Sad and heartbreaking quotes

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Meryl Streep photo

“I no longer have patience for certain things, not because I’ve become arrogant, but simply because I reached a point in my life where I do not want to waste more time with what displeases me or hurts me. I have no patience for cynicism, excessive criticism and demands of any nature. I lost the will to please those who do not like me, to love those who do not love me and to smile at those who do not want to smile at me. I no longer spend a single minute on those who lie or want to manipulate. I decided not to coexist anymore with pretense, hypocrisy, dishonesty and cheap praise. I do not tolerate selective erudition nor academic arrogance. I do not adjust either to popular gossiping. I hate conflict and comparisons. I believe in a world of opposites and that’s why I avoid people with rigid and inflexible personalities. In friendship I dislike the lack of loyalty and betrayal. I do not get along with those who do not know how to give a compliment or a word of encouragement. Exaggerations bore me and I have difficulty accepting those who do not like animals. And on top of everything I have no patience for anyone who does not deserve my patience.”

Meryl Streep (1949) American actress

Misattributed to Meryl Streep (and widely disseminated on the Internet as of August/September 2014), this quote is allegedly a translation of a text by the author José Micard Teixeira, the original of which begins (in Portuguese): "Já não tenho paciência para algumas coisas, não porque me tenha tornado arrogante..."
Misattributed

Suzanne Collins photo

“You don't forget the face of the person who was your last hope.”

Suzanne Collins The Hunger Games

Katniss Everdeen, p. 85
Source: The Hunger Games trilogy, The Hunger Games (2008)

Leonard Cohen photo

“Ring the bells that still can ring.
Forget your perfect offering.
There is a crack in everything.
That's how the light gets in.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

"Anthem"
The Future (1992)

Thomas Bradwardine photo

“O great and wonderful Lord our God, thou only light of the eyes, open, I implore thee, the eyes of my heart, and of others my fellow-creatures, that we may truly understand and contemplate thy wondrous works. And the more thoroughly we comprehend them, the more may our minds be affected in the contemplation with pious reverence and profound devotion. Who is not struck with awe in beholding thy all-powerful will completely efficacious throughout every part of the creation? It is by this same sovereign and irresistible will, that whom and when thou pleasest thou bringest low and liftest up, killest and makest alive. How intense and how unbounded is thy love to me, O Lord! whereas my love, how feeble and remiss! my gratitude, how cold and inconstant! Far be it from thee that thy love should even resemble mine; for in every kind of excellence thou art consummate. O thou who fillest heaven and earth, why fillest thou not this narrow heart? O human soul, low, abject, and miserable, whoever thou art, if thou be not fully replenished with the love of so great a good, why dost thou not open all thy doors, expand all thy folds, extend all thy capacity, that, by the sweetness of love so great, thou mayest be wholly occupied, satiated, and ravished; especially since, little as thou art, thou canst not be satisfied with the love of any good inferior to the One supreme? Speak the word, that thou mayest become my God and most enviable in mine eyes, and it shall instantly be so, without the possibility of failure. What can be more efficacious to engage the affection than preventing love? Most gracious Lord, by thy love thou hast prevented me, wretch that I am, who had no love for thee, but was at enmity with my Maker and Redeemer. I see, Lord, that it is easy to say and to write these things, but very difficult to execute them. Do thou, therefore, to whom nothing is difficult, grant that I may more easily practise these things with my heart than utter them with my lips. Open thy liberal hand, that nothing may be easier, sweeter, or more delightful to me, than to be employed in these things. Thou, who preventest thy servants with thy gracious love, whom dost thou not elevate with the hope of finding thee?”

Thomas Bradwardine (1300–1349) Theologian; Archbishop of Canterbury

Sample of Bradwardine devotional writing quoted by James Burnes, The Church of England Magazine under the superintendence of clergymen of the United Church of England and Ireland Vol. IV (January to June 1838)

Sri Chinmoy photo

“Man forgets. God forgives. Man forgets God's Truth. God forgives man's ignorance.”

Sri Chinmoy (1931–2007) Indian writer and guru

Songs of the Soul (1971)

Ludwig Van Beethoven photo

“Never forget the days I spent with you. Continue to be my friend, as you will always find me yours.”

Ludwig Van Beethoven (1770–1827) German Romantic composer

Variant: Never shall I forget the days I spent with you. Continue to be my friend, as you will always find me yours.

Miles Davis photo

“Do not fear mistakes - there are none.”

Miles Davis (1926–1991) American jazz musician

“I spent more time studying the world, seeing the world for the horrible, unfair place it is. I then had the revelation that just because I was condemned to suffer a life of loneliness and rejection, doesn’t mean I am insignificant. I have an exceptionally high level of intelligence. I see the world differently than anyone else. Because of all of the injustices I went through and the worldview I developed because of them, I must be destined for greatness. I must be destined to change the world, to shape it into an image that suits me!”

Elliot Rodger (1991–2014) American spree killer

My Twisted World (2014), Thoughts at 17

Stephen King photo

“Monsters are real. Ghosts are too. They live inside of us, and sometimes, they win.”

Stephen King book The Shining

Source: The Shining (1977)

Marcel Duchamp photo

“What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.

Meher Baba photo

“Age after age, history repeats itself when men and women, in their ignorance, limitations and pride, sit in judgment over the God-incarnated man who declares his Godhood, and condemn him for uttering the Truths they cannot understand. He is indifferent to abuse and persecution for, in his true compassion he understands, in his continual experience of Reality he knows, and in his infinite mercy he forgives.”

Meher Baba (1894–1969) Indian mystic

Meher Baba’s Call (1954)

Lynn Margulis photo

“In the long run, the most vicious predators, like most dread disease-causing microbes, bring about their own ruin by killing their victims. Restrained predation—the attack that doesn't kill or does kill only slowly—is a recurring theme in evolution. The predatory precursors of mitochondria invaded and exploited their hosts, but the prey resisted. Forced to be content with an expendable part of the prey (its waste)… some mitochondria precursors grew but never killed their providers. …The original prey was probably a larger bacterium like Thermoplasma.”

Lynn Margulis (1938–2011) American evolutionary biologist

Microcosmos: Four Billion Years of Evolution from Our Microbial Ancestors (1986)

Swami Sivananda photo

“Do not leave Japa and Sadhana even for a day. Adjust and adapt. Bear insult and injury. Learn to forget trifles. Tactfully move with people. Train everyone in Bhajan and Kirtan. Create spiritual vibrations wherever you go. Then you will find peace, joy, happiness and prosperity. There will be joy in all faces. This is the way for harmony. When you are agitated and irritated, take to Japa or leave the place for some time. Love all and serve all.”

Swami Sivananda (1887–1963) Indian philosopher

When You Are Agitated
Autobiography of Swami Sivananda

Omar Mukhtar photo

“I took part in all battles. If sometimes I was not there, the operation was likewise carried out under my orders.”

Omar Mukhtar (1858–1931) Libyan resistance leader

Trial proceedings (15 September 1931)

Anthony Hopkins photo

“I don’t know what it is, truthfully, I think part of it is being still and all that. I don’t know. I like to kind of come in at the side door. I like to act like a submarine; just don’t do much and just let it evolve. It’s resisting the urge to push the envelope. It’s very difficult for an actor to avoid, you want to show a bit. But I think the less one shows the better”

Anthony Hopkins (1937) Welsh stage and television actor

Anthony Hopkins on the secret of his spooky success: ‘I like to act like a submarine’ https://herocomplex.latimes.com/uncategorized/anthony-hopkins-on-the-secret-of-his-spooky-success-i-like-to-act-like-a-submarine/ (February 11, 2010)

“The relational model provides different categories, different underlying structures into which experience can be organized. Here the establishment of strong connections to others, in reality or in fantasy, is presumed to be primary. Forms of relationship are seen as fundamental, and life is understood largely as an array of metaphors for expressing and playing out relational patterns: discovery, penetration, domination, surrender, control, longing, evasion, revelation, envelopment, merger, differentiation, and so on. The body is still centrally important. Sexuality and bodily experiences are viewed as particularly apt arenas for this activity, since sexuality is enormously multiform and plastic. The number of different body parts, the variability of interactions, the poignancy of the sensations, the immense number of combinations — the almost infinite variety of human sexual possibilities make this an enormously fertile reservoir of metaphors for expressing different types of relationships, different configurations of connections, between self and others.”

Stephen Mitchell (1946–2000) American psychologist

Relational Concepts in Psychoanalysis (Cambridge, Massachusetts: Harvard University Press, 1988), p. 91

“Patience, he thought. So much of this was patience - waiting, and thinking and doing things right. So much of all this, so much of all living was patience and thinking.”

Gary Paulsen book Hatchet

Source: Hatchet