He then stops and explains what, lie has been doing, at the same time taking a handful of cowries from the heap and placing them on one side. In front is a diagram drawn with chalk on tire floor and consisting of twelve compartments. Before commencing operations with the diagram he selects three or five of the cowries highest up in tho heap and places them in a line on the right-hand side. These represent Ganapati (the Belly God, the remover of difficulties), the sun, the planet Jupiter, Sarasvati (the Goddess of speech), and his own Guru or preceptor. To all of those the astrologor gives due obeisance, touching his ears and the ground three times with both hands. The cowries are next arranged in the compartments of tho diagram and are moved about from compartment to compartment by the astrologer, who quotes meanwhile tho authority on which ho makes such moves. Finally he explains the result, and ends with again worshipping the deified cowries who were witnessing the operation as spectators.”

William Logan (author) book Malabar Manual

Malabar Manual, Page 142 https://archive.org/details/MalabarLogan/page/n154 <br class="br">Malabar Manual (1887)

God, Lie, Making love, Quotes

“The Original Dream. We have forgotten how radical that original dream was—how bold the founders of the democracy really were. They knew that they were framing a form of government that challenged all the aristocratic assumptions and top-heavy power structures of Western history. The Revolutionaries exploited every available means of communication. They linked their networks by energetic letter writing. Jefferson designed an instrument with five yoked pens for writing multiple copies of his letters. The new ideas were spread through pamphlets, weekly newspapers, broadsides, almanacs, and sermons.”

Marilyn Ferguson (1938–2008) American writer

The Aquarian Conspiracy (1980), Chapter Five, The American Matrix for Transformation

Dreams, Democracy, History, Communication